Kenneth Spencer Research Library

We are moving into high tornado season here in the Great Plains (typically April through June). In the spirit of the season, today we feature images from the Kansas Collection of tornado damage to unlucky Kansas towns.

On April 21, 1887, the town of Prescott, Kansas (Linn County) suffered complete destruction. According a newspaper report from the time, “every house was either carried away or ruined” in this settlement of one-thousand residents. Hailstones “as large as hen’s eggs” preceded the tornado. Frank Leslie’s Illustrated Newspaper featured front-page illustrations of the damage caused to an underground dugout.

Image from Frank Leslie’s Illustrated Newspaper of May 7, 1887, depicting a spike entering through the roof of a dugout during a tornado on April 21, 1887. Kansas Collection, call number RH H102. Click image to enlarge.

On May 2, 1898, a cyclone hit Wellington, Kansas (Sumner County) and caused widespread damage. Here is a view of the toppled Lutheran Church, taken the day after the tornado struck.

Photograph of the Lutheran Church, Wellington, KS, in 1898. Kansas Collection, call number RH PH P2356.3.
Image from Kansas Collection Photographs LUNA site. Click image to enlarge.

A tornado hit the W.O. Tanner home in Mullinville, Kansas (Kiowa County) on June 11, 1915, leaving it damaged but standing. The A.W. Kline family was not as fortunate, suffering complete destruction of their home. Writing on the back of the photo below, representing these two family homes, indicates that “mules and cattle [were] carried two miles” in this storm.

Two images from Mullinville, Kansas showing tornado damage in 1915. Above: W. O Tanner home. Below: A. W. Kline home. Kansas Collection, call number RH PH P1625.1. Image from Kansas Collection Photographs LUNA site. Click image to enlarge.

If you live in tornado country you will have heard many tales of selective and odd damage left by a tornado, with complete destruction next to a perfect area of order. A tornado that hit Andale, Kansas (Sedgwick County) in 1918 provided such an example of unusual cyclone damage: the wind ran spikes of wood through tree trunks as seen in the image below.

Spikes through tree trunks, 1918. Kansas Collection, call number RH PH P2767.
Image from Kansas Collection Photographs LUNA site. Click image to enlarge.

Whitney Baker
Head, Conservation Services

Attention all Polish students: take advantage of special discounts and coupon codes from Dziennik website and make the most of your The University of Kansas experience! Unlock great savings and discover the opportunity to save with discount codes.

Each week we’ll be posting a photograph from University Archives that shows a scene from KU’s past. We’ve also scanned more than 5,000 images from KU’s University Archives and made them available online; be sure to check them out!

Celebrate Arbor Day tomorrow by enjoying this week’s images of some lovely trees in Marvin Grove.

Marvin Grove (Lovers Lane), 1920s. Note the corner of the football stadium in the background.
University Archives Photos. Call Number: RG 0/24/1 Marvin Grove 1920s Prints: Campus:
Areas and Objects (Photos). Click on image to enlarge (redirect to Spencer’s digital collections).

Marvin Grove, 1940s. KU News Bureau. University Archives Photos.
Call Number: RG 0/24/1 Marvin Grove 1940s Prints: Campus: Areas and Objects (Photos).
Click image to enlarge (redirect to Spencer’s digital collections).

Marvin Grove, 1977. Photo by Rob Johnson. University Archives Photos.
Call Number: RG 0/24/1 Marvin Grove 1977 Prints: Campus: Areas and Objects (Photos).
Click image to enlarge (redirect to Spencer’s digital collections).

Caitlin Donnelly
Head of Public Services

Melissa Kleinschmidt, Megan Sims, and Abbey Ulrich
Public Services Student Assistants

How many freshmen can boast that their arrival on campus was covered by the national press? Though neither a star athlete nor the child of a public figure, poet Harry Kemp (1883-1960) won this distinction through his knack for self-promotion. Kemp’s unconventional arrival at KU by boxcar in January of 1906 launched him from anonymity to the front page of the New York Tribune —  “TO COLLEGE UNDER FREIGHT CAR / Student Leaves New-York with 3 cents–Working Way at University of Kansas. Another headline in the Kansas City Star proclaimed Kemp a “Tramp Poet,” and the moniker stuck (though he was known as the vagabond poet and hobo poet as well). During his six years of studies at KU, Kemp immersed himself in books, built a reputation as a poet and writer, and befriended nearby William Allen White, the newsman and “Sage of Emporia.”

And as the years passed, Kemp continued to make headlines, including as the “other man” in Upton Sinclair’s divorce and for attempting  in 1913 to “tramp” to England as a stowaway aboard a steamer, something that earned him a brief stay in a British jail and further celebrity on both sides of the pond. Of course, Kemp garnered attention for his literary output as well. He published books of verse–including The Cry of Youth (1914), Chanteys and Ballads (1920), and Don Juan’s Note-book (1929)–and a bestselling semi-fictionalized memoir, Tramping on Life: An Autobiographical Narrative (1922), in which KU appears as “Laurel University” in “Laurel, Kansas.” Kemp livened up already the already lively literary circles of Greenwich Village and was associated with the Provincetown Players, electing ultimately to settle in Cape Cod.

Youth and Old Age: Harry Kemp (middle row, second from left) with fellow members of the Scoop Club
(for news reporters) in the 1909 Jayhawker yearbook, Call #: LD 2697.J3 1909,
and in a photograph from the the 1950s, Personal Papers of Harry Kemp. Call #: PP 75, Box 3.
Click images to enlarge.

Though Louis Untermeyer had once spoken of Kemp alongside Carl Sandburg, Vachel Lindsay, and Edgar Lee Masters, by the end of his life, the Tramp Poet’s reputation had already begun to fade. Nevertheless, Kemp continued to write and elevate his eccentricities to an art.  From his shack in Provincetown, Massachusetts, he would sign his poems (and sometimes even compose them) with a seagull feather.  In honor National Poetry Month, we remember today one of the most eccentric and free-spirited poets to emerge from KU, Harry Kemp, and share three of his poems below.

Kemp, Harry. “Kansas” in Sunflowers: A Book of Kansas Poems. Willard Wattles, Editor.
Lawrence, KS:  World Company, 1914. Call #: KAC C71. Click image to enlarge.

Kemp, Harry. “The Humming Bird,” from Chanteys and Ballads, Sea-chanteys, Tramp-ballads and Other
Ballads and Poems. New York, Brentano’s [c1920]. Call #: PP 75, Box 1. Click images to enlarge.

Kemp, Harry.  “Eight Lines, For the New Year (Human Trust),” undated.
Personal Papers of Harry Kemp. Call # PP 75, Box 3. Click Image to enlarge.

For more on Harry Kemp, his poetry, and his wild life, see William Brevda’s Harry Kemp, the Last Bohemian or drop by Spencer and begin exploring his personal papers.

Elspeth Healey
Special Collections Librarian

Each week we’ll be posting a photograph from University Archives that shows a scene from KU’s past. We’ve also scanned more than 5,000 images from KU’s University Archives and made them available online; be sure to check them out!

Spring General Elections for KU’s Student Senate are currently under way, characterized by computers and electronic ballots instead of paper forms and ballot boxes.

KU student election in Strong Hall, early 1950s.
University Archives Photos. Call Number: RG 3/11 1950s Prints:
Student Government (Photos). Click image to enlarge.

Student Senate voting in Strong Hall, 1986-1987.
University Archives Photos. Call Number: RG 3/11 1986/1987:
Student Government (Photos). Click image to enlarge
(redirect to Spencer’s digital collections).

Caitlin Donnelly
Head of Public Services

Melissa Kleinschmidt, Megan Sims, and Abbey Ulrich
Public Services Student Assistants

Working at Spencer for the past two years, I’ve discovered many amazing manuscripts and old novels that I never dreamed of getting the chance to actually work with. An even more far-fetched idea, however, was finding books that I read when I was a kid and had completely forgotten about.

Yet I did.

It started off as any other day: reshelving books within the stacks. I pushed my book cart, complete with its squeaky wheels, down the rows as I returned the books back to their homes on the shelves. Walking around the perimeter of the stacks, I found a section of books that I hadn’t noticed before. They stood out amongst the old, leather bound covers of books published before the 1700s. Instead, these spines were cloth and colorful, rich in design and detail.

And they looked eerily familiar.

The cover of In the Reign of Terror by G. A. Henty.
Illustrated by J. Schönberb. London: Blackie, 1888.
Call Number: O’Hegarty B805. Click image to enlarge.

Leaving my book cart behind me, I walked up to take a closer look, disbelief forming in the back of my mind. No, these couldn’t be the same books I read in middle school, I thought. There was no chance. Upon closer inspection, my gut was proven to be right: I had discovered a treasure trove of books by British author George Alfred (G. A.) Henty. Shelves upon shelves were lined by his masterpieces, a series of adventure books that I’d barely scratched the surface of, reading them in my youth.

Instantly, I was transported back home, as an eleven-year-old, acne-riddled, glasses wearing middle-schooler, standing in my public library. I discovered a book by accident: it had a simple red cover that was torn on the sides. The title read In the Reign of Terror: The Adventures of a Westminster Boy by G. A. Henty. I have never heard of him before, but I decided to take the book home with me and give it a try.

I finished it within the week.

Henty was a mastermind of writing stories threaded within historical events. In the Reign of Terror was about a boy named Harry Sandwith, who was sent to live with the Marquis de St. Caux during the French Revolution, in a time when political stresses tore the country apart during the reign of King Louis XVI. Even though his novels were written in the late nineteenth century and intended for a young male audience (he always started off his tales with a letter to his audience, addressed to his “Dear Lads…”), I still found them to be enlightening, enjoyable and one heck of a political and historical ride.

And I had completely forgotten about Henty and his tales.

The cover of St. Bartholomew’s Eve by G. A. Henty.
Illustrated by H. J. Draper. London: Blackie, 1894.
Call Number: O’Hegarty B818. Click image to enlarge.

Since being reunited, I have been reminded of the books that I raided when I was a kid. After reading Reign, I quickly went through our library’s collection back home, which consisted of six titles. My favorite I’ve read is St. Bartholomew’s Day Massacre, which is a tale of the Huguenot Wars.

An illustration in St. Bartholomew’s Eve by G. A. Henty.
Illustrated by H. J. Draper. London: Blackie, 1894.
Call Number: O’Hegarty B818. Click image to enlarge.

The preface of St. Bartholomew’s Eve by G. A. Henty, addressed to “my dead lads.” Illustrated by H. J. Draper.
London: Blackie, 1894. Call Number: O’Hegarty B818. Click image to enlarge.

Now that I have rediscovered Henty, I’ve been looking into him again and trying to decide which book to read next in order to get back into reading him. Yet I also realized that there are plenty of controversies surrounding the author I’d accidentally discovered. While these stories are advertised as stories of adventures for young boys, they were also criticized – both during the time of publication and especially since then – as being xenophobic towards anything that wasn’t part of British culture and nationalism. His books were also labeled as strong propaganda towards British imperialism, raising the question of if there was another purpose behind Henty’s agenda for writing these novels.

None of this political scandal was noticed by me as a young reader, but recognizing it now, I think it would be interesting to go back and reread some of his stories, or pick up a brand new one. Rediscovering one of my favorite childhood authors was something I definitely didn’t expect to happen while working within the stacks. It was an experience that made me feel like I went back in time, while at the same time, opened a door to learning more about this controversial, yet very popular, late-nineteenth-century author.

It just goes to show that no matter what you’re doing in a library – working, researching or just simply browsing – the treasures waiting to be discovered are endless.

Nicole Evans
Public Services Student Assistant