Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
Though the library is closed for the holiday, That’s Distinctive! must go on! In honor of Thanksgiving holiday, this week I am sharing some Thanksgiving postcards from the Herd Family Papers. With over 37 boxes, 47 volumes, seven oversize boxes, and two folders, the collection – which spans 1817-2013 – houses a wide array of materials. With much of the collection being correspondence, it is appropriate that the items shared today are postcards celebrating Thanksgiving. Two postcards are undated, and the others are from 1908 and 1909.
You’ll notice on the last postcard that the address simply lists the town and state. According to the U.S. Global Mail website, “before addresses were used in the United States, mail would be delivered to prominent buildings in major towns and cities throughout the colonies (and later states) – usually City Hall, the library, or something similar. … Over time, though, the USPS looked for ways to create more and more efficiency. That’s when they created a new addressing system (and later ZIP Codes), totally overhauling the way that mail was sent throughout the country and laying down the foundation for the addressing system we still use today.”
|
Two undated Thanksgiving postcards. Herd Family Papers. Call Number: RH MS 1374. Click images to enlarge.
A Thanksgiving postcard from 1909. Herd Family Papers. Call Number: RH MS 1374. Click image to enlarge.
|
The front and back of a 1908 Thanksgiving postcard. The transcription is below. Herd Family Papers. Call Number: RH MS 1374. Click images to enlarge.
My Dear Horace:-
I sure wish I could be with you for next Thurs. Wonder if you will miss me. Now eat lots of Turkey for me, and have a good time. Tonight we have a fudge party you like that so much. This is sure a dandy day. I just got home from school.
With Love. Lillian
So, whether you’re having a fudge party, eating lots of turkey and ham, or getting takeout from your favorite restaurant, we hope you have a very happy holiday!
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
Did you know that Spencer Research Library houses an extensive collection of Moby-Dick editions and adaptations? The more than 100 books in the collection range in type and size, so today I am sharing just a few with you.
Published in 1851, Moby-Dick; or, the Whale was written by American writer Herman Melville. The book “recounts the adventures of the narrator Ishmael as he sails on the whaling ship, Pequod, under the command of the monomaniacal Captain Ahab.” Though it is now considered a great American classic, Moby-Dick did not gain traction until the early 1900s. According to Wikipedia, “the novel has been adapted or represented in art, film, books, cartoons, television, and more than a dozen versions in comic-book format. The first adaptation was the 1926 silent movie The Sea Beast, starring John Barrymore.”
Many of the copies and versions of Moby-Dick at Spencer Research Library, including those shown below, were donated to the library by Elizabeth A. Schultz. Schultz, an emerita professor from KU’s Department of English and a former Fulbright Lecturer, advocates “for both the arts and the environment in Douglas County.” As a scholar and avid enthusiast of Herman Melville, Schultz published Unpainted to the Last: Moby-Dick and Twentieth-Century American Art (1995), which examines artistic interpretations and illustrated editions of the novel. “Deftly interweaving words with images,” notes the University Press of Kansas, “Elizabeth Schultz radically reframes our most famous literary symbol and provides a profoundly new way of “reading” one of the key texts in American literature.” Along with the donated books, Spencer houses a copy of Schultz’s book.
|
The front cover of and selected pages from Moby-Dick, adapted by Joanne Fink and illustrated by Hieronimus Fromm, 1985. Call Number: Children C144. Click image to enlarge.
The front cover of Herman Melville’s Moby Dick: The Graphic Novel adapted by Lance Stahlberg and illustrated by Lalit Kumar Singh, 2013. Call Number: Children D200. Click image to enlarge.
The front cover of Moby-Dick in Pictures: One Drawing for Every Page by Matt Kish, 2011. Call Number: CK174. Click image to enlarge.
|
The front cover and first page of Moby Dick: The Illustrated Novel, illustrated by Anton Lomaev, 2018. Call Number: D7812. Click image to enlarge.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
This week on That’s Distinctive! I’m sharing a small and simple collection of business cards from Lawrence. The Lawrence business card collection features business cards from mostly the 1880s. The two featured today are from the Lawrence Business College and J. House.
An online exhibit from the Lawrence Public Library notes that the Lawrence Business College was “established in 1869 by W.H. McCauley [and]…was the first business college in Kansas. The school was located in the Lawrence National Bank building on the third and fourth floors.” While the business college no longer exists, it is widely unknown when and why it shut its doors. Some personal accounts from attending the college can be found in the John L. Kilworth papers at the library.
|
The front (top) and back (bottom) of a business card for the Lawrence Business College, 1883-1884. Business Cards, Lawrence, Kansas. Call Number: RH MS P479. Click images to enlarge.
J. House was a clothing business operated for several decades by Jacob House at 729 Massachusetts Street in downtown Lawrence. The building is marked by a plaque as having survived Quantrill’s Raid in 1863. Jacob House, his wife Ricka, and their seven children resided at 805 Ohio Street for many years before relocating to 701 Tennessee in 1904. House’s 1913 obituary in the Lawrence Daily Journal-World declared that “no man in Lawrence stood higher in the esteem of the public” than him. The article noted that House was born in Austria in 1833. After emigrating to the United States in 1854 and living in a variety of places, he settled in Lawrence and opened his business in 1862. House was in his store at the time of Quantrill’s Raid; he was taken by a group of raiders and “kept as a prisoner and guide all day. He was forced to show them from place to place and everywhere he saw the dead bodies of his friends and acquaintances.”
|
The front (top) and back (bottom) of a business card for the J. House clothing business, undated. Business Cards, Lawrence, Kansas. Call Number: RH MS P479. Click images to enlarge.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
While it is technically no longer October, Halloween was earlier this week on Tuesday, so it only feels right to share one last “spooky” item. This week I have chosen to highlight a timeless classic: Grimm’s Fairy Tales by Jacob and Wilhelm Grimm, better known as the Brothers Grimm. Born in the 1780s, the Grimm Brothers published the first edition of their Kinder- und Hausmärchen (Children’s and Household Tales) in 1812. As scholar Jack Zipes explains, “between 1812 and 1857, seven editions of their tales appeared, each one different from the last, until the final, best-known version barely resembled the first.” Spencer Research Library holds many different editions, translations, and adaptations of the Grimm Brothers’ tales, including this edition from 1917 that contains illustrations and decorations by Louis Rhead. With their “stories and tales of elves, goblins, and fairies,” the brothers have captivated the minds of readers for centuries.
The front cover, title page, and selected pages from Grimm’s Fairy Tales: Stories and Tales of Elves, Goblins and Fairies, 1917. Call Number: Children C248. Click images to enlarge.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
To continue our spooky journey through Spencer’s collections, this week I share Samhain or “All Hallowe’en.”: A Romantic Irish Cantata. As noted in the Concise Oxford Companion to Irish Literature, “Samhain had an important place in Celtic mythology as a time when the normal order is suspended to allow free passage between the natural and supernatural worlds.” As defined by Merriam-Webster, a cantata is “a composition for one or more voices usually comprising solos, duets, recitatives, and choruses and sung to an instrumental accompaniment.” This particular cantata was written and composed in 1902 expressly for the Dublin Musical Festival, or Feis Ceoil. Established in 1897, “Feis Ceoil Association promotes excellence in the learning and performance of music across all ages, levels and disciplines…Today, Feis Ceoil is an event of major significance in the development of musical talent in Ireland.” The festival now comprises 180 competitions with a diverse range of ages from seven years old and up.
Dr. Annie Patterson (1868-1934), who wrote the cantata, “composed sacred and secular cantatas, orchestral works and songs based on Irish themes. She also wrote poetry, essays, short stories as well as professional articles and books on music.” Working with Rev. Houston Collisson – the cantata’s composer – and others, Patterson co-founded the Feis Ceoil in 1897 as part of the broader Gaelic revival in Ireland.
No matter what you believe or how you celebrate, I wish everyone a safe and very happy Halloween! Next week we will share one last item in the spirit of October before returning to regular postings.
|
|
The front cover and first two pages of Samhain or “All Hallowe’en.”: A Romantic Irish Cantata, 1902. Call Number: O’Hegarty D613. Click images to enlarge.
