Kenneth Spencer Research Library

Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.

This week on That’s Distinctive! we highlight a book from Special Collections titled Homespun Heroines and Other Women of Distinction by Hallie Q. Brown. The book, published in 1926, highlights notable African American women of the nineteenth and early twentieth centuries by, in the words of a Google Books summary, telling the stories of “[enslaved people] and social workers, artists and activists, cake makers and homemakers.” In so doing, it offers “unusual insight into female networks, patterns of voluntary association, work, religion, family life, and Black women’s culture.” The book highlights many notable figures such as Harriet Tubman, Sojourner Truth, Dinah Cox, Matilda J. Dunbar, and Martha Payne (mother of Daniel Alexander Payne).

According to Britannica, author Hallie Q. Brown was an

“American educator and elocutionist who pioneered in the movement for African American women’s clubs in the United States. In 1893 Brown was a principal promoter of the organization of the Colored Woman’s League of Washington, D.C., which the next year joined other groups to form the National Association of Colored Women. In 1893 she was appointed professor of elocution at Wilberforce University, but her teaching duties were limited by her frequent and extensive lecture tours, notably in Europe in 1894–99. Her lectures on African American life in the United States and on temperance were especially popular in Great Britain, where she appeared twice before Queen Victoria. She was a speaker at the 1895 convention of the World’s Woman’s Christian Temperance Union in London and a representative of the United States at the International Congress of Women there in 1899. Browns other works include Bits and Odds: A Choice Selection of Recitations (1880) and First Lessons in Public Speaking (1920).”

Homespun Heroines and Other Women of Distinction is a part of the Howey Collection within Special Collections at Spencer Research Library. The Howey Collection houses many books that originate from the Gerritsen Collection. Spencer’s copy of this volume originally came from the library of physician and women’s activist Aletta Jacobs (1854-1929) and her husband C. V. Gerritsen, who collected books, pamphlets, and other materials on women’s issues. Acquired by the John Crerar Library of Chicago in 1903, the Gerritsen collection was purchased with other Crerar Library materials by the University of Kansas in 1954. The collection was microfilmed and is now available digitally through subscription to libraries worldwide.

A digital copy of the book can be found at Documenting the American South, or the library’s physical copy can be viewed in the Reading Room, Monday through Friday between 10am and 4pm.

Tiffany McIntosh
Public Services

Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.

This week on That’s Distinctive! we are sharing miniature (tiny) Bibles. We have many tiny books within Special Collections, including the Bibles shown below. The three Bibles range in size from 1 ¼” to 2 ¾” wide. Though the text is quite small, they can be read like regular sized books. However, some other tiny books within the collections are not readable by the naked eye.

So why miniature books? They’re pocket sized! According to the Oxford Companion to the Book, which is available at Spencer Research Library and (for KU users) online, “miniature books, with the exception of micro-miniatures, are normally produced to be read without the aid of magnification, and rarely exceed 3in. in height. The earliest miniature books were MSS [manuscripts] made from papyrus or parchment in the 3rd and 4th centuries AD.” Miniature books have been of high interest throughout time. From Bibles, to Greek and Latin classics, to the works of Shakespeare and Robert Burns, books of all kinds have been converted to miniature formats. There have even been instances of miniature books being produced to supply libraries within doll houses. “Over the last century, miniature books have featured as specialist areas of both fine press printing and fine bookbinding.”

See the Biblio website and Regency Antique Books for additional brief histories of miniature books.

Within Spencer Research Library, Special Collections holds over 250 miniature books. Their call numbers generally include the size designation “t” (for “tiny”) or “tk” (for oblong miniature books). To qualify for a “t” call number in Spencer’s Special Collections, books must be between zero and ten centimeters in size. Some books such as Children 3957 (below) have yet to be cataloged at a designated “t” call number.

Tiffany McIntosh
Public Services

This is the latest installment in a series of posts introducing readers to student employees who make important contributions to the work of Spencer Research Library. Today’s profile features Conservation Services student assistant Sarah Jane Dahms, who answered a few questions about the projects she works on at Spencer.

What is your role?

Here at the Spencer, I work in the Conservation Department. We work in a lab setting to stabilize and repair books and materials throughout the KU library system. As a student I work with materials that are in circulation. I do anything from stapling music pamphlets into pamphlet binders, securing dust jackets within archival plastic covers, and housing delicate books and materials in custom boxes to mending and rebinding books. It is a job full of conversation, collaboration, and problem solving. Each item has its own needs and desires, and it is our job to pay attention to the material and work with it, instead of overcorrecting or forcing a repair. No two days in the lab are the same.  

What are you studying, and what do you hope to do in your future career?  Has your work in at SRL changed how you look at your studies or your future career plans in any way? 

I recently graduated this Spring with degrees in both English and Visual Arts. Working in the Conservation Lab gives me a unique space to combine both aspects of my study. Here, I constantly work with books, but I have an opportunity to get to know the materials creatively. Over the course of a few minutes to several hours, I collect clues about the history of the material to create a repair that supports the overall environment of the material. If I do my job well, then my repair should exist within the same world as the original did. Working here has honed my creative hand skills. We work on multistep processes where a millimeter makes all the difference, but we have the chance to create things that are aesthetically pleasing. Because of my experience here, and my time studying for a book arts certificate at KU, I will continue combining English and Art in a Master of Fine Arts this fall. Through the University of Alabama, I will study book arts in their Library and Information Sciences Department. This path was entirely inspired and supported by my time at the Spencer over the last two years. Through repairing and rebinding books, I have completely fallen in love with book structures and creation. I am honored to continue creating books artistically and focusing on their quality and longevity.  

What part of your job do you like best? 

One of the most important factors of my job is flexibility. Yes, our schedules are largely flexible, but the position itself allows for each student to shape the role. Over the course of the first six months every Conservation Student learns around fifteen multi-step treatments. These treatments range on a scale of technical hand skill and creative potential. Every student who comes through the lab falls in love with one, if not several of these creative processes. We each do all treatments, but many of us specialize in one or two of these areas. Because of this flexibility, students from all areas of campus thrive in the work environment. It allows us all a space to shape our job, and to get to know other students with different backgrounds and skills from our own. Separately from this day-to-day flexibility, we often work on long-term projects as a group. Sometimes the projects last weeks or months, as we move collections around the library. These projects give us time to explore the library and walk amongst hundreds of unique books and materials.  

Sarah Jane Dahms
Conservation Services student assistant

Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.

This week on That’s Distinctive! we share some photos from the KU Natural History Museum’s collection within University Archives. In the library we house many photographs from the museum from throughout their years as well as some of their records. The photos we share this week show early displays of the museum’s panorama from 1893. From the museum’s website:

“The Panorama is an American cultural treasure, a 360-degree-view exhibit that embodies a historic first in the representation of nature for the public. As part of the official Kansas Pavilion in the 1893 World’s Columbian Exposition in Chicago, it was unique and revolutionary in depicting, for the first time, mounted groups of North American mammals in their natural surroundings. Lewis Lindsay Dyche created this exhibit on the cusp of growing scientific awareness of ecological systems and the need to conserve natural resources for the better good…the exhibit has grown over the years to include more different environs and species. The Panorama represents the university’s early efforts to document and understand the life of the planet — research that continues today through the KU Biodiversity Institute.”

More on the history of the panorama and other exhibits can be found on the Natural History Museum’s website. Spencer Research Library also houses material on Lewis Lindsay Dyche, including his personal papers.

What made me choose the museum for this week? Well, I am a science lover by nature being an Anthropology major. But, the museum is also a great community resource. Not only for learning cool things, but for bonding and making memories.

The KU Natural History Museum offers four floors of exhibits for visitors of all kinds. The museum is open from 9am to 5pm, Tuesday-Sunday for the summer, with suggested donations upon entrance. The museum also offers “Museum from Home” options for those who are unable to visit.

Tiffany McIntosh
Public Services

Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.

For our science fiction lovers out there, this week we highlight Amazing Stories by Hugo Gernsback. According to Wikipedia, Amazing Stories is an American science fiction magazine that was first published in 1926. The magazine was the first of its kind in being solely devoted to science fiction, which helped launch a new genre of pulp fiction. Gernsback’s contributions to the genre as a publisher were so significant that he is sometimes called “The Father of Science Fiction.” Annual awards presented at the World Science Fiction Convention are named the “Hugos,” in his honor.

Here at Spencer, we have many copies of Amazing Stories from throughout its long publishing history. This week we include just a small sample of early covers from the library’s large collection. The magazines offer a fun array of cover scenes that can be fun to flip through along with the contents of the magazines as well.

Tiffany McIntosh
Public Services