Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
The back of the Hays postcard is labelled “J. BOWERS Photographic Co., London.” According to the Flint Hills Special Digital Magazine, John Bowers was born in 1865 and took up the trade of photography in 1896 after returning from a two-year world tour. Around 1906, Bowers and his family moved to Long Beach, California, where he opened a photography studio. During this time, he frequently visited Topeka, Kansas, by train where he “engaged in photographic excursions…Between 1907 and 1910, Bowers produced a large volume of postcard photographic views from Kansas, Missouri, Iowa, and Nebraska.” Bowers’ postcards from Kansas are described as “numerous and noteworthy.” In 1908, there was an explosion of interest in collecting real photo postcards, which only fueled Bowers’ business. There is no evidence that he ever operated a studio in London. More on Bowers’ life and adventures, along with more images of his postcards, can be found via the Flint Hills Special.
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Postcards from Burlington (top) and Eudora (bottom), Kansas. Kansas Towns Photograph Collection. Call Number: RH PH 134. Click images to enlarge.
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The front and back of a postcard from Clyde, Kansas, 1907. Kansas Towns Photograph Collection. Call Number: RH PH 134. Click images to enlarge.
Here is a transcription of the postcard from Clyde:
7-31st Weather here is cooler since our nice rain Sat. night & Sun. morn. Will help corn & pastures Am better since it is cooler. It’s the heat gets away with me. All the rest are well. Am going to Clyde tomorrow As Lizzie [L?] & [Jeremia?] are both home on a visit. Sister Jennie
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The front and back of a postcard from Hays, Kansas, 1910. Kansas Towns Photograph Collection. Call Number: RH PH 134. Click images to enlarge.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
This week on That’s Distinctive! I am sharing Not Paper by Peter and Donna Thomas. The book describes and contains paper-like materials that do not actually qualify as paper. It is “an adaptation of [the authors’] 1997 miniature book Almost Paper.” Spencer has copy #26 out of the 48 copies that were made.
A fun tidbit about Not Paper is that it is actually an artist’s book. According to Smithsonian Libraries, “an artist’s book is a medium of artistic expression that uses the structure or function of ‘book’ as inspiration—a work of art in book form.” The Oxford Companion to the Bookdescribes artists’ books as “both object and concept.” The 1960s brought a surge of artists’ books throughout Europe and much of the US. For many, this is the time artists’ books became classified as a distinct genre. There is no true definition of what makes an artist’s book though. Both the definition and history of how they came to be are heavily debated.
I had loosely heard about artists’ books in passing but had never really encountered one even during my time at Spencer Research Library (though we regularly have classes that visit to examine them). One day when putting out a call for blog ideas, the topic of artists’ books came up via one of the catalogers here at Spencer, and I thought I would do some searching. That is how I stumbled upon this particular book. I found it interesting because of how it is stored and thought it was intriguing that it is bound in an accordion style. In flipping through the book and learning about all these materials that are not technically paper, it made me think back to fifth grade when we made “paper” one day in science class. It was a neat experience that has stuck with me since. My experience with finding this book has definitely made me want to dig deeper and see the different artists’ books we have in Special Collections.
You can find Spencer artists’ books by searching the KU Libraries online catalog in a couple of different ways. One option is to set the drop-down field menu to “subject” and use the search term “Artists’ books–Specimens.” Or, to get an even larger number of results, set the drop-down field menu to “any field” and use the search term “artists’ books” (in quotation marks) with the search term “specimens.”
The front cover (right) and housing (left) of Not Paper by Peter & Donna Thomas, 2010. Call Number: C21287. Click image to enlarge.
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The title page of – and selected pages from – Not Paper by Peter & Donna Thomas, 2010. Call Number: C21287. Click images to enlarge.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
This week on That’s Distinctive! I am sharing a sketchbook from the Papers of Lady Pauline Trevelyan. As noted in the finding aid, Lady Pauline Trevelyan (1816-1866) was a “writer, traveler, etcher, and painter of watercolors. She was also known as a naturalist and scientist.” Her collection here at the library holds mostly journals, notebooks, and sketchbooks. The collection consists of 69 volumes and one document case.
I actually first came across this collection when we had a researcher viewing it in the Reading Room. Otherwise, I am not sure I ever would have stumbled upon it. While I have not viewed the journals, the sketchbooks fascinated me because they are quite thin and all different sizes. Due to age, some of them are quite fragile. The sketchbook shared today is from Paris in 1863. This particular sketchbook is quite small (similar to a small spiral notepad) which makes the paintings that much more impressive.
To get a “taste” of Pauline Trevelyan’s journals, see the 2012 blog post “An Easter Pizza in Umbria, Italy in 1842” by former Special Collections Librarian Karen S. Cook.
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Selected pages from a sketchbook by Lady Pauline Trevelyan in Paris, 1863. Trevelyan Collection. Call Number: MS K1, volume 9. Click images to enlarge.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
This week on That’s Distinctive! I am sharing some scans of the New Women’s Times, a feminist newspaper from Rochester, New York, circa 1975-1984. I found this item last year while looking for Women’s History Month items. While it didn’t make the cut in 2023, I knew I wanted to share it eventually because the idea behind this paper really interested me. My preliminary research has turned up limited information. The paper appears to have first been published in 1975, and it apparently ended in 1984 after a call for feedback and donations went unanswered. According to the paper itself, it was published on a monthly basis except in August. A basic one-year subscription was $15. The pages shared today are from issues from 1983. As seen from the table of contents, the paper covered topics including women’s health issues, women’s rights, and so much more.
The New Women’s Times is housed within the library’s Wilcox Collection of Contemporary Political Movements. Established in 1965, the collection “is one of the largest assemblages of U.S. left- and right-wing political literature in the country.” Primarily covering the 1960s to the present, the collection comprises of more than 100,000 items such as books, serials, audio tapes, ephemera, and archival materials. The Wilcox Collection came to the library by way of Laird Wilcox, a researcher of political fringe movements. According to the finding aid for Spencer’s collection of Wilcox’s papers, “in 1964, Wilcox’s collection of political ephemera earned first prize in KU’s student book collecting contest. Emerging from that nucleus, the Wilcox Collection of Contemporary Political Movements was established at the University of Kansas in 1965, with Wilcox as its founder.”
Many copies of the New Women’s Times are available online via JSTOR.
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The front page of New Women’s Times from March (top), June (middle), and September (bottom) 1983. Call Number: RH WL G561. Click images to enlarge.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
This week on That’s Distinctive! I am sharing Uncle Henry’s Letters to the Farm Boy (1897) by Henry Wallace. Wallace (1836-1916) was born and raised on a farm in Pennsylvania. He spent much of his life on the farm before becoming a writer. By the time of his death, Wallace had written a total of six books. The University of Iowa Special Collections Department houses a collection of Henry Wallace’s papers including some diaries.
Each chapter of Uncle Henry’s Letters to the Farm Boy addresses a different thing a farm boy might encounter throughout his life. The chapters include “the farm boy and his father,” “the farm boy and his future business,” and “the farm boy and his education” (all shown below). The book at Spencer is a second edition printing and is signed by Henry Wallace himself.
I found this book merely by coincidence. I stumbled upon it one day while walking through the stacks. I was curious to see if the title was as literal as it seemed, and it was. I always find books like this fascinating because it shows a glimpse into what life was like back then.
The front cover of – and selected pages from – Uncle Henry’s Letters to the Farm Boy by Henry Wallace, 1897. Call Number: RH B2381. Click images to enlarge.
![Sepia-toned photo of a dirt street with two-story buildings - and some horses and wagons - on each side. A handwritten note says "2803 Chesnut [sic] St, Hays, Kans."](https://blogs.lib.ku.edu/spencer/wp-content/uploads/2024/03/RH-PH-134_Hays-front.jpg)
