Kenneth Spencer Research Library

Of the ancient professions–law, medicine, and theology–law, with its private language, its proud practitioners, its high fees, and its dependence on procedure and detail, much of which has no obvious meaning to the lay public, has been the easiest target for satire. The rise in frequency and venom of the satire appears to have coincided, at least so far as the English-speaking world is concerned, with the rise in the use of English in the courts. Once the barrier of Latin and Law-French was lowered, the satirist, like the writer of do-it-yourself law manuals, felt qualified to attack this arcane world.

By the early 18th century, satire of the law was such a recognized and accepted genre that John Arbuthnot, physician to Queen Anne, was able to satirize contemporary English politics under the guise of satirizing an extravagant lawsuit. This pamphlet is the second in his series known as the History of John Bull.

Cover of John Arbuthnot’s Law is a bottomless pit, exemplify’d in the case of the Lord Strutt, John Bull, Nicholas Frog, and Lewis Baboon, who spent all they had in a lawsuit. Second edition. London: for John Morphew, 1712. Call number Bond B290.

Beginning of chapter one: The occasion of the law-suit.

A contemporary owner has added notes identifying the parties and concepts involved. The lawyer, “Hocus” (for “Hocus pocus”), is the great general, Marlborough, whose supposed political ambitions–or those of his dangerously capable duchess–were greatly resented.

Chapter two: How Bull and Frog grew jealous that the Lord Strutt intended to give all his custom to his grandfather, Lewis Baboon.

From Civil, Canon, and Common: Aspects of Legal History. An exhibition of books and manuscripts in the Kenneth Spencer Research Library, University of Kansas, 1996.
Alexandra Mason and James Helyar, editors

Back in February, I wrote about undertaking the treatment of the 1683 volume Kazania na niedziele calego roku [Sermons for Sundays of the Whole Year] by Pawel Kaczyński (call number: Summerfield D544). At the time of that writing, I’d gotten as far as disbinding, cleaning, and mending the folios before it was necessary to put the treatment aside for a while to focus on other things. This summer I’ve brought the book out again to tackle the next phase of its treatment, preparation for rebinding.

I had already mended most of the folios along the inner spine folds, but they still needed reinforcement, or guarding, along the outer spine folds in order to be strong enough for sewing. Because there are exactly 100 single-folio sections in this volume, I chose a tissue for the guards that was as thin as possible to minimize added bulk while also providing the needed strength to the folds.

Guarding of folios in progress. Note the smooth spine folds on the guarded folios, left, and the more ragged edges of the unguarded folios on the right. Click image to enlarge.

The text block with guarding completed.

The amount of damage to this volume was so significant that for the sake of efficiency it was necessary to keep the mending fairly minimal, adding stabilizing mends with very thin tissue where it was most needed, rather than filling in every loss with color-matched tissue. However, there was a very large loss to the lower portion of the title page, so I chose to fill in that area; the page was physically stable, but a fill greatly improves it aesthetically. I selected a Japanese paper of about the same weight as the text paper and toned it with diluted watercolors to achieve a color that is sympathetic to the color of the text paper.

Title page of Summerfield D544 with toned Japanese paper compensation along lower edge.

With the mending and guarding completed, the next step is sewing. The text block was originally sewn two-on, which means that two gatherings are sewn on at once with a single pass of thread, rather than sewing the gatherings one at a time. This method of sewing reduces the swell of the spine that occurs when thread is introduced; with 100 gatherings in this text block, it makes sense that the original binder chose to sew it this way, and I decided to re-sew it in the same manner. To further reduce bulking (in addition to sewing two-on), I chose a thinner thread than I’d normally use. The last step before sewing was to select endpapers for the volume; I opted for Nideggen, a paper whose tan color and subtle texture go very well with that particular warm, grimy tone of old paper. Once the endpapers were cut, I lined up the text block on the sewing frame to mark the positions of the cords, strung the cords onto the frame, and at long last, started sewing.

Stringing up the cords on the sewing frame.

Beginning to sew – three sections down and only 97 to go!

About one-quarter of the way through sewing.

Detail of double cords and kettle stitch at tail end of text block.

Sewing multiple gatherings at a time can be a little awkward at the outset, but now that I’ve found a rhythm to it, the sewing is progressing at a nice pace. Soon all that will be left to do will be to put the book into a new paper case. I look forward to presenting the finished volume in one last installment of this series later this fall!

Angela Andres
Special Collections Conservator
Conservation Services

In celebration of the 150^th birthday of the beloved children’s author and illustrator, Beatrix Potter, I am featuring a few examples of her beautiful work found in our Special Collections here at Spencer Research Library. Please enjoy the selections below along with a short biography introducing you to one of the most influential figures in children’s literature from the twentieth century.

Beatrix Potter was born on July 28, 1866 in London, England. Although she was a lonely child, she was able to find joy in drawing and painting things from the natural world, recording the plants and animals of the English countryside in stunning detail. As an adult she continued to illustrate, even drawing in the margins of letters sent to the children of her former governess, Annie Moore. Her first book, The Tale of Peter Rabbit came about from the drawings on one of these very letters from September 4, 1893!

Front cover and pages 34-35 of Beatrix Potter’s The Tale of Peter Rabbit published in Philadelphia
by H. Altemus in 1904. Special Collections. Call Number: Children 5159. Click images to enlarge.

After partnering with the publishers of Frederick Warne & Co., twenty-two ‘little books’ with lovely color illustrations were produced. Some of these stories even featured her own pets, like the hedgehog Mrs. Tiggy-Winkle.

Front cover of Beatrix Potter’s The tale of Mrs. Tiggy-Winkle published
in New York by Frederick Warne & Co. in 1905. Special Collections.
Call Number: Children 2972. Click image to enlarge.

Because of her skill with writing exciting stories, painting detailed and colorful pictures, and using clear language, Potter’s works quickly became children’s classics.

Here is an excellent example of Potter’s ability to capture humor and action in both the text
and accompanying illustration from pages 52 & 53 of Beatrix Potter’s The Roly-Poly Pudding
published in New York by Frederick Warne & Co. in 1908. Special Collections.
Call Number: Children C606. Click image to enlarge.

She eventually married William Heelis, a solicitor, in 1913 and retired to her farm, Hill Top, to become a prize-winning breeder of Herdwick sheep and a champion for local land conservation. After her death on December 22, 1943 she left 15 farms, several cottages, and over 4,000 acres of land to her husband and on his death to the National Trust, a conservation organization for the United Kingdom.

Potter’s fascination with nature is evident in the loving detail of both plants and animals
found in this example from page 56 of Beatrix Potter’s The Tale of Mr. Jeremy Fisher published
in New York by Frederick Warne & Co. in 1906. Call Number: Children 2983. Click image to enlarge.

To learn more about Beatrix Potter and view her delightful books, come visit us at Spencer Research Library and check out a few of these items:

• Peter Rabbit & other tales : Art from the world of Beatrix Potter. New York: New York University, [c1977]. Shelved at Spencer Research Library. Call Number: C18290.
• Potter, Beatrix. Beatrix Potter’s letters. London: Warne, 1989. Shelved at Watson Library. Call Number: PR6031.O72 Z48 1989.
• Potter, Beatrix. Transcribed from her code writing by Leslie Linder. The journal of Beatrix Potter, 1881-1897. London; New York: F. Warne, 1989. Shelved at Watson Library. Call Number: PR6031.O72 Z52 1989.
• Potter, Beatrix. The Tale of Squirrel Nutkin. New York: Frederick Warne, [c1903]. Shelved at Spencer Research Library. Call Number: Children A78.

Mindy Babarskis
Reference Specialist
Public Services

In honor of Father’s Day this coming Sunday, this week’s blog post highlights a book in Special Collections that provides guidance for fathers: William Cobbett‘s 1829 work Advice to Young Men, and (Incidentally) to Young Women, in the Middle and Higher Ranks of Life, In a Series of Letters, Addressed to a Youth, a Bachelor, a Lover, a Husband, a Father, a Citizen, or a Subject.

Cobbett begins his “Letter to a Father” with a statement about the blessings of children and the important role of fathers.

The beginning of William Cobbett’s “Letter to a Father,” in
Advice to Young Men, and (Incidentally) to Young Women.
London: The author, 1829. Call Number: B5060. Click image to enlarge.

Cobbett then continues on for roughly 116 pages, offering advice to fathers on a wide variety of topics including the importance of breastfeeding; the use of midwives and servants; the role of resolution, tenderness, and courage in parenting; the use of cradles; the controversy of smallpox inoculation; the roles of good food, clean air, exercise, book-learning, and schooling (by subject) in educating children; and the importance of impartial treatment of adult children, compared with their siblings.

On the surface, some of Cobbett’s advice seems surprisingly modern, as seen in the two excerpts below.

In section 249 of his “Letter to a Father,” Cobbett offers this advice:
“Let no man imagine that the world will despise him for
helping to take care of his own child.” Click image to enlarge.

“Men’s circumstances are so various,” Cobbett acknowledges in section 289.
“In giving an account, therefore, of my own conduct, in this respect, I am not to be understood
as supposing, that every father can, or ought, to attempt to do the same.” Click image to enlarge.

Other sections of Cobbett’s advice may seem more humorously outdated to 21st-century readers, such as his description of bath time.

A great deal, in providing for the health and strength of children, depends upon their being duly and daily washed, when well, in cold water from head to foot. Their cries testify to what a degree they dislike this. They squall and kick and twist about at a fine rate…Well and duly performed, [bathing children] is an hour’s good tight work; for, besides the bodily labour, which is not very slight when the child gets to be five or six months old, there is the singing to overpower the voice of the child. The moment the stripping of the child used to begin, the singing used to begin, and the latter never ceased till the former had ceased. (section 257).

You can read Cobbett’s work in its entirety through Project Gutenberg.

Caitlin Donnelly
Head of Public Services

To celebrate architect Frank Lloyd Wright’s 149^th birthday on June 8^th, I’m highlighting a few photos from the Wright Collection. This collection deals specifically with Frank Lloyd Wright and his buildings, but we have a number of other architecture items in our Special Collections. Come visit us anytime this summer from 9-5 pm on weekdays and explore these amazing collections yourself!

Photograph of Olgivanna and Frank Lloyd Wright.
Special Collections, Spencer Research Library.
Call Number: Wright P:III:4:67. Click image to enlarge.

Photograph of the Juvenile Cultural Study Center (Also known as the Harry F. Corbin Education Center)
in Wichita, Kansas by architect Frank Lloyd Wright, 1957. Special Collections, Spencer Research Library.
Call Number: Wright P:I:7:3. Click image to enlarge.

Color print of the Bott residence in Kansas City, Missouri by architect Frank Lloyd Wright, 1956.
Special Collections, Spencer Research Library. Call Number: Wright P:I:49:1. Click image to enlarge.

Mindy Babarskis
Reference Specialist
Public Services