Kenneth Spencer Research Library

Check the blog each Friday for a new “That’s Distinctive!” post. I created this series to provide a lighthearted glimpse into the diverse and unique items at Spencer. “That’s Distinctive!” is meant to show that the library has something for everyone regardless of interest. If you have suggested topics for a future item feature or questions about the collections, you can leave a comment at the bottom of this page. All collections, including those highlighted on the blog, are available for members of the public to explore in the Reading Room during regular hours.

This week on That’s Distinctive! I am sharing some watercolor paintings from the Lawrence, Kansas, Photographs Collection. Spanning the early 1800s through the twentieth century, the collection is an artificial collection comprising of “wide variety of photographic media, including prints, stereographs, ambrotypes, daguerreotypes, glass plate negatives, glass plate positives, nitrate negatives, and other flexible negative types.” When a collection at Spencer Research Library is deemed “artificial,” it just means that not everything in the collection came to the library together. Artificial collections are often put together based on topic, in this case Lawrence, Kansas. The collection, which covers a wide array of subjects, spans 32 document cases, one slide box, two card file boxes, eleven oversize boxes, and ten oversize folders.

The watercolors shared this week were done by Orlando E. Wilson. I could not find any information about Wilson online. The paintings shared today show the Union Pacific Railroad depot, the Lawrence National Bank, and the Eldridge Hotel as it was before and rebuilt after Quantrill’s Raid. I stumbled upon these paintings while working on an exhibit I am currently putting together. They weren’t of use to me for the exhibit, but I found them fascinating enough to share. There are a few more within the collection that I am not including today.

Tiffany McIntosh
Public Services

Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.

This week on That’s Distinctive! we share a book from Spencer’s Children’s Book Collection, which is housed within Special Collections. The book, East of the Sun and West of the Moon: Old Tales from the North, was published in 1914. The book shares folklore from Norway and is illustrated by Kay Nielsen. Nielsen contributed twenty-five color and monotone plates to the book along with other printed images.

According to Wikipedia, Kay Nielsen (1886-1957) was a popular Danish illustrator in the early twentieth century. Nielsen illustrated works such as Fairy Tales by Hans Christian Andersen, Other Stories by the Brothers Grimm, and Red Magic. In addition to these works, Nielsen contributed his artwork to Disney in works such as Fantasia. Unfortunately, Nielsen spent his final years in poverty. His last works were for local schools and churches in Los Angeles, California.

More of Nielsen’s work can be found on the Art Passions website, and more information on his background can be found on the website of the Society of Illustrators. A slightly different version of East of the Sun and West of the Moon, with the illustrations, is available online via Project Gutenberg.

Why this item? It gives a unique look into a children’s book with more than simple illustrations. The detail in the artwork alone is enough to draw a reader in. I recently brought my family in to Spencer for a tour and to show them several items from the collections. This book was one of those items and it really drew their attention.

Tiffany McIntosh
Public Services

Each week we’ll be posting a photograph from University Archives that shows a scene from KU’s past. We’ve also scanned more than 34,800 images from KU’s University Archives and made them available online; be sure to check them out!

We are celebrating KU’s 108th Homecoming this week with a look at a piece of ephemera from the 1939 event.

Caitlin Donnelly
Head of Public Services

Just how heavy is an African elephant? What insects hang out together on milkweed plants? Satisfy your curiosity by visiting Kenneth Spencer Research Library’s summer 2018 exhibition before it closes on August 30.

D.D. Tyler. “One African Elephant Is as Heavy as…” t-shirt and
“Milkweed Village” t-shirt. D. D. Tyler Collection.
Call Number: MS QA 22, Box 4. Click images to enlarge.

The pictorial T-shirts displayed in “The Art of Nature: Natural History Art and Illustrations by D.D. Tyler” answer such questions in the nicest possible way. These beautiful T-shirts selected from nearly 200 designed by natural-history artist D.D. (Diana Dee) Tyler charm the eye while they stimulate the mind. The same is true of her natural-history illustrations for periodicals, guidebooks, and children’s books.

D.D. Tyler. Mother Bear and Cubs. Color drawing for book
Bears in the Wild by Ada and Frank Graham, 1981.
Addition to the D. D. Tyler Collection received 12/17/2017. Click image to enlarge.

The detailed and scientifically accurate pen-and-ink drawings breathe life into each book author’s written descriptions of animals and their lives. In the exhibition, her impressive original drawings, never meant to be seen, can be compared with the published versions reduced photographically to half-size.

D.D. Tyler. Mother Squirrel Carrying Baby Squirrel. Ink and crayon drawing
for book We Watch Squirrels by Ada and Frank Graham, 1985.
D. D. Tyler Collection. Call Number: MS QA 22, Box 1, Folder 30. Click image to enlarge.

A native Kansan, D.D. Tyler completed a Fine Arts degree at the University of Kansas in 1970. After backpacking around the world, she settled in Maine, where her career as an artist developed in tandem with her interest in the natural world. Now semi-retired, she recently donated her artistic archive representing forty years of work to Kenneth Spencer Research Library, where anyone using our reading room can request and view items from the D.D. Tyler collection, along with the many other books and manuscripts in the library’s collections.  Kenneth Spencer Research Library, located in the central KU Campus on Poplar Lane between Strong Hall and the Campanile, is open Mondays-Fridays 9-5 and (after fall semester classes begin August 20) Saturdays 9-1.

The artist, D.D. Tyler (center), and her husband, Hank Tyler (right), at the exhibition
with Karen Cook (left), curator of the exhibition. Click image to enlarge.

Karen Severud Cook
Special Collections Librarian

To help celebrate the holidays, we’re sharing Clement Clarke Moore’s poem The Night Before Christmas (originally published in 1823 as A Visit from St. Nicholas) as illustrated by two copies of the text in Spencer’s collections – one from 1896 and the other from the early 1900s. The version of the poem used here comes from a 1920 edition, also in the library’s holdings.

The Night Before Christmas, or, A Visit of St. Nicholas
by Clement Clarke Moore, 1896.
Call Number: Children E39. Click image to enlarge.

‘Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St Nicholas soon would be there;

The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads;
And Mamma in her kerchief, and I in my cap,
Had just settled our brains for a long winter’s nap,

When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.

The Night Before Christmas by Clement Clarke Moore,
undated, circa early 1900s. Call Number: Children E40.
Click image to enlarge.

The moon on the breast of the new-fallen snow
Gave the lustre of midday to objects below,
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny reindeer,

With a little old driver, so lively and quick,
I knew in a moment it must be St Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name:

The Night Before Christmas, 1896.
Call Number: Children E39. Click image to enlarge.

“Now, Dasher! now, Dancer! now, Prancer and Vixen!
On, Comet! on, Cupid! on, Donner and Blitzen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!”

As dry leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky,
So up to the house-top the coursers they flew,
With the sleigh full of Toys, and St Nicholas too.

The Night Before Christmas, undated, circa early 1900s.
Call Number: Children E40. Click image to enlarge.

And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St Nicholas came with a bound

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He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of Toys he had flung on his back,
And he looked like a pedlar just opening his pack.

The Night Before Christmas, 1896.
Call Number: Children E39. Click image to enlarge.

His eyes – how they twinkled! his dimples how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard of his chin was white as snow;

The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath;
He had a broad face and little round belly,
That shook when he laughed, like a bowlful of jelly.

He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and twist of head
Soon gave me to know I had nothing to dread.

The Night Before Christmas, undated, circa early 1900s.
Call Number: Children E40. Click image to enlarge.

He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;

He sprang to his sleigh, to his team he gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight,
HAPPY CHRISTMAS TO ALL AND TO ALL A GOOD NIGHT

The Night Before Christmas, 1896.
Call Number: Children E39. Click image to enlarge.

Meredith Huff
Public Services