Inside Spencer: The KSRL Blog

Ephemera and Binder’s Waste in Summerfield E397

April 10th, 2018

Last year, I wrote about my survey of part of the Summerfield Collection of Renaissance and Early Modern Books, and all of the lovely hidden treasures within that collection. One item that I identified during the survey as a candidate for future treatment is Summerfield E397, De statu religionis et reipublicae, Carolo Quinto Caesare, commentarii, by Johannes Sleidanus, published in 1555.

What caught my attention about this volume is the fragment of parchment manuscript that was taped inside the lower board. Actually, there are two fragments – halves of a leaf that long ago was cut apart and used to form flanges that were sewn onto either side of the text block and then adhered between the boards and pastedowns. At some later time, the book was repaired and the manuscript flanges were removed. Whoever removed them chose to retain them, piecing them back together with glassine tape and affixing them inside the back of the book.

 

Summerfield E97, Spencer Research Library, University of Kansas Libraries

Manuscript fragments, previously used as binder’s waste, taped into the back of Summerfield E397.

 

In the front of the volume are affixed two letters dated in February 1896 that a one-time owner of the volume – one Robert A. Scott Macfie – received from a William Y. Fletcher in response to an inquiry he had sent about the book (Fletcher’s name appears in a 1908 list of members of the Bibliographical Society of London). The second of these letters mentions that Fletcher had shown the book (which Macfie had lent him to examine) to “Mr. Scott and Mr. Warner, the Keeper and Assistant Keeper of MSS in the [British] Museum, and they consider [the fragments] to have belonged to an English or Scottish MS (most probably the former) of the 15th century.” How fascinating and fortunate that these records of the book’s life have survived with it.

 

Summerfield E97, Spencer Research Library, University of Kansas Libraries

Left: Summerfield E397. Right: Fletcher’s letters to Macfie taped onto front flyleaf.

 

At the time that I surveyed this book, I consulted with the curator about how to approach the treatment and made a note to revisit it at a later date. I recently reviewed my queue of projects and this one presented itself. In my discussion with the curator, we had agreed to leave the letters as-is, but to remove the tape from the manuscript fragments, reunite them with wheat starch paste and Japanese tissue, and tip them back into the volume with the same. Their presence in the volume tells something of the book’s story, but we felt it would be beneficial to remove the brittle, discolored tape from the parchment.

 

Summerfield E97, Spencer Research Library, University of Kansas Libraries

Visible threads (top) and sewing holes (bottom) indicating these fragments had been used as binder’s waste.

 

Luckily, if one has to remove tape, this type of tape is about as easy to remove as they come. The gummed adhesive layer on this tape responds very well and quickly to a light application of methylcellulose; after just a couple of minutes, the tape carrier and most of the adhesive lift away easily. I reduced the remaining adhesive residue by gently swabbing it with damp cotton, but I did not pursue this very far – overly aggressive cleaning would leave those areas of the parchment looking too starkly white. When the tape was all removed, I used a soft brush to dislodge some surface dirt that had accumulated in the creases.

 

Summerfield E97, Spencer Research Library, University of Kansas Libraries

Removing the tape hinge that had held the fragments in place. In the red circle, note the stain left by one of the blue manuscript capitals from when the fragments served as binding material.

 

Summerfield E97, Spencer Research Library, University of Kansas Libraries

Detail of the seam where the two halves of this leaf were cut apart long ago.

 

Next, I used very dry paste and thin tissue to reattach the two halves to one another. I chose to do this in lapped sections rather than a continuous strip to allow the skins to expand and contract with subtle changes in the environment, and to distribute the stress of the repair evenly along both sides of the leaves, as well as to avoid placing adhesive over areas where ink was present. Finally, I reattached the fragments inside the lower board using a hinge of Japanese tissue and paste.

 

Summerfield E97, Spencer Research Library, University of Kansas Libraries

The finished manuscript fragments replaced into the volume.

Angela Andres
Special Collections Conservator
Conservation Services

Shirley Tholen, Jubilee Queen

June 27th, 2017

One of the most interesting items in our collection, from my point of view, is the full-length portrait of Shirley Tholen, KU’s Jubilee Queen. Spencer Research Library doesn’t actively collect oil paintings, so the fact that we have this painting is unusual in itself. Its size and its history make it even more so. We’ve been spending a lot of time with this portrait lately, and it’s a great example of how collections, experts, and supporters come together in the work of Spencer Library.

The portrait depicts Shirley Tholen, whose naming as Queen was part of the celebration of KU’s 75th anniversary, in 1940-1941. Painted by Raymond Eastwood, a KU professor of drawing and painting from 1922 to 1968, the portrait depicts Ms. Tholen in a dress inspired from the mid-1800s. The jubilee celebrations referenced the early history of the university, with touches like the installation of hitching posts on campus, a song contest, and many reunions.

Photograph of the Shirley Tholen portrait in the KU Alumni Association office, 1945

The Shirley Tholen portrait in the KU Alumni Association office,
as shown in the June 1945 Jayhawker. University Archives.
Call Number: LD 2697 .J3 1945. Click image to enlarge.

For years, the portrait appears to have hung in the office of the KU Alumni Association, as shown in the above photograph from the 1945 Jayhawker yearbook. It eventually made its way to University Archives, where it was stored in the fourth floor stacks of Spencer, surrounded by boxes of university records. Its size made it difficult to find appropriate storage, and it was obvious, even to those of us more accustomed to working with paper and photographs than canvas, that the painting and its supporting structure were in need of repair.

In 2015, Ms. Tholen’s son Tom Jasper and his wife Alexis planned to visit Kansas and inquired about the painting. To make it possible to view it, our Conservation Services staff hung the portrait in our North Gallery and created a temporary label. During their visit, the Jaspers gave us a copy of Ms. Tholen’s memoirs, which we added to our collections. The Jaspers also offered to help financially support the work needed to restore the painting. Conservation Services staff attempted to locate a professional paintings conservator who could work onsite, since the painting is too large to easily ship or move. In late 2016, we welcomed Kenneth Bé of the Gerald R. Ford Conservation Center to Lawrence.

Photograph of Kenneth Be conservation work on Shirley Tholen portrait Photograph of Kenneth Be conservation work on Shirley Tholen portrait

Kenneth Bé working on the portrait. Click images to enlarge.

Mr. Bé began with a thorough examination of the painting, photographing it in its existing frame and the wooden stretcher to which the canvas was attached. He then removed the painting from the frame, and carefully repaired dented areas, removed the painting from the stretcher, and vacuumed and brushed away decades of residue. Mindful of the need to get just the right amount of tautness, he attached the canvas to the new stretcher. He used cotton batting and an enzymatic cleaning solution to clean the surface, and the background and especially the bottom of the dress appeared noticeably brighter after the cleaning. He performed a second cleaning of the background using a soft brush and a scooping motion to lift away any remaining dust and residue. He then treated areas of color loss on the surface, using just a minimal amount of paint that somehow managed to make the scuffs seem to vanish. The process was documented throughout with notes and photographs, in accordance with best practices for conservation treatment. After his departure, we moved the painting to a secure area where it was stored under a Tyvek sheet awaiting framing.

Then came the task of choosing a frame for the painting. On the recommendation of colleagues, we chose a local framer, again hoping to minimize the need for the portrait to travel any more than necessary. The choices at the frame shop were overwhelming, but the experts advised us to balance the width of the frame with the size of the painting and the height at which we intended to hang it. A decision was made, the portrait was packaged carefully, and loaded into a rented truck for the short trip across town. When the framing was complete, the results were impressive.

Photograph of Roberta Woodrick with the Shirley Tholen portrait

Assistant Conservator Roberta Woodrick
with the portrait. Click image to enlarge.

The portrait of Shirley Tholen is now hanging again in the North Gallery, awaiting new signage that explains who she was and why we have this painting. She will no doubt draw attention as visitors begin to appear in our recently renovated Gallery, and her story helps to tell the history of the University in a different way than the rest of our new permanent exhibits.

Photograph of the Shirley Tholen portrait in the North Gallery

The portrait of Shirley Tholen in the recently-renovated North Gallery.
Click image to enlarge.

This was truly a team effort. Whitney Baker and Roberta Woodrick of Conservation Services, Becky Schulte and Letha Johnson from University Archives, and staff from across KU Libraries researched, planned, and made the work happen. But it would not have happened without the support of the Jaspers as well. Not everyone can be responsible for helping conserve a historic portrait of their mother, but they can assist us to do extraordinary things that would not otherwise be possible with our limited resources.

Please come visit the North Gallery and see Shirley soon.

Beth M. Whittaker
Assistant Dean for Distinctive Collections
Director of Spencer Research Library

The Home Stretch: Wrapping up treatment of Summerfield D544

October 24th, 2016

Earlier this year, I wrote here about the treatment of Kazania na niedziele calego roku [Sermons for Sundays of the Whole Year], 1683, by Pawel Kaczyński. In those posts, I discussed the beginning and middle stages of the treatment, and at long last it is time to report on the completion of this lengthy project.

Shortly after the last post was published, I finished sewing the volume. The next steps were to round and back the book (gently hammering the book in a press to create its rounded spine and raise the shoulders along the spine), add linings to the spine, and sew endbands at the head and tail. Finally, I placed the book into a case of stiff handmade paper.

Summerfield D544 during treatment. Kenneth Spencer Research Library, University of Kansas

Clockwise from upper left: Completed sewing; rounding and backing the volume; a completed endband; the volume in its paper case, under weight. Click image to enlarge.

Just to rewind a little, here’s what the book looked like a year ago when it was brought to the lab:

Summerfield D544 before treatment. Kenneth Spencer Research Library, University of Kansas

Summerfield D544 before treatment. This is a view of the back of the volume, which had no binding, showing the fragment of manuscript pasted to the cords. The fragment is mostly concealed by layers of delaminated board.

In addition to treating the volume itself, I also cleaned, mended, and housed the manuscript fragment, written in what is thought to be Old Church Slavic, that had been used as binder’s waste on the back of the book. I did minimal stabilizing mends to this piece; the paper is fairly strong, but the media on this fragment is highly water-soluble, so I was careful to place mends very selectively so as not to disturb the fragile media. I mounted the fragment in a double-window mat, which in turn sits inside a simple mat board folio. In this folio I also included before-treatment images of the volume for researchers’ and curators’ reference, and for use in teaching.

Summerfield D544 after treatment. Kenneth Spencer Research Library, University of Kansas

Manuscript fragment after treatment.

The new binding for this volume is a conservation paper case. It is not intended to be a historical reproduction – for we have no way of knowing how the book was originally bound – but rather an aesthetically sympathetic binding that will integrate well with its mates in the Summerfield collection, and, most importantly, can be safely handled.

Summerfield D544 after treatment. Kenneth Spencer Research Library, University of Kansas

Summerfield D544 after treatment, in a handmade paper case.

The finished volume and the manuscript fragment are housed together in a cloth-covered drop-spine box. It is one of the great rewards of this job to be able to return to the stacks an item that had once been inaccessible, knowing that it can now be used and enjoyed by visitors to Spencer.

Summerfield D544 after treatment. Kenneth Spencer Research Library, University of Kansas

Item in box.

Angela Andres
Special Collections Conservator
Conservation Services

 

In the Thick of It: Part 2 in a series on the treatment of Summerfield D544

August 15th, 2016

Back in February, I wrote about undertaking the treatment of the 1683 volume Kazania na niedziele calego roku [Sermons for Sundays of the Whole Year] by Pawel Kaczyński (call number: Summerfield D544). At the time of that writing, I’d gotten as far as disbinding, cleaning, and mending the folios before it was necessary to put the treatment aside for a while to focus on other things. This summer I’ve brought the book out again to tackle the next phase of its treatment, preparation for rebinding.

I had already mended most of the folios along the inner spine folds, but they still needed reinforcement, or guarding, along the outer spine folds in order to be strong enough for sewing. Because there are exactly 100 single-folio sections in this volume, I chose a tissue for the guards that was as thin as possible to minimize added bulk while also providing the needed strength to the folds.

Conservation treatment of Summerfield D544, Spencer Research Library

Guarding of folios in progress. Note the smooth spine folds on the guarded folios, left, and the more ragged edges of the unguarded folios on the right. Click image to enlarge.

Conservation treatment of Summerfield D544, Spencer Research Library

The text block with guarding completed.

The amount of damage to this volume was so significant that for the sake of efficiency it was necessary to keep the mending fairly minimal, adding stabilizing mends with very thin tissue where it was most needed, rather than filling in every loss with color-matched tissue. However, there was a very large loss to the lower portion of the title page, so I chose to fill in that area; the page was physically stable, but a fill greatly improves it aesthetically. I selected a Japanese paper of about the same weight as the text paper and toned it with diluted watercolors to achieve a color that is sympathetic to the color of the text paper.

Conservation treatment of Summerfield D544, Spencer Research Library

Title page of Summerfield D544 with toned Japanese paper compensation along lower edge.

With the mending and guarding completed, the next step is sewing. The text block was originally sewn two-on, which means that two gatherings are sewn on at once with a single pass of thread, rather than sewing the gatherings one at a time. This method of sewing reduces the swell of the spine that occurs when thread is introduced; with 100 gatherings in this text block, it makes sense that the original binder chose to sew it this way, and I decided to re-sew it in the same manner. To further reduce bulking (in addition to sewing two-on), I chose a thinner thread than I’d normally use. The last step before sewing was to select endpapers for the volume; I opted for Nideggen, a paper whose tan color and subtle texture go very well with that particular warm, grimy tone of old paper. Once the endpapers were cut, I lined up the text block on the sewing frame to mark the positions of the cords, strung the cords onto the frame, and at long last, started sewing.

Conservation treatment of Summerfield D544, Spencer Research Library

Stringing up the cords on the sewing frame.

Conservation treatment of Summerfield D544, Spencer Research Library

Beginning to sew – three sections down and only 97 to go!

Conservation treatment of Summerfield D544, Spencer Research Library

About one-quarter of the way through sewing.

Conservation treatment of Summerfield D544, Spencer Research Library

Detail of double cords and kettle stitch at tail end of text block.

Sewing multiple gatherings at a time can be a little awkward at the outset, but now that I’ve found a rhythm to it, the sewing is progressing at a nice pace. Soon all that will be left to do will be to put the book into a new paper case. I look forward to presenting the finished volume in one last installment of this series later this fall!

Angela Andres
Special Collections Conservator
Conservation Services

Conserving Scrapbooks: A Unique Conservation Challenge

August 1st, 2016

I have spent this summer as the second Ringle Summer Intern in the Stannard Conservation Lab at the University of Kansas. My internship focused on a collection of 41 scrapbooks held by the University Archives. The project involved developing a survey tool, surveying the collection, identifying items for treatment, treating some items, and rehousing/housing modification all of the scrapbooks. Most of the books dated from the early 1900’s. They showcase student life leading up to and in the early stages of World War One. This insight into student life at a very interesting and volatile time, especially as we come to the 100 year anniversary of the United States entering the war, is why the Archives uses these materials as teaching tools with undergraduate students. The scrapbooks also include very interesting objects, like firecrackers with the line written next to them, “We shot up the house.” I was unable to discover which house they were talking about but I have no doubt they would have been in serious trouble for doing that today! From a conservation perspective these firecrackers required some consolidation and I discovered one of the fuses is still in place!

 Piece of hardtack from 71/99 McIntire scrapbook. University Archives, Kenneth Spencer Research Library

Firecrackers in a scrapbook compiled by Emery McIntire, after treatment. Call number 71/99 McIntire. Click image to enlarge.

 

For more information about the project please see the story published in the Lawrence Journal-World in July: http://www2.ljworld.com/news/2016/jul/04/century-old-ku-student-scrapbooks-pose-preservatio/

And for some video footage of the treatments please see the coverage from 41 Action News: http://www.kshb.com/news/region-kansas/ku-working-to-preserve-former-students-scrapbooks

I came into the project most excited about the problem-solving aspects of working with scrapbooks and I was not disappointed. Many conservators greatly enjoy the problem-solving we get to do every day to determine the correct treatment for objects. For conservation purposes scrapbooks are exceedingly complex and complicated objects. Usually they are made of cheap materials and contain a variety of attachment methods. This means that once they make it to a conservator’s bench they are normally quite fragile. The binding may be failing, the support paper is usually brittle, and the various types of attachment—glue, tape, staples, pins—may have partially or completely failed. Given all of this, determining the most appropriate treatment is not always an easy task.

For the scrapbooks I treated I came across two main problems: What is the most efficient way to mend the innumerable tears to the support pages? What is the best way to conserve objects found in the scrapbooks? Some of these objects include firecrackers, a Red Cross bandage, and a 100 year old piece of hardtack.

 71/99 Harkrader, Florence scrapbook. University Archives, Spencer Research Library. 71/99 Harkrader, Florence scrapbook. University Archives, Spencer Research Library.

Red Cross bandage in a scrapbook compiled by Florence Harkrader, before and after treatment. Call number 71/99 Harkrader. Click images to enlarge.

 

I found that the most efficient way to repair all the tears—averaging around 10 tears per page—was to use a remoistenable repair paper. I made this using a 10gsm tengujo Japanese paper and a 50/50 mix of wheat starch paste and methyl cellulose. Once this was dry I was able to score it into many different sized strips to fit the various sized tears I was repairing.

Of the two objects mentioned the bandage was the easier to conserve. It is pinned to the support page and can swivel a bit on the pin allowing it to extend beyond the edge of the book. This means that there are some creases and frayed areas that have developed over time. To conserve it I repositioned it to sit inside the edges of the book and flattened out the creases.

The hardtack required creative problem-solving. It had a number of problems. It was coming unstuck from the support paper, had a number of cracks, and has writing on it. The ink means that any organic solvent-based consolidant could not be used. Additionally, it was desirable to keep the hardtack on the page, rather than removing it and storing it separately. In the end it was decided to remove the page from the scrapbook (the book was already disbound and is not being rebound) and to store it in its own enclosure within the same box as the scrapbook. The hardtack was re-secured to the page using a very dry wheat starch paste. The page was put in a float mount and support pieces were made with cutouts for the hardtack on one side and a dance book on the other. All of this was then sandwiched between pieces of corrugated board with ties attached. This created a housing that will both protect the page and aid in flipping the page from one side to the other.

Piece of hardtack from 71/99 McIntire scrapbook. University Archives, Kenneth Spencer Research Library Piece of hardtack from 71/99 McIntire scrapbook. University Archives, Kenneth Spencer Research Library

Page from Emery McIntire’s scrapbook, featuring a piece of hardtack, before and after treatment. Call number 71/99 McIntire. Click images to enlarge.

 

Piece of hardtack from 71/99 McIntire scrapbook. University Archives, Kenneth Spencer Research Library

Detail of the hardtack. Call number 71/99 McIntire. Click image to enlarge.

This project allowed me to hone my skills in many areas of conservation. My project will allow for these scrapbooks to be accessed and stored more safely going forward. I highly recommend stopping by Spencer Research Library, calling one or two to the reading room, and losing yourself in KU’s past!

Noah Smutz
2016 Ringle Conservation Intern