Kenneth Spencer Research Library

Note: A selection of materials from the Jenks collection, including the items shown here, were exhibited in the library’s North Gallery in June-July 2018. An online version of the exhibit is now available.

This past semester I helped process the George F. Jenks Map Collection under the guidance of Spencer Special Collections Librarian Karen Cook. Jenks (1916-1996) taught in KU’s Geography Department from 1949 to 1986, and during his tenure he established a renowned cartography program and became internationally recognized as a preeminent cartographer and scholar. The collection is composed of hundreds of maps, graphics, and associated artwork that he produced for publication and in support of his research. In this post I highlight a few items from the collection to illustrate the scope of Jenks’ career.

Jenks spent much of the 1950s producing statistical maps of Kansas. Representative examples of this work can be found in A Kansas Atlas (1952) and the maps he designed for the Kansas Industrial Development Commission. At a time when most state mapping agencies were either nascent or nonexistent, having a cartographer of Jenks’ caliber proved to be a boon for both the state and private industry. A Kansas Atlas was a rarity upon publication: a multi-color in-depth statistical atlas devoted to a single state. Jenks mapped an exhaustive variety of topics, ranging from population dynamics to agricultural productivity, using a variety of cutting-edge symbolization techniques. It should be noted that Jenks pioneered or fine-tuned many of the map symbolization methods used in this atlas and still in use to this day.

Selected maps from A Kansas Atlas (1952).
George F. Jenks Map Collection. Click images to enlarge.

The Kansas Industrial Resources atlas (1956) is a masterclass in two-color map design and artful cartographic generalization. Jenks took mundane topics such as railroad freight service and electricity grids and simplified them to create visually arresting, statistically accurate maps. This is no small feat: to this day mapmakers struggle with the challenge of generalizing data so that important information stands out while preserving the accuracy of that information.

Fuel resources map spread, Kansas Industrial Resources (1956).
George F. Jenks Map Collection. Click images to enlarge.

Generalization was a key theme of Jenks’ research in the 1960s and 1970s. Two of his publications, “Generalization in Statistical Mapping” (1963) and “Class Intervals for Statistical Maps” (1963), remain staples in the cartographic literature. Through this research, Jenks helped to systematize the process for classifying spatial data and devised rules to guide the selection of effective classification methods. The collection contains the maps and graphics Jenks created to illustrate these concepts, many of which are still used in cartography textbooks. Examples from his 1963 articles are below. Also included in the collection are hundreds of the maps he used in in his various generalization experiments.

Graphics from “Class Intervals for Statistical Maps” (1963) illustrating the
process of data generalization. Different class intervals affect the appearance of the
data on the map. George F. Jenks Map Collection. Click image to enlarge.

Another staple of Jenks’ work are three-dimensional map. Starting in the mid-1960s until the end of his academic career, Jenks refined three-dimensional mapping techniques, first by hand and later using computers. He recognized the potential of representing spatial phenomena in three dimensions, running many experiments and publishing many papers exploring the issue. One publication, “Three Dimensional Map Construction” (1966), remains highly recognizable within cartographic circles, and it also featured one of Jenks’ most famous maps: a three-dimensional representation of population density in central Kansas.

A three-dimensional “smoothed statistical surface” map representing
population density in central Kansas. This graphic graced the cover of the
November 18, 1966 issue of Science. Jenks originally created this graphic for his
class intervals research. George F. Jenks Map Collection. Click image to enlarge.

This post only skims the surface of Jenks’ celebrated career and barely hints at the contents of the Jenks Map Collection. Readers should keep in mind that while many of the maps featured in this post may not appear noteworthy by today’s standards or software capabilities, they were considered at the cutting edge in their time. Perusing both his personal papers (also maintained at Spencer Research Library) and this map collection reveals the breadth and depth of his cartographic expertise. Jenks was an innovator in many areas; in addition to his aforementioned research interests, he was also recognized as an expert in the areas of curriculum design, cartographic reproduction techniques, and the links between cartography, psychology, and human factors. The Jenks Map Collection preserves a wide assortment of the preliminary and production artwork underpinning his academic and professional careers. The collection finding aid is undergoing finalization and should be published to the Spencer Research Library website in the coming months.

Travis M. White
Special Collections Cartography Intern and 2018 KU graduate (Ph.D., Geography)

References

Jenks, George. (1952). A Kansas Atlas. Topeka: Kansas Industrial Development Commission.

Jenks, George. (October 1956). Kansas Industrial Resources. Topeka: Kansas Industrial Development Commission.

Jenks, G. F. (1963). Generalization in statistical mapping. Annals of the Association of American Geographers, 53(1), 15-26.

Jenks, G. F., Coulson, M. R. C. (1963). Class intervals for statistical maps. International Yearbook of Cartography. 119-134.

Jenks, G. F., Brown, D. A. (November 1966). Three-dimensional map construction. Science. 154(3751), 857-864.

To help celebrate the holidays, we’re sharing Clement Clarke Moore’s poem The Night Before Christmas (originally published in 1823 as A Visit from St. Nicholas) as illustrated by two copies of the text in Spencer’s collections – one from 1896 and the other from the early 1900s. The version of the poem used here comes from a 1920 edition, also in the library’s holdings.

The Night Before Christmas, or, A Visit of St. Nicholas
by Clement Clarke Moore, 1896.
Call Number: Children E39. Click image to enlarge.

‘Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St Nicholas soon would be there;

The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads;
And Mamma in her kerchief, and I in my cap,
Had just settled our brains for a long winter’s nap,

When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.

The Night Before Christmas by Clement Clarke Moore,
undated, circa early 1900s. Call Number: Children E40.
Click image to enlarge.

The moon on the breast of the new-fallen snow
Gave the lustre of midday to objects below,
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny reindeer,

With a little old driver, so lively and quick,
I knew in a moment it must be St Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name:

The Night Before Christmas, 1896.
Call Number: Children E39. Click image to enlarge.

“Now, Dasher! now, Dancer! now, Prancer and Vixen!
On, Comet! on, Cupid! on, Donner and Blitzen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!”

As dry leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky,
So up to the house-top the coursers they flew,
With the sleigh full of Toys, and St Nicholas too.

The Night Before Christmas, undated, circa early 1900s.
Call Number: Children E40. Click image to enlarge.

And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St Nicholas came with a bound

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He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of Toys he had flung on his back,
And he looked like a pedlar just opening his pack.

The Night Before Christmas, 1896.
Call Number: Children E39. Click image to enlarge.

His eyes – how they twinkled! his dimples how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard of his chin was white as snow;

The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath;
He had a broad face and little round belly,
That shook when he laughed, like a bowlful of jelly.

He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and twist of head
Soon gave me to know I had nothing to dread.

The Night Before Christmas, undated, circa early 1900s.
Call Number: Children E40. Click image to enlarge.

He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;

He sprang to his sleigh, to his team he gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight,
HAPPY CHRISTMAS TO ALL AND TO ALL A GOOD NIGHT

The Night Before Christmas, 1896.
Call Number: Children E39. Click image to enlarge.

Meredith Huff
Public Services

Spencer’s renovated North Gallery includes two new cases in which staff members can display materials on a short-term basis. During October, we’re exhibiting items in Spencer’s holdings that relate to the Russian Revolution of 1917. The exhibit is free and open to the public in the Spencer North Gallery during the library’s regular business hours.

One of the most well-known and popular American socialists
during the early 20th century, Eugene V. Debs was the
Socialist Party’s candidate for U.S. President five times.
As a result of this speech, Debs was arrested and convicted
in federal court under wartime espionage law.
Call Number: Josephson 5687. Click image to enlarge.

“During a revolution, millions and tens of millions of people learn in a single week incomparably more than in a whole year of every-day sluggish life.”

– Vladimir Lenin

Marking the 100th anniversary of the Russian Revolution, Spencer Research Library is currently displaying highlights from the Leon Josephson Collection on Modern Socialism. Extensively documenting the international socialist movement during the first half of the 20th century, the Josephson Collection contains over 8000 pamphlets, books, and ephemeral materials.

Examples of materials on display include Lessons of the Revolution and The Land Revolution in Russia by Vladimir Lenin, as well as a copy of the first constitution adopted by the Russian Soviet Federative Socialist Republic (RSFSR) in 1918.

As a result of the magazine’s consistent denouncement of
World War I and American involvement, nearly all of the
editors and writers of The Masses were charged with violating
the Espionage Act of 1917. Call Number: D2009. Click image to enlarge.

John Reed later published his eyewitness account of the Bolshevik Revolution
as a book, Ten Days that Shook the World (1919). Reed died in a Moscow hospital
in 1920; he is buried in the graveyard of revolutionary heroes near the
Kremlin Wall. Call Number: RH WL D1614. Click image to enlarge.

“The Russian Revolution is an incomparably mightier even than any previous revolution; larger in scope and deeper in ultimate meaning than the French Revolution.”

– Louis C. Fraina, a founding member of the American Communist Party

Socialist publications from America such as The Masses and its successor The Liberator are also on display. These magazines were illustrated with realist and modernist artwork, which they combined with poetry, short stories, and articles discussing and interpreting the Russian Revolution and its influence on the international socialist movement.

Statement from Public Services student Zachary Lassiter

I started KU in the fall of 2015 as a History major, and began working at Kenneth Spencer Research Library in August 2016. I’ve spent most of my time as an undergraduate studying the former Soviet Union, Eastern Bloc, and the Cold War. I had the desire to take part in researching and constructing one of the many exhibits that are showcased at Spencer throughout the year. With the recent renovation of Spencer’s North Gallery, and with the 100th Anniversary of the Russian Revolution, it was a perfect opportunity. Going through countless pamphlets, magazines, and ephemeral materials, I have gained a better understanding of the Russian Revolution from the perspectives of the Bolsheviks and American socialists in their own words as it was happening. I also gained experience in the research and development process of constructing an exhibit, knowledge I hope to utilize in future work. Finally, I want to thank Caitlin Donnelly, Head of Public Services, for helping me through this process and providing me with this opportunity.

Zachary Lassiter
Public Services Student Assistant

In honor of Monday’s total solar eclipse, the Spencer Research Library staff was curious about our collection holdings related to this celestial phenomenon. We found two reports detailing previous solar eclipses, one from South America in 1889 and one from the United States in 1900.

This image was developed using the negative from the exposure
created with the 18-inch reflector. Report on the Total Eclipse of the Sun,
Observed at Cayenne, French Guiana, South America, December 22, 1889
by S.W. Burnham and J.M. Schaeberle. Sacramento: A.J. Johnston,
Supt. State Printing, 1891. Call Number: C13311. Click images to enlarge.

The first report is from the Lick Observatory team’s visit to Cayenne, French Guiana, South America in 1889. The team left New York and traveled via boat to South America to observe and document the total solar eclipse on December 22nd. Despite some initial concerns about the weather, they were able to use several different lenses to create exposures of the eclipse that were later developed for further study.

The image shows what Charles Howard experienced when looking through
the telescope at the moment of the eclipse. Total Eclipse of the Sun,
May 28, 1900, Observed at Winton, North Carolina by Charles P. Howard.
Hartford, Conn.: R.S. Peck & Co., printers and engravers, 1900.
Call Number: C13310. Click images to enlarge.

The second report is from Charles P. Howard’s visit to Winton, North Carolina, for the total solar eclipse in 1900. Howard joined the Trinity College team to observe and document the eclipse on May 28. Howard’s report also included images – created by the author – to convey his observations. His recorded thoughts show that he felt his images paled in comparison to the actual spectacle of the eclipse: ‘The view through the telescope, however, was far grander than the naked eye view and most awe-inspiring. Around the Sun was an appearance that almost made one exclaim, ‘the Sun is an enormous magnet, alive and hard at work.’” His illustration attempts to show the radiating waves he saw around the sun at the time of the eclipse.

If you are interested in learning more about the science behind a total solar eclipse, please take a look at Eclipse 101 from NASA!

Emily Beran
Public Services

Just a few months after I began working at Kenneth Spencer Research Library, Dr. Elspeth Healey, one of our Special Collections librarians, showed me some materials she had pulled for a class on Renaissance printmaking. With my background in Medieval and Renaissance art history, I was excited to explore the materials she had selected. She drew my attention to a small image in Conrad Gessner’s Historiae Animalium, a sixteenth-century natural history tome featuring various bird species. The somewhat bizarre and gruesome image in question shows a pelican pecking at its breast with visible blood spilling on a nest of baby birds – a startling depiction but one familiar to me from medieval bestiaries. The rather macabre bird depicted was none other than a vulning or heraldic pelican.

A vulning pelican in Historia animalium by Conrad Gessner, 1555.
Call Number: Ellis Aves G97. Click image to enlarge.

The term vulning comes from the Latin verb “vulno” which means “to wound.” When pelicans feed their young, the mother macerates fish in the large sack in her beak then feeds it to her babies by lowering her beak to her chest to transfer the regurgitated fish more easily. The observation of this feeding practice led to the mistaken descriptions of female pelicans pecking their breasts and spilling blood onto their babies to provide sustenance. The idea of a pelican wounding herself for the sake of her young gained a religious connotation and became a symbol for Jesus Christ and his sacrificial death and resurrection – a necessary sacrifice for the redemption of humanity according to the Christian tradition. Also described as a “pelican in her piety,” the vulning pelican became a popular symbol in medieval heraldry and was featured in bestiaries (books about a mixture of real and imaginary animals) because of this religious association.

The presence of the vulning pelican in bestiaries could explains how this popular piece of religious symbolism found its way into a scientific study from the sixteenth century. Bestiaries were collections of descriptions of both real and mythological beasts. These creatures were typically accompanied by some moral tale that was meant to be instructional for the reader. While bestiaries had been around for centuries, they gained a high level of popularity during the Middle Ages. These bestiaries were in some ways the forerunners to later scientific publications like Conrad Gessner’s book about the natural history of animals. It is not surprising that certain illustrations were carried over from the bestiaries into early scientific books during the transition from the Medieval to the Renaissance period.

However, the vulning pelican also appeared in emblem books, a type of book that originated in Italy in the mid-sixteenth century, rapidly became fashionable throughout Europe, and remained popular until the early eighteenth century. An emblem book consists of a series of pictures, each accompanied by a motto and an explanatory poem, which together present a concept, usually with a moral, about a theme, such as religion, politics, or love. The vulning pelican appears in emblem books with a religious theme. This continuing popularity via another source could also account for the vulning pelican imagery’s use in naturalist texts.

The appropriation of the vulning pelican from religious symbol to scientific illustration has helped preserve the history of this strange depiction. Considering the vulning pelican’s history as a symbol of the Christian resurrection, it is rather ironic to see how this depiction has experienced a resurrection of its own throughout the centuries.

Emily Beran
Public Services