Kenneth Spencer Research Library

John Fraser, KU’s second Chancellor, served as a general in the Union Army during the Civil War.  Displayed here are his dress saber and saber belt.  The saber was an 1862 gift from “the ladies of Canonsburg,” Pennsylvania, in appreciation of his service.

Saber belonging to John Fraser. Records of  the Office of the Chancellor: John Fraser. Call Number: RG 2/2: Saber

For additional images, please click to enlarge:

Becky Schulte
University Archivist

Herpetology is the study of amphibians and reptiles. Pictured here is the Supreme “Herp” from Hell in a manuscript that could be Heaven on Earth to a student of Old Russian. St. John Chrysostom was the most famous of the Greek fathers of the Church. His works consist of discourses illustrating passages of scripture, commentaries on the Biblical books, etc.

Above: Image from Saint John Chrysostom, Patriarch of Constantinople (died 407).
[Extracts from the works, In Russian]. Manuscript from Russia, 16th-17th century. Call Number: MS C38.

As we all know, Evil is in the eye of the beholder; indeed, the presence of a snake in a Russian peasant household was often considered an omen for Good, and brought wealth and good health. The snake, as one of the domovye, or house spritis, lived behind the stove or wherever fires were lighted. In White Russia the domovoi was called tsmok (snake). If the master of the house treated it badly or forgot to leave out some eggs for food at night, tsmok might burn the house down. In some Slavic households the snake was a bad egg, often the embodiment of a dead man’s soul, a rough and evil character like Baba Yaga.

The Spencer Library has books in Slavic languages scattered throughout the collections, and one of the best collections of rare Pollonica in the United States.

Sally Haines
Rare Books Cataloger
Adapted from her Spencer Research Library exhibit and catalog, Slithy Toves: Illustrated Classic Herpetological Books at the University of Kansas in Pictures and Conversations

The world of written information is changing.  We are in the midst of a major shift from print to digital culture (you are, after all, reading this online).  It seems timely, then, to look back at an artifact from another major revolution in the technology of writing — the shift from manuscript to print culture.  The first hundred years of printing offer many fascinating examples of  the overlap between the conventions of manuscript culture and the emergence of a new print culture.  One such example is this book of hours, Hore intemerate Virginis Marie secundu[m] vsum Romanum cum pluribus orationibus tam in Gallico [et] in Latino, produced in Paris circa 1505.

Hore intemerate Virginis Marie secundu[m] vsum Romanum cum pluribus orationibus tam in Gallico
[et] in Latino [Printed Book of Hours]. [Paris: G. Anabat, 1505.] Call Number: Summerfield C65

Squint and it looks like an illuminated manuscript (at least in the top image), but it is actually a printed volume, with hand-colored  illustrations and metalcut borders.  During the late medieval period, books of hours were among the most common manuscript volumes owned by laypeople (whether nobility or wealthy merchants).  Accordingly, it is not surprising that with the advent of moveable type, printers soon tried their inky hands at producing these devotional texts.  This particular volume draws upon several features of manuscript books of hours.  It is printed on vellum (treated calf skin) and contains hand-colored initials and miniatures (the latter literally painted on top of the metalcut illustrations).

Printed books of hours flourished roughly between the 1480s and 1530s, co-existing alongside their manuscript counterparts.  This volume from the Spencer Library’s collections was printed in Paris, a center for printed books of hours, by Guillaume Anabat for the bookseller Germain Hardouin and likely hand-colored in the Hardouin workshop (see the colophon pictured below).

Encountering a book like this makes one wonder which present-day artifacts will someday be seen as the products of a writing culture in transition.   In 500 years, will we look at early e-readers as strange hybrids: objects that apply the conventions of the “print world” to the digital environment?

See more….click thumbnails to enlarge.

Elspeth Healey
Special Collections Librarian

The success of and critical acclaim for the recent film 12 Years a Slave has generated an increased public discourse about the history, significance, and lasting implications of slavery in the United States. Beyond Spencer’s African American Experience collections, a perhaps surprising number of sources in both the Kansas Collection and Special Collections highlight various components of eighteenth- and nineteenth-century slavery from multiple points of view.

“I have seen mothers kissing for the last time the faces of their dead offspring,”
wrote Solomon Northup in Twelve Years a Slave, “I have seen them looking down
into the grave, as the earth fell with a dull sound upon their coffins,
hiding them from their eyes forever; but never have I seen
such an exhibition of intense, unmeasured, and unbounded grief, as when Eliza was parted
from her child.” Call Number: Howey B1584. Click image to enlarge.

When researching the past, it’s important to keep in mind that the written historical record – including published and unpublished sources – reflects various contexts within the broader society in which they were originally produced. In Many Thousands Gone: The First Two Centuries of Slavery in North America, historian Ira Berlin describes the relationship between masters and slaves as “profoundly asymmetrical,” writing that it was constantly being negotiated but “always informed by the master’s near monopoly of force.” However, Berlin also asserts that

Knowing that a person was a slave does not tell everything about him or her. Put another way, slaveholders severely circumscribed the lives of enslaved people, but they never fully defined them. Slaves were neither extensions of their owners’ will nor the products of the market’s demand. The slaves’ history – like all human history – was made not only by what was done to them but also what they did for themselves (2).

Given this context, it’s not surprising that a population of people denied the ability to read and write over the course of generations did not produce voluminous written documentation. However, as Berlin hints at, the written record is not completely bereft of accounts by free and formerly enslaved African Americans, describing their own experiences in their own voices.

Andrew Williams’ narrative is the sole unpublished, handwritten narrative by a formerly enslaved person in Spencer’s collections. Williams (d. 1913) was a slave near Springfield, Missouri, who served in the Civil War and survived Quantrill’s 1863 raid on Lawrence. Williams’ eleven-page narrative begins around the time he acquired his freedom and describes his experiences in the Civil War.

Andrew Williams, along with his mother and siblings,
was freed in September 1862 by the 6th Kansas Regiment,
described on this page of his narrative. During the raid on his owner’s farm,
the soldiers also killed livestock and confiscated guns and food.
Andrew Williams Collection. Call Number: RH MS P42. Click image to enlarge.

More numerous in Spencer’s holdings are published narratives by former slaves, including Olaudah Equiano, Juan Francisco Manzano, Sojourner Truth, Henry Box Brown, John Thompson, Thomas H. Jones, and Jermain Wesley Loguen. Also among Spencer’s holdings is an early printing of Solomon Northup’s narrative, Twelve Years a Slave.

“It was the Sabbath of the Lord…peace and happiness seemed to reign everywhere,
save in the bosoms of Epps and his panting victim and
the silent witnesses around him.” Solomon Northup, Twelve Years a Slave.
Call Number: Howey B1584. Click image to enlarge.

“They embraced me, and with tears flowing down their cheeks,
hung upon my neck,” wrote Solomon Northup at the end of his narrative,
Twelve Years a Slave. “But I draw a veil over a scene
which can better be imagined than described.”
Call Number: Howey B1584. Click image to enlarge.

Supplementing these sources are unpublished documents and published accounts by slaveholders and others who vigorously defended the system and by whites who passionately opposed it. Several of these works are based on the author’s personal observations of the treatment of slaves.

For example, Spencer’s Kansas Collection contains the estate records for Jackson County, Missouri, resident John Bartleson. These documents relate to the Bartleson enslaved African Americans and their legal disposition as property in the settlement of the estate. Additionally, the Kansas Collection also includes bound volumes of records from Natchez, Mississippi, located on bluffs above the Mississippi River about 100 miles upriver from New Orleans. Home to wealthy planters’ city mansions, antebellum Natchez had the most millionaires per capita of any city in the United States. These materials don’t directly address the experiences of enslaved African Americans, whose work created that wealth. However, much can be derived from these meticulous records, which document the management required to operate a sizable plantation and the business transactions of other local enterprises like a medical practice, medical society, and general store.

Pages from “a full inventory” of John Bartleson’s property showing
six slaves listed as part of his personal estate, 1848.
John Bartleson Estate Collection. Call Number: RH MS 867. Click image to enlarge.

Auctioneer’s report from 1853 listing individual and total prices for
Charles, Clara and child, Courtney, Thomas, Fanny, Mary, and William.
It is assumed that they were members of one family separated by this sale
“at the Court House door in the City of Independence [Missouri].”
John Bartleson Estate Collection. Call Number: RH MS 867. Click image to enlarge.

Finally, numerous printed volumes in Spencer’s holdings show slavery was a much-considered topic that was also hotly debated in government and in public. Especially strong are works examining slavery and the slave trade in Great Britain and the British Empire in the late 1700s and early 1800s. Other works, focusing on the United States, show how the dispute over Kansas and the expansion of slavery into new territories was waged in print and how Kansas became a political and physical battleground for pro- and antislavery forces.

Caitlin Donnelly
Head of Public Services

When guests come on a tour of the conservation lab, they are sometimes surprised that book pages are usually held together with thread. (Since many modern paperbacks are glued, not sewn, younger guests are often less familiar with sewn bindings.) There are many sewing techniques, useful in different situations.

Traditionally books were sewn on a piece of equipment called a sewing frame. The frame holds the sewing supports taut so the binder can keep her hands free for the actual sewing. Sewing supports are usually either a broad, flat tape (made of cotton, linen, ramie, leather, or vellum), or a cord (usually linen), around which the sewing thread progresses. Cords make raised bands on the final, covered spine, whereas tapes can be flat to the spine.

A sewing frame set up with three sewing supports of linen tape.

In this example, the book is being sewn with what is known as a supported link stitch, in which each row of stitching is linked to the one before. The center of each folded section of paper is pierced with a sewing needle at a sewing station. At the head and tail of the book are two more stations, called kettles. The kettle stitch is a half-knot or chain, and serves to cinch the newest section of paper to the previous ones.

Left: Supported link stitch with curved needle.
Right: The finished sewing. Note the kettle stitches at each end of the book.

Once the book is sewn it is often rounded and backed, to create a rounded shape on the spine and shoulders for book boards to be set into. Rounding and backing is often done with a special bookbinding tool called a backing hammer in a cast iron contraption called a job backer.

Left: The job backer and backing hammer.
Right: Detail of the rounded and backed book in the job backer.

Whitney Baker
Head, Conservation Services