Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
This week on That’s Distinctive! I am sharing a book that many of you might know: The Adventures of Tom Sawyer by Mark Twain. The book, also known simply as Tom Sawyer, was published in 1876. The book follows a young boy, Tom Sawyer, through mischievous adventures in the small fictional town of St. Petersburg, Missouri, along the Mississippi River. Involved with Tom’s shenanigans is his pal Huckleberry Finn (The Adventures of Huckleberry Finn). Writing for Encyclopedia Britannica, Amy Tikkanen notes that “together with The Adventures of Huckleberry Finn, The Adventures of Tom Sawyer changed the course of children’s literature in the United States as well as of American literature generally, presenting the first deeply felt portrayal of boyhood.” According to Wikipedia, the book has also been followed by a slew of adaptations including films, theatricals, ballets, comic books, video games, and more.
Mark Twain, whose real name was Samuel Langhorne Clemens, was an American author who grew up in Hannibal, Missouri (the town St. Petersburg is modeled after). A biography of Twain on the Goodreads website notes that he “achieved great success as a writer and public speaker. His wit and satire earned praise from critics and peers, and he was a friend to presidents, artists, industrialists, and European royalty.”
The book housed at the library is a first edition, second printing published in 1876. A copy of the book can be accessed at the library or online through HathiTrust.
|
|
The front cover (top), title page (middle), and first page (bottom) of The Adventures of Tom Sawyer by Mark Twain, 1876. Call Number: C613. Click images to enlarge.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
Did you know that Spencer Research Library houses an extensive collection of Moby-Dick editions and adaptations? The more than 100 books in the collection range in type and size, so today I am sharing just a few with you.
Published in 1851, Moby-Dick; or, the Whale was written by American writer Herman Melville. The book “recounts the adventures of the narrator Ishmael as he sails on the whaling ship, Pequod, under the command of the monomaniacal Captain Ahab.” Though it is now considered a great American classic, Moby-Dick did not gain traction until the early 1900s. According to Wikipedia, “the novel has been adapted or represented in art, film, books, cartoons, television, and more than a dozen versions in comic-book format. The first adaptation was the 1926 silent movie The Sea Beast, starring John Barrymore.”
Many of the copies and versions of Moby-Dick at Spencer Research Library, including those shown below, were donated to the library by Elizabeth A. Schultz. Schultz, an emerita professor from KU’s Department of English and a former Fulbright Lecturer, advocates “for both the arts and the environment in Douglas County.” As a scholar and avid enthusiast of Herman Melville, Schultz published Unpainted to the Last: Moby-Dick and Twentieth-Century American Art (1995), which examines artistic interpretations and illustrated editions of the novel. “Deftly interweaving words with images,” notes the University Press of Kansas, “Elizabeth Schultz radically reframes our most famous literary symbol and provides a profoundly new way of “reading” one of the key texts in American literature.” Along with the donated books, Spencer houses a copy of Schultz’s book.
|
The front cover of and selected pages from Moby-Dick, adapted by Joanne Fink and illustrated by Hieronimus Fromm, 1985. Call Number: Children C144. Click image to enlarge.
The front cover of Herman Melville’s Moby Dick: The Graphic Novel adapted by Lance Stahlberg and illustrated by Lalit Kumar Singh, 2013. Call Number: Children D200. Click image to enlarge.
The front cover of Moby-Dick in Pictures: One Drawing for Every Page by Matt Kish, 2011. Call Number: CK174. Click image to enlarge.
|
The front cover and first page of Moby Dick: The Illustrated Novel, illustrated by Anton Lomaev, 2018. Call Number: D7812. Click image to enlarge.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
While it is technically no longer October, Halloween was earlier this week on Tuesday, so it only feels right to share one last “spooky” item. This week I have chosen to highlight a timeless classic: Grimm’s Fairy Tales by Jacob and Wilhelm Grimm, better known as the Brothers Grimm. Born in the 1780s, the Grimm Brothers published the first edition of their Kinder- und Hausmärchen (Children’s and Household Tales) in 1812. As scholar Jack Zipes explains, “between 1812 and 1857, seven editions of their tales appeared, each one different from the last, until the final, best-known version barely resembled the first.” Spencer Research Library holds many different editions, translations, and adaptations of the Grimm Brothers’ tales, including this edition from 1917 that contains illustrations and decorations by Louis Rhead. With their “stories and tales of elves, goblins, and fairies,” the brothers have captivated the minds of readers for centuries.
The front cover, title page, and selected pages from Grimm’s Fairy Tales: Stories and Tales of Elves, Goblins and Fairies, 1917. Call Number: Children C248. Click images to enlarge.
Happy Halloween all you screechers, screamers, and hollerers! We’ve also been celebrating over here at Kenneth Spencer Research Library in the best we know how: combing the KU Libraries online catalog and finding what cursed history we can find. We asked our student workers to recommend their picks for items that best represent the spirit of Halloween. They went beyond the safety of the Reading Room and braved the stacks to bring us these unsettling tomes and relics, but not everything is what it seems. Here are a few of our favorites!
Our very first recommendation comes from the Centron Corporation, a film production company founded right here in Lawrence, Kansas. Perhaps best known for their work in educational films, the company also had a hand in the cult classic horror film Carnival of Souls. Elly Masteller found this lovely portrait in the Centron Corporation records collection. This cheerful gentleman was used in a film to help encourage literacy and creative writing among children. Remember kids, he can’t get you if your nose is in a book!
Production still of a clown from Reaching Your Reader, undated [circa 1985]. Centron Corporation Records. Call Number: RH MS Q514. Click image to enlarge.
Kathryn Sauder sent in our next recommendation, another artifact, but this time from the Thomas Woodson Poor papers. Poor was an Olympic high jumper who competed for the University of Kansas from 1921 to 1925 and placed fourth in the high jump at the 1924 Summer Olympics in Paris, France. Poor is also known for his lifelong crusade in helping children receive the polio vaccine after the tragic death of his daughter, Melinda Sue, from polio. One of the toys he used to do so was this monkey puppet, and while the puppet may look demonic, it helped save lives! Absolutely heartwarming, not chilling, but perhaps maybe do not look into its eyes for too long.
Monkey puppet, undated [circa 1955-1956]. Thomas Woodson Poor Papers. Call Number: RH MS 1568. Click image to enlarge.
Literary giant Samuel Taylor Coleridge brings us our next spooky item, recommended by Nile Russo: a copy of The Devil’s Walk, or alternatively titled The Devil’s Thoughts. The Devil cuts a dapper shape as he gets himself dressed in his Sunday’s best for a walk around the town. In this poem, the Devil offers commentary about passersby, questioning perhaps if mankind might be the scariest creature of all.
The illustration accompanying the title page of The Devil’s Walk: A Poem by Samuel Taylor Coleridge and Robert Southey, 1830. Call Number: B4254. Click image to enlarge.
Molly Leonard recommended perhaps the most soul-wrenching item among our recommendations this year: a copy of Historie des diables de Loudun. This is a book about the Loudun possessions, a piece of history about an Ursuline convent being taken over by unusual behavior and visions attributed to demonic possession. In the end, through the intervention of Cardinal Richelieu, a local priest and decrier of Richelieu’s policies named Urbain Grandier was tried and executed for witchcraft in connection with the possessions. Again, and we can’t reiterate this enough, mankind might just be the scariest monster of all.
Title page of Histoire des diables de Loudun, 1716. Call Number: B12841. Click image to enlarge.
And finally, Ian Strasma reminds us that Halloween isn’t only about creepy clowns, puppets and possessions, and dashingly dressed demons with this recommendation: a black cat found lurking in the Ronald Johnson collection (literary estate papers). The cat may be cute, but be careful that you do not cross him!
“Cat photos,” undated [but timeless]. Ronald Johnson Collection (Literary Estate Papers). Call Number: MS 336. Click image to enlarge.
Best of luck out there as you begin finishing up semester and don’t be afraid to check out the many – completely safe, we promise – collections here at Kenneth Spencer Research Library!
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
To continue our spooky journey through Spencer’s collections, this week I share Samhain or “All Hallowe’en.”: A Romantic Irish Cantata. As noted in the Concise Oxford Companion to Irish Literature, “Samhain had an important place in Celtic mythology as a time when the normal order is suspended to allow free passage between the natural and supernatural worlds.” As defined by Merriam-Webster, a cantata is “a composition for one or more voices usually comprising solos, duets, recitatives, and choruses and sung to an instrumental accompaniment.” This particular cantata was written and composed in 1902 expressly for the Dublin Musical Festival, or Feis Ceoil. Established in 1897, “Feis Ceoil Association promotes excellence in the learning and performance of music across all ages, levels and disciplines…Today, Feis Ceoil is an event of major significance in the development of musical talent in Ireland.” The festival now comprises 180 competitions with a diverse range of ages from seven years old and up.
Dr. Annie Patterson (1868-1934), who wrote the cantata, “composed sacred and secular cantatas, orchestral works and songs based on Irish themes. She also wrote poetry, essays, short stories as well as professional articles and books on music.” Working with Rev. Houston Collisson – the cantata’s composer – and others, Patterson co-founded the Feis Ceoil in 1897 as part of the broader Gaelic revival in Ireland.
No matter what you believe or how you celebrate, I wish everyone a safe and very happy Halloween! Next week we will share one last item in the spirit of October before returning to regular postings.
|
|
The front cover and first two pages of Samhain or “All Hallowe’en.”: A Romantic Irish Cantata, 1902. Call Number: O’Hegarty D613. Click images to enlarge.
