Kenneth Spencer Research Library

This post was written by Tiffany McIntosh, who was Spencer’s Administrative Associate unit until last month. She is now the Outreach Manager at the Watkins Museum of History in downtown Lawrence.

This exhibit was developed over the last thirteen weeks as part of a final project for my master’s program in museum studies at the University of Oklahoma. To be able to graduate, I had the choice of doing a project, an internship, or a research paper. The choice of doing a project was fairly clear to me from the beginning. With guidance from an onsite supervisor, students were asked to find a museum (or similar institution) to work with to fill a need they had and to create a project that would further the student’s learning. Looking for some fun insights behind the process of curating an exhibit? Look no further!

How did the idea for this exhibit come about?

In order to graduate from my master’s program, I needed to do an independent project that I created in partnership with a cultural heritage institution. Having worked at Spencer, I felt it allowed me the opportunity to develop new skills in an environment I was already comfortable in. The project had to be outside our job scope which is why this was a great opportunity to learn new skills. Originally I was going to do an exhibit on a different topic, but my interest in the diaries in Spencer’s collections led me to the idea of Kansas in the 1800s. Knowing little about this topic, I had no idea what I was getting myself into.

What was the process of creating the exhibit?

Once I came up with the idea and my project was approved, I started planning the direction I wanted to take. I began by digging through the finding aids and pulling collections to look through. I dug through over 115 collections before I found the right items for my exhibit. With the help of my onsite supervisor, Kansas Collection Curator Phil Cunningham, I was able to pin down layouts for my cases. Once my items and layouts were settled on, I scanned everything for my Omeka exhibit and sent them off to the conservation lab for treatment. After that I started the process of writing my exhibit labels. Writing labels was probably the hardest part of this whole process. There’s only so much you can portray in 100-200 words. Once my labels were ironed out, it was all just waiting for installation day. As I waited for installation, I wrote this blog post, created an activity, and worked on my Omeka exhibit.

What was the most surprising thing you discovered?

I would say I was most surprised by how hard it was to find things about rural life in the 1800s. There were plenty of ledgers, bank books, diaries (sometimes in illegible handwriting), and other things. But, there was a limited number of exhibit-worthy items that would get people thinking and talking. Finding photographs was the hardest. Every time I found one that I liked I would realize it was from the early 1900s. I suppose could have included those photos in the exhibit, but I was determined to stick to my plan.

What is the most interesting thing you learned while working on this exhibit?

I was pretty amazed that collections that have never been looked at together are interconnected. Many items in my case on Lawrence relate to each other but come from different collections. For example, I had previously worked with the J. House business card from the Lawrence business cards collection, so finding the J. House receipt in the Bowersock collection was super cool to me. It was also fun putting things into perspective. The exhibit includes a Steinbergs’ Clothing House business card, and one of the images I found has Steinbergs’ storefront in it. This might not seem cool on the surface level. When looking at the original photo you can’t read the business names. It wasn’t until I scanned and blew up the photo that I realized it showed Steinbergs’. I could go on forever but those were two of my favorite findings.

What do you hope visitors take away from this exhibit?

I hope viewers walk away with an understanding of how surprisingly different lives can be lived in a relatively close area. The author of the anonymous farmer’s diary talks about going to Kansas City, and imagining what that may have been like compared to life on the farm is just really interesting to me. I also hope people see the parallels of life in the 1800s to now. While there have been many advancements, rural farmers are still secluded from city life in a way while Massachusetts Street in Lawrence is still booming with business.

At the end of the day, this project has been a blast. I never thought I would be creating a physical exhibit as part of my program, one curated entirely by me at that. I have learned so many skills and things about my thought process throughout this semester. Things like the ups and downs of writing labels, or thinking you found the perfect item only to find it is in poor condition, or you can’t read it, or it does not fit the time frame. I hope visitors are able to feel some connection when they walk away from the exhibit.

Tiffany McIntosh
Spencer Public Services/Watkins Museum of History

Check the blog each Friday for a new “That’s Distinctive!” post. I created this series to provide a lighthearted glimpse into the diverse and unique items at Spencer. “That’s Distinctive!” is meant to show that the library has something for everyone regardless of interest. If you have suggested topics for a future item feature or questions about the collections, you can leave a comment at the bottom of this page. All collections, including those highlighted on the blog, are available for members of the public to explore in the Reading Room during regular hours.

This week on That’s Distinctive! I am sharing some watercolor paintings from the Lawrence, Kansas, Photographs Collection. Spanning the early 1800s through the twentieth century, the collection is an artificial collection comprising of “wide variety of photographic media, including prints, stereographs, ambrotypes, daguerreotypes, glass plate negatives, glass plate positives, nitrate negatives, and other flexible negative types.” When a collection at Spencer Research Library is deemed “artificial,” it just means that not everything in the collection came to the library together. Artificial collections are often put together based on topic, in this case Lawrence, Kansas. The collection, which covers a wide array of subjects, spans 32 document cases, one slide box, two card file boxes, eleven oversize boxes, and ten oversize folders.

The watercolors shared this week were done by Orlando E. Wilson. I could not find any information about Wilson online. The paintings shared today show the Union Pacific Railroad depot, the Lawrence National Bank, and the Eldridge Hotel as it was before and rebuilt after Quantrill’s Raid. I stumbled upon these paintings while working on an exhibit I am currently putting together. They weren’t of use to me for the exhibit, but I found them fascinating enough to share. There are a few more within the collection that I am not including today.

Tiffany McIntosh
Public Services

Check the blog each Friday for a new “That’s Distinctive!” post. I created this series to provide a lighthearted glimpse into the diverse and unique items at Spencer. “That’s Distinctive!” is meant to show that the library has something for everyone regardless of interest. If you have suggested topics for a future item feature or questions about the collections, you can leave a comment at the bottom of this page. All collections, including those highlighted on the blog, are available for members of the public to explore in the Reading Room during regular hours.

This week on That’s Distinctive! I am sharing items from the Lawrence Journal-World photograph collection. Spencer Research Library holds the newspaper’s physical photograph collection, which contains about 545 boxes of negatives and an additional 113 boxes of prints. The collection spans the 1950s through 2001. Topics in the collection include athletics, anniversary celebrations, weather events, agriculture, organizational meetings, and more. The collection is organized chronologically by date rather than topic, which can make sorting through the photos an adventure for patrons.

The images shared today are from our digital collections, which can be found on the “Find Collections” page of Spencer’s website. The library has many digital collections available online for patrons to view from anywhere they please. Per the website, “KU Libraries Digital Collections provide free, public access to thousands of objects digitized from across Spencer’s holdings, including photographs, documents, and audiovisual materials.”

Tiffany McIntosh
Public Services

Check the blog each Friday for a new “That’s Distinctive!” post. I created this series to provide a lighthearted glimpse into the diverse and unique items at Spencer. “That’s Distinctive!” is meant to show that the library has something for everyone regardless of interest. If you have suggested topics for a future item feature or questions about the collections, you can leave a comment at the bottom of this page. All collections, including those highlighted on the blog, are available for members of the public to explore in the Reading Room during regular hours.

This week on That’s Distinctive! I am sharing a few items from the Katie Armitage papers. Per the finding aid, “Katie Hart Armitage is a Lawrence, Kansas-based independent historian. [She] has worked both in a voluntary and in an official capacity at the Watkins Museum of History in Lawrence and the Kansas State Historical Society in Topeka, as a researcher, consultant, educator, and tour guide.” The collection, which consists of eight boxes and three oversize folders, “has been arranged into three series: Programs and special projects, Correspondence and Lawrence community materials, and Research materials.”

The items shared today are recipes from the Great Depression era, plus a later article from the Lawrence Journal-World titled “Depression Memories.” In the United States, the Great Depression was a severe economic downturn that spanned the 1930s. The stock market crash of 1929 marked the beginning of a decade of poverty, deflation, and lost opportunities. As noted in the Journal-World article, families had little money to get by. They could only afford the essentials, which meant they had to get creative with their recipes.

I found these documents interesting because it can be surreal to think about living through an event such as the Great Depression. We often don’t think about how those times affected people and the memories they left behind. As you look at the recipes, think about whether you would want to try them. Being a picky eater, they don’t sound too appetizing to me. But, I am sure that I would do whatever was needed to get by.

Tiffany McIntosh
Public Services

Last week was the 161st anniversary of the 1863 raid of Lawrence, Kansas, home to many free-state and abolitionist leaders. In the early hours of Friday, August 21, 1863, Confederate guerilla chief William Clarke Quantrill and 400 of his men rode into town, taking it by surprise. They ransacked homes, looted stores, set fire to homes and businesses, and killed close to 190 men and boys. The focus of this post is just one of the many personal stories from that awful day.

Frederick and Amelia Read were living and working in Lawrence at the time of the Raid. Frederick (1831-1901) immigrated to Lawrence from New York in 1857. It’s possible that he came as a member of one of the last parties of settlers sponsored by the New England Emigrant Aid Society, whose mission was to ensure that Kansas entered the Union as a free state (i.e. one that did not allow slavery). Frederick Read owned and operated a dry goods business for several years. After the Civil War, his wife Amelia (1834-1892) was an agent for the Wheeler & Wilson sewing machine company, working out of the family’s store.

At the time of the Raid, Frederick and Amelia were very likely grieving the deaths of their two young daughters. In researching this post, I found the following article in the Lawrence Republican on May 3, 1860: “In this city, on Monday morning, April 30th, ADDIE L., only child of F.W. & Amelia A. Read, aged one year, eleven months and twenty-two days.” I also found, in the Complete Tombstone Census of Douglas County, Kansas, this record of the couple’s second loss: “Died at the residence of Levi Gates in West Lawrence, August 30, 1862, Freddy Rockwell Read, only child of F.W. and Amelia A. Read, aged eleven months.” Both Freddy and Addie were buried in Pioneer Cemetery, now located on the University of Kansas campus. The location of their graves is unknown.

Only the Reads’ youngest child – their son Lathrop – survived to adulthood.

Almost exactly one year after Freddy’s death, the Reads experienced significant losses during Quantrill’s Raid. Frederick escaped physical harm, but raiders looted and burned his store. Amelia was somehow able to save the family’s house from being set on fire, but she couldn’t stop the raiders from robbing the home.

There are multiple published descriptions of the Reads’ home during the Raid. One can be found in The Lawrence Massacre by a Band of Missouri Ruffians Under Quantrell [sic], published in 1865 by J. S. Boughton. Spencer Research Library has a copy of the volume; it’s also available online. Note that this account mentions daughter Addie by name, but it was her sister Freddy who had “died a few months before.”

The residence of F. W. Read was probably visited by more squads than any other place, as it is situated in the heart of the city. Seven different bands called there that morning…The next squad were for stealing, after demanding as they all did fire arms at first, they wanted money next and then helped themselves to whatever they could find. They found in the back side of a bureau drawer a little box containing a pair of gold and coral armlets [elsewhere described as bracelets] used to loop up the dress at the shoulder of their little girl Addie who had died a few months before. Mrs. Read begged very hard that he would please not take them as they had been her little dead child’s and she wanted them to remember her by, the brute replied with an oath “Damn your dead baby, she’ll never need them again.”

The heartbreaking story of the bracelets and the ambrotype below were the inspiration for this post. The ambrotype is part of Spencer’s Leonard Hollmann Photograph Collection. It’s identified as a post-mortem image of Freddy Rockwell Read, likely because it’s accompanied by a copy of the child’s obituary (quoted above). However, given the information I found while researching this post, I now believe that is incorrect.

The child in the ambrotype looks to be about two years old, the age Addie was when she died. Thus, I believe the child in the ambrotype has been previously misidentified and is the Reads’ oldest child Addie. It’s still unclear who the bracelets belonged to.

Kathy Lafferty
Public Services

Caitlin Klepper
Head of Public Services