Kenneth Spencer Research Library

This is the latest installment in a recurring series of posts introducing readers to the staff of Kenneth Spencer Research Library. Today’s profile features Adrienne Sanders, who joined Spencer Research Library in September 2023 as a Rare Materials Cataloging Librarian.

Where are you from?

I’ve lived in Lawrence for over 25 years, so I think I’m from here now. I grew up in various places around the greater Kansas City area and went to college in Southern California, then came to Lawrence after getting my undergraduate degree in linguistics. I like it here so I stayed.

How did you come to work at Spencer Research Library?

I didn’t set out to specifically work with rare materials. I worked in Watson Library at KU as a cataloging staff member for many years, and then at Topeka & Shawnee County Public Library for several years. Both positions had me working with rare materials some of the time. I worked with Latin American materials from Spencer’s Griffith collection at KU and with local history materials in Topeka. This position combines my cataloging and rare materials experience, although I’m still learning more all the time.

What does your job at Spencer entail?

Cataloging, in a nutshell, is creating the description of library materials that goes into an online catalog or database, so users can find out what we have. I describe the item physically, and I also assign subject headings that say what the work is about and call numbers that tell where the item is located in the stacks. There are multiple sets of rules that tell me how to compose and structure a bibliographic record, as well as conservation guidelines we follow to physically protect the materials. All of this is so when people search our catalog, they get results that (hopefully) show them what they want and how to access it through the library.

What part of your job do you like best?

I love learning a little bit about lots of things, and this job is perfect for that. Most materials come to me in batches of similar things that were donated or purchased together and are similar in topic or genre. I have to quickly learn what they’re about in order to describe them. It could be anything from 100 books about flying saucers to a dozen zines about political protests in Hong Kong. It keeps me from ever getting bored!

What is one of the most interesting items you’ve come across in Spencer’s collections?

One of the most interesting items I’ve worked with is also one of the oldest items. It’s a document created in Spain in 1570, called a carta executiva de hidalguía (or ejecutiva in modern spelling). These cartas were created to commemorate successfully petitioning the king to become nobility. (One of the benefits of being nobility was not having to pay taxes.) It’s written in gothic script and has a couple of pages of fantastic painted illustration. It turned out to be harder to read than I’d predicted, as I quickly learned that particular type of gothic script didn’t use punctuation marks or spaces between the words. The majority of materials I work with are from the 20th century, so this was both a challenge and a treat to catalog.

What are some of your favorite pastimes outside of work?

I’ve been knitting for many years, and it’s my favorite, but I will dabble in just about any craft involving yarn, fiber, or fabric. I’ve done a little crochet, embroidery, cross stitch, spinning (making yarn on a spindle), yarn dyeing, quilting, sewing, macrame, and probably more I’m forgetting. In stereotypical librarian fashion, I read a lot/listen to audiobooks, mostly literary fiction and science fiction. I also enjoy going to museums and historical sites, especially when traveling to places that are new to me.

Adrienne Sanders
Rare Materials Cataloging Librarian

Projects in Spencer are rarely the work of a single individual; instead, they often involve drawing in individuals across all corners and departments of the library. And when you’re very lucky, you can even call in the cavalry and recruit outside help. This has been the case in one of our ongoing projects centering around digitizing – or creating online digital reproductions – of a subset of our Japanese materials.

Spencer is home to an exceptional collection of materials dedicated to Natural History and particularly to ornithology and the study of birds. Thanks to several substantial acquisitions in the 1960s, we now have an exciting and unique range of Japanese works of falconry and artwork of birds spanning from the early 16^th through the early 20^th centuries that stand as a bright jewel within our ornithological crown. Our ongoing digitization project aims to help bring these materials to a wider audience and to connect our collection to researchers across the globe.

Woodblock prints No. 5 and 6 from Keinen kachō gafu by Imao Keinen, 1891-1892.
Call Number: Ellis Aves G21

To achieve this goal, we have been hard at work both within the KU libraries: the project was conceived by KU Japanese Studies Librarian Michiko Ito, and throughout the project, she has dedicated substantial time towards helping us enhance the depth and detail of many of our catalog records for these items – in doing so, she ensures that researchers who search our catalogs will be able to find the materials more easily, and will know more about the items in terms of their content, their artists and authors, when and where the book was made, and more. Michiko’s language and subject expertise have been bolstered by the cataloging skills of our Head of Cataloging and Archival Processing, Miloche Kottman, who has helped Michiko with the unique challenges that rare books and materials can present in cataloging them.

Part of this process has also involved tracking down the provenance of these materials – the history of how they came to have a home on Spencer’s bookshelves. M own work as one of Spencer’s Special Collections curators has come into play in tracking down old purchase records in our files, to help us trace the physical migration of books across space and time, so that we can add this information to our catalog records and metadata.

And Michiko reached out across oceans, contacting the National Institute of Japanese Literature about the possibility of linking our digitized materials with their international database of digitized Japanese literature so that when scholars search the database, they can find and view Japanese rare books from libraries across the globe. As part of this collaboration, one of their affiliated scholars, Dr. Kazuaki Yamamoto, flew here from Japan to further decipher the many exciting details of our collections. He helped identify ownership marks to trace the history of these items over the centuries, dated materials, and identified arcane and obsolete vocabulary and handwriting.

Woodblock prints from vol. 1 of Bunrei Gafu by Maekawa Bunrei, 1885. Call Number: Ellis Aves E241

Meanwhile, our Conservation team’s representative, Angela Andres, has been involved in reviewing the items to ensure that they are in safe and stable conditions and ready for digitization. Japanese paper, called washi, is renowned for its soft texture, but its softness can leave it fragile, and their book covers are sometimes coated in powdered mica to give a metallic sparkle, but it leaves the covers vulnerable to friction and wearing away over the centuries. Her work has involved crafting new protective enclosures for some of the more delicate materials, which will help support the softer paper when it’s shelved upright and minimize any friction and rubbing that might wear away the mica coating. Doing so helps us protect and preserve the originals so that they survive together with their online copies.

Selected page from Shasei. Kincho bu, by Yoshiki Gyokei, 1853, with a custom box and interleaved acid-free paper to protect the delicate pages. Call Number: MS G49

The next step, hopefully coming soon, is to send the items down to our digitization team helmed by Melissa Mayhew, where they will be scanned into high-resolution TIFF files and with the help of our Digital initiatives librarian Erin Wolfe, they’ll be uploaded onto the online platforms of both the University of Kansas and the National Institute of Japanese Literature’s database with relevant metadata to help researchers connect our collections with books and manuscripts from other libraries around the world.

In many ways, this project embodies all the work and challenges that can go into Special Collections libraries and the efforts we make toward making delicate and rare materials accessible to as many people as possible. From cataloging to preserving, to digitizing and uploading them to the greater internet, no librarian works alone!

Eve Wolynes
Special Collections Curator

Henceforth, it’s 2024, and we’re back at it again! Over the past year, the manuscripts processing team has been hard at work describing and housing one-of-a-kind collections. As a processor, you never quite know what you’ll find when you first open a box of dusty old records, but it’s always sure to delight! (most of the time…) Last year, the processing team worked through collections across Kenneth Spencer Research Library’s four collecting areas: the Kansas Collection, the Wilcox Collection, University Archives, and Special Collections. We even had an opportunity to further showcase a few of our favorite collections, including a Reuter Organ Company exhibit, a remembrance of a former colleague, and an in-depth look at the 1970 police shooting of KU student Nick Rice. This year we’re all excited to continue the process of processing new collections and additions, but first, here’s a list of new finding aids the manuscripts processing team published in the last six months of 2023:

Peggy Harrison papers, 1991-2002 (RH MS 1591)

Wilburn family collection, 1960-2023 (RH MS 1592)

Kij Johnson papers, 1975-2021 (MS 377)

Personal papers of Karen Severud (Pearson) Cook, September 1972-September 2021 (PP 648)

Personal papers of Amy Devitt, 1980-2013 (PP 653)

Personal papers of Dean “Deaner” Nesmith, 1935-1979 (PP 655)

Lorraine Co-Operative Oil Company records, 1930-1948 (RH MS D307)

U.S.-China Peoples Friendship Association ledger, 1975-1977 (RH WL MS P3)

Take Ten, Inc. records, 1976-2013 (RH MS 1596)

Schubert, Funk, Cooper-Warren Mortuaries records, 1904-1966 (RH MS 1597)

Alvin Forrest “Fritz” Grauerholz papers, 1925-2009 (RH MS 1593)

Creed Shepard collection, 1992-2002 (RH MS 1598)

Marvin Voth collection, 1975-2009 (RH MS 1595)

Pamela Johnson Betts collection, 1969-2021 (RH MS 1594)

Courtship of the Ruff watercolor, 1923 (MS Q107)

Wagner family collection (MS P766)

Personal papers of Tom Skrtic, 1972-2020 (PP 651)

Personal papers of Tom Hedrick, 1947-2021 (PP 654)

Personal papers of Ellsworth S. Gray, circa 1930-1955 (PP 656)

Yusuf and Zoleikha = یوسف و زلیخا, Poem originally written 888 A.H. / 1483 CE; this manuscript copy inscribed 17th century CE (MS A9)

Barteldes family tree, [after 1963 and before 2021] (RH MS R542)

Alice Walker photograph, February 1, 2002 (RH PH P2851)

Kaw Valley Living Wage Alliance collection, September 25, 2000-January 17, 2006 (RH MS 1602)

Personal papers of Andrew Tsubaki, 1954-2001 (PP 650)

Records of the Kansas State Geological Survey, 1865-2022 (bulk 1950s-2010s) (RG 37)

Jane van Meter collection, 1923-2020 (MS 383)

Paul Schaefer poster collection, 1970-1985 (RH WL MS R19)

General records from the University of Kansas – Architectural drawings, approximately 1890s-2000s (RG 0 – AD)

Archery: Two Treatises, 1150 A.H. / 1737 C.E. (MS C33)

Marcella Huggard
Manuscripts Processing Coordinator

Charissa Pincock
Manuscripts Processor

While each year we at Spencer process many new collections, we are also adding to preexisting collections through the continued generosity of our donors. From Pulitzer Prize-winning authors to LGBTQIA2S+ activists, an individual’s history doesn’t end when their collection comes through our doors. Individual and organizational histories continue to evolve past the snapshots their historical records provide, and we at Spencer aim to provide as complete a picture as we can! One collection we’d like to draw particular attention to is an addition to the Reuter Organ Company photograph collection (Call Number: RH PH 68). Through this collection, patrons can follow the construction of uniquely hand-crafted pipe organs before they were built into their new homes in institutions all over the world. And now, with a 2023 addition, patrons can see even more of the grandeur of these massive instruments as well as the incredible skill and historical craftsmanship of this Lawrence-based company!

The history of the Reuter Organ Company starts in 1917 when Adolph Reuter established the Reuter-Schwarz Organ Company with his business partner Earl Schwarz. After a disastrous tornado blew through the company factory, the company relocated to the Wilder Brothers Shirt Factory on New Hampshire Street in Lawrence, Kansas, after fulfilling a commission for the city’s Masonic Temple in 1919. Schwarz departed from the company shortly afterwards, and the company was renamed the Reuter Organ Company. In less than ten years, the company grew from a six-employee operation to over 50 full-time employees with over 50 commissions a year. However, after lean years during the Great Depression, the Reuter Organ Company faced a manufacturing ban on musical instruments during World War II and stayed afloat by producing government-sanctioned boxes for munitions materials with a skeletal crew. After the war, the company began to flourish again, and Reuter began hiring skilled staff with formal music education and expertise in organ construction. Through the knowledge base of its staff, the company began to experiment and further develop traditional construction techniques with new pipe organ technology to develop a signature “Reuter sound.”

After Adolph Reuter’s retirement in 1961, the company continued to evolve under the direction of longtime employee Franklin Mitchell. Mitchell, with then newly appointed production manager Albert Neutel, purchased the company in the early 1980s. Together, the two continued to refine the Reuter technical craft, particularly with the mechanical aspects of organ construction and the tonal sound of the company’s organs. After Mitchell’s retirement in 1997, Albert Neutel was joined in management by his son, Albert “J.R.” Neutel, a former longtime employee of the company. Under the Neutel family’s direction, the Reuter Organ Company moved operations from New Hampshire Street to a newly constructed and specially designed factory and administrative facility in northwest Lawrence in 2001. Sixteen years later, the company celebrated its 100th anniversary by holding a public open house in their newer facility and inviting old and new customers alike. By this time, the company had constructed over 2,200 pipe organs for public and private institutions around the world. The company had also built a respected name in organ rehabilitation within the pipe organ community. In 2022, amid the retirement of several longtime key staff members, J.R. Neutel, the company’s current president, decided to sell Reuter’s factory and administrative facility. A major selling point of the Reuter Organ Company is the institutional and craft knowledge of its staff. There is a strong tradition of old staff mentoring new staff and passing down historic pipe organ construction techniques. Operating at the same scale without that same level of institutional knowledge was deemed impossible. And in the beginning of 2023, the Reuter Organ Company further scaled back operations to only fulfilling the customary 11-year warranties offered to their past clients with special consideration for smaller projects.

To honor this historic company and to showcase a new addition to the Reuter Organ Company photograph collection, we here at Spencer have created a temporary exhibit to display images of a few of the beautiful pipe organs Reuter’s has constructed over the years and to dip into some pipe organ terminology. Have you ever wondered were the phrase “pulling out all stops” comes from or just how big the biggest musical instrument in the world can get? Come on by to learn more about this incredible company and the incredible instruments it made! The exhibit opened free to the public in Spencer’s North Gallery on November 1st and will continue to be on display until early January 2024. We hope you “stop” by!

Charissa Pincock
Manuscripts Processor

Have you figured out how call numbers at the Spencer Research Library work yet?

Here are a couple of clues for manuscript collections; see if you can apply them when you review this listing of the front half of 2023’s new finding aids!

• PP = Personal Papers, which are typically collected by the University Archives
• RH = Regional History (the Kansas Collection’s name has gone back and forth over the years)
• MS = manuscript (can be found in call numbers for textual materials in both the Kansas Collection and Special Collections)
• PH = photograph (you will only see this call number designation in the Kansas Collection)
• WL = Wilcox (historically, the Wilcox Collection has been associated with the Kansas Collection, so you’ll typically see “RH WL” together)

It’s a bit like a mathematical formula, if you combine parts of these call numbers. For example, “RH WL MS” means it’s a Wilcox manuscript collection.

Spencer Research Library also typically houses material by size, most often by height for volume call numbers. “A” volumes will be some of the smallest (typically measuring between ten and 15 cm tall), while “H” volumes are frequently stored flat because they are so large (usually over 45 cm tall).

Spencer also uses letters to designate other sizes of materials. A “P” in a call number means that it’s so thin and/or such a small amount of material it’s stored in a single folder or small number of folders, not enough to fill a box or stand upright on a shelf by itself.

So, for another call number formula example: “MS P” means it’s a Special Collections manuscript collection in a single or small number of folders.

Armed with this information, do you think you can figure out which collections belong to which collecting areas and what kind of housing they might have from our listing of newly processed collections?

Oak Ridge Birthday Club collection, 1923-2006 (RH MS 1577)

Winfield Lodge No. 101 of the Independent Order of Odd Fellows record book, June 11, 1891-March 31, 1898 (RH MS G89)

“The Kansas Primer,” 1889 (RH MS B79)

George W. Johnson letter, May 3, 1891; postmarked May 24, 1891 (RH MS P999)

Henry Schilb land grant, February 1, 1848 (RH MS Q499)

Kansas glass plate negatives, approximately 1890-1932 (RH PH 568)

Mike Rundle papers, 1981-2010 (RH MS 1571, RH MS Q496, RH MS R512, RH MS R514, RH MS S79, KC AV 127)

Pinckney School scrapbooks, 1947-2014 (bulk 1990-2014) (RH MS Q500)

Elizabeth Szabronski-Carrie A. Hall quilt block research, approximately 1920s-1974 (RH MS 1578)

Personal papers of Mary K. Zimmerman, October 1976-April 2021 (PP 641)

Larry K. Laird papers, 1935-2006 (bulk 1980s-2000s) (RH MS 1579, RH MS Q502, RH MS R517)

Judge Earl E. O’Connor papers, 1941-1998 (RH MS 1581, RH MS Q504, RH MS R519, KC AV 128)

Penny L. Clark papers, 1971-2022 (RH MS 1553, RH MS Q487, KC AV 116)

Personal papers of Don and Del Fambrough, July 4, 1933-September 4, 2011 (PP 644)

Personal papers of Charles Himmelberg, 1895-2005 (bulk 1965-2005) (PP 643)

Personal papers of Harry Nicholas Rice, January 22, 1970-March 4, 2009 (bulk July 1970) (PP 647)

Green Thumb Garden Club records, 1961-2009 (RH MS 1585, RH MS Q506, RH MS R523)

Spencer Chemical Company photographs, 1940s-1950s; 2012 (RH PH 570)

S.D. Jeffers letter, approximately 1860s (RH MS P1000)

William L. Scheirman papers, approximately 1880s-1930s; 1991 (RH MS P1001)

Rolling Prairie Grange No. 1628 photographs, approximately 1916-1919; 2020 (RH PH P2948)

Arthur Moore collection, 1503-1857 not inclusive (bulk 1680s-1730s) (MS 143, MS Q32, MS Q96, MS C245, MS Qa39, MS R30)

Manuscript fragments removed from book bindings, approximately 12th-16th, 19th centuries (MS 20, MS Q103)

Personal papers of Stuart Levine, 1932-2016 (bulk 1958-1986) (PP 646)

Personal papers of Mary Evelyn Nichols Lee, 1949-July 29, 1967 (PP 645)

Eustace Mullins, 1962-1990 (RH WL MS P2)

Robinson-Cofield Commission Company letter, May 9, 1911 (RH MS P1002)

Kansas historical clippings, 1946-1950 (RH MS Q507)

Historical Geography of Lawrence Area tour records, fall 1998 (RH MS P1003)

Charles A. Smith glass plate negatives, approximately 1888-1904 (RH PH 569)

Evan Wright family, 1875-2003, 2022 (bulk 1940-1999) (RH MS 1587, RH MS Q508, RH MS R524, RH MS S82)

Melvin and Maxine Patterson family, March 21, 1952-January 31, 2016 (bulk 1985-2008) (RH MS 1588, RH MS R526, RH MS S82)

Ernst Moritz Arndt collection, 1843-1913; 1948-1961; 2002-2005 (MS 378, MS Q102)

Leslie Carson Wolfe collection, 1937-2023 (RH MS 1590, RH MS R527)

Kansas postcards collection, 1903-2001 not inclusive, mostly undated (RH PH 571)

Judge Julie A. Robinson papers, 1992-2014 (RH MS 1557)

“The Migrations of John B. Kelso,” September 1853-October 1877 (transcribed 2003) (RH MS P1004)

Leslie W. Nesmith scrapbook, 1957-1999 (RH MS 1589)

Kay Jay Laessig photographs, 1941-1945 (RH PH P2849)

A.C. Edwards’ Irish literary correspondence, 1928-1936, 1959-1972 (MS 379, MS Qa48)

Tom Clarke biographies by Seán McGarry, approximately 1943 and 1950 (MS P764)

James A. Healy collection of Irish-related printed materials, approximately 1895-1960s (bulk 1960s) 9MS 380, MS Qa49, MS R31)

George Watters papers, 1922-1924 (MS P765, MS A64)

Personal papers of William (Bill) Mitchell, 1919-2013 (PP 649)

Personal papers of Sandy Mason, 1931-2007 (PP 640)

Marcella Huggard
Manuscripts Processing Coordinator