Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
Though the library is closed for the holiday, That’s Distinctive! must go on! In honor of Thanksgiving holiday, this week I am sharing some Thanksgiving postcards from the Herd Family Papers. With over 37 boxes, 47 volumes, seven oversize boxes, and two folders, the collection – which spans 1817-2013 – houses a wide array of materials. With much of the collection being correspondence, it is appropriate that the items shared today are postcards celebrating Thanksgiving. Two postcards are undated, and the others are from 1908 and 1909.
You’ll notice on the last postcard that the address simply lists the town and state. According to the U.S. Global Mail website, “before addresses were used in the United States, mail would be delivered to prominent buildings in major towns and cities throughout the colonies (and later states) – usually City Hall, the library, or something similar. … Over time, though, the USPS looked for ways to create more and more efficiency. That’s when they created a new addressing system (and later ZIP Codes), totally overhauling the way that mail was sent throughout the country and laying down the foundation for the addressing system we still use today.”
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Two undated Thanksgiving postcards. Herd Family Papers. Call Number: RH MS 1374. Click images to enlarge.
A Thanksgiving postcard from 1909. Herd Family Papers. Call Number: RH MS 1374. Click image to enlarge.
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The front and back of a 1908 Thanksgiving postcard. The transcription is below. Herd Family Papers. Call Number: RH MS 1374. Click images to enlarge.
My Dear Horace:-
I sure wish I could be with you for next Thurs. Wonder if you will miss me. Now eat lots of Turkey for me, and have a good time. Tonight we have a fudge party you like that so much. This is sure a dandy day. I just got home from school.
With Love. Lillian
So, whether you’re having a fudge party, eating lots of turkey and ham, or getting takeout from your favorite restaurant, we hope you have a very happy holiday!
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
Did you know that Spencer Research Library houses an extensive collection of Moby-Dick editions and adaptations? The more than 100 books in the collection range in type and size, so today I am sharing just a few with you.
Published in 1851, Moby-Dick; or, the Whale was written by American writer Herman Melville. The book “recounts the adventures of the narrator Ishmael as he sails on the whaling ship, Pequod, under the command of the monomaniacal Captain Ahab.” Though it is now considered a great American classic, Moby-Dick did not gain traction until the early 1900s. According to Wikipedia, “the novel has been adapted or represented in art, film, books, cartoons, television, and more than a dozen versions in comic-book format. The first adaptation was the 1926 silent movie The Sea Beast, starring John Barrymore.”
Many of the copies and versions of Moby-Dick at Spencer Research Library, including those shown below, were donated to the library by Elizabeth A. Schultz. Schultz, an emerita professor from KU’s Department of English and a former Fulbright Lecturer, advocates “for both the arts and the environment in Douglas County.” As a scholar and avid enthusiast of Herman Melville, Schultz published Unpainted to the Last: Moby-Dick and Twentieth-Century American Art (1995), which examines artistic interpretations and illustrated editions of the novel. “Deftly interweaving words with images,” notes the University Press of Kansas, “Elizabeth Schultz radically reframes our most famous literary symbol and provides a profoundly new way of “reading” one of the key texts in American literature.” Along with the donated books, Spencer houses a copy of Schultz’s book.
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The front cover of and selected pages from Moby-Dick, adapted by Joanne Fink and illustrated by Hieronimus Fromm, 1985. Call Number: Children C144. Click image to enlarge.
The front cover of Herman Melville’s Moby Dick: The Graphic Novel adapted by Lance Stahlberg and illustrated by Lalit Kumar Singh, 2013. Call Number: Children D200. Click image to enlarge.
The front cover of Moby-Dick in Pictures: One Drawing for Every Page by Matt Kish, 2011. Call Number: CK174. Click image to enlarge.
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The front cover and first page of Moby Dick: The Illustrated Novel, illustrated by Anton Lomaev, 2018. Call Number: D7812. Click image to enlarge.
While each year we at Spencer process many new collections, we are also adding to preexisting collections through the continued generosity of our donors. From Pulitzer Prize-winning authors to LGBTQIA2S+ activists, an individual’s history doesn’t end when their collection comes through our doors. Individual and organizational histories continue to evolve past the snapshots their historical records provide, and we at Spencer aim to provide as complete a picture as we can! One collection we’d like to draw particular attention to is an addition to the Reuter Organ Company photograph collection (Call Number: RH PH 68). Through this collection, patrons can follow the construction of uniquely hand-crafted pipe organs before they were built into their new homes in institutions all over the world. And now, with a 2023 addition, patrons can see even more of the grandeur of these massive instruments as well as the incredible skill and historical craftsmanship of this Lawrence-based company!
Reuter Organ Company’s Opus 2179 at the Elm Park Methodist Church in Scranton, Pennsylvania, 1995. Photo credit: Max Mayse. Reuter Organ Company Photograph Collection. Call Number: RH PH 68. Click image to enlarge.
The history of the Reuter Organ Company starts in 1917 when Adolph Reuter established the Reuter-Schwarz Organ Company with his business partner Earl Schwarz. After a disastrous tornado blew through the company factory, the company relocated to the Wilder Brothers Shirt Factory on New Hampshire Street in Lawrence, Kansas, after fulfilling a commission for the city’s Masonic Temple in 1919. Schwarz departed from the company shortly afterwards, and the company was renamed the Reuter Organ Company. In less than ten years, the company grew from a six-employee operation to over 50 full-time employees with over 50 commissions a year. However, after lean years during the Great Depression, the Reuter Organ Company faced a manufacturing ban on musical instruments during World War II and stayed afloat by producing government-sanctioned boxes for munitions materials with a skeletal crew. After the war, the company began to flourish again, and Reuter began hiring skilled staff with formal music education and expertise in organ construction. Through the knowledge base of its staff, the company began to experiment and further develop traditional construction techniques with new pipe organ technology to develop a signature “Reuter sound.”
Reuter Organ Company’s Opus 1741 at the Shryock Auditorium at Southern Illinois University in Carbondale, Illinois, 1970. Photo credit: Max Mayse. Reuter Organ Company Photograph Collection. Call Number: RH PH 68. Click image to enlarge.
After Adolph Reuter’s retirement in 1961, the company continued to evolve under the direction of longtime employee Franklin Mitchell. Mitchell, with then newly appointed production manager Albert Neutel, purchased the company in the early 1980s. Together, the two continued to refine the Reuter technical craft, particularly with the mechanical aspects of organ construction and the tonal sound of the company’s organs. After Mitchell’s retirement in 1997, Albert Neutel was joined in management by his son, Albert “J.R.” Neutel, a former longtime employee of the company. Under the Neutel family’s direction, the Reuter Organ Company moved operations from New Hampshire Street to a newly constructed and specially designed factory and administrative facility in northwest Lawrence in 2001. Sixteen years later, the company celebrated its 100th anniversary by holding a public open house in their newer facility and inviting old and new customers alike. By this time, the company had constructed over 2,200 pipe organs for public and private institutions around the world. The company had also built a respected name in organ rehabilitation within the pipe organ community. In 2022, amid the retirement of several longtime key staff members, J.R. Neutel, the company’s current president, decided to sell Reuter’s factory and administrative facility. A major selling point of the Reuter Organ Company is the institutional and craft knowledge of its staff. There is a strong tradition of old staff mentoring new staff and passing down historic pipe organ construction techniques. Operating at the same scale without that same level of institutional knowledge was deemed impossible. And in the beginning of 2023, the Reuter Organ Company further scaled back operations to only fulfilling the customary 11-year warranties offered to their past clients with special consideration for smaller projects.
Reuter Organ Company’s Opus 2044, 1982 in St. John’s Episcopal Church in Clearwater, Florida, 1982. Photo credit: Max Mayse. Reuter Organ Company Photograph Collection. Call Number: RH PH 68. Click image to enlarge.
To honor this historic company and to showcase a new addition to the Reuter Organ Company photograph collection, we here at Spencer have created a temporary exhibit to display images of a few of the beautiful pipe organs Reuter’s has constructed over the years and to dip into some pipe organ terminology. Have you ever wondered were the phrase “pulling out all stops” comes from or just how big the biggest musical instrument in the world can get? Come on by to learn more about this incredible company and the incredible instruments it made! The exhibit opened free to the public in Spencer’s North Gallery on November 1st and will continue to be on display until early January 2024. We hope you “stop” by!
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
This week on That’s Distinctive! I’m sharing a small and simple collection of business cards from Lawrence. The Lawrence business card collection features business cards from mostly the 1880s. The two featured today are from the Lawrence Business College and J. House.
An online exhibit from the Lawrence Public Library notes that the Lawrence Business College was “established in 1869 by W.H. McCauley [and]…was the first business college in Kansas. The school was located in the Lawrence National Bank building on the third and fourth floors.” While the business college no longer exists, it is widely unknown when and why it shut its doors. Some personal accounts from attending the college can be found in the John L. Kilworth papers at the library.
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The front (top) and back (bottom) of a business card for the Lawrence Business College, 1883-1884. Business Cards, Lawrence, Kansas. Call Number: RH MS P479. Click images to enlarge.
J. House was a clothing business operated for several decades by Jacob House at 729 Massachusetts Street in downtown Lawrence. The building is marked by a plaque as having survived Quantrill’s Raid in 1863. Jacob House, his wife Ricka, and their seven children resided at 805 Ohio Street for many years before relocating to 701 Tennessee in 1904. House’s 1913 obituary in the Lawrence Daily Journal-World declared that “no man in Lawrence stood higher in the esteem of the public” than him. The article noted that House was born in Austria in 1833. After emigrating to the United States in 1854 and living in a variety of places, he settled in Lawrence and opened his business in 1862. House was in his store at the time of Quantrill’s Raid; he was taken by a group of raiders and “kept as a prisoner and guide all day. He was forced to show them from place to place and everywhere he saw the dead bodies of his friends and acquaintances.”
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The front (top) and back (bottom) of a business card for the J. House clothing business, undated. Business Cards, Lawrence, Kansas. Call Number: RH MS P479. Click images to enlarge.
Kenneth Spencer Research Library has many faces working behind the scenes to maintain its collections and provide patrons with access to these materials. William Lawrence “Bill” Mitchell was one of these many faces, working with the Department of Special Collections. He served in various capacities at KU Libraries from 1967 to 1999. Both William and his wife Virginia Jean Mitchell died in March of this year.
Bill Mitchell in 1998, a year before his departure from KU Libraries. University Archives. Call Number: RG 41/ Faculty: Mitchell, William L. (Photos). Click image to enlarge.
William Mitchell was born on June 2, 1932, in Kansas City, Missouri, the son of William M. and Donna L. Mitchell. Before he joined the University of Kansas, Mitchell served in the United States Coast Guard from 1952 to 1956. He received his bachelor’s degree from KU in 1959 and then received his master’s degree in library science from the University of Illinois in 1960.
Mitchell’s work in libraries started before his master’s degree. Joining KU Libraries in 1957 as a student assistant for special collections, Mitchell worked his way through various library positions. He became a cataloger with KU in 1971 and eventually became chief cataloger. Mitchell’s work was well received; he earned membership in Beta Phi Mu, an honor society that recognizes high achievement in library science and librarianship. He was promoted to the rank of Librarian III in 1967, a marker of his distinguished career as a librarian.
Special Collections weren’t Mitchell’s only interest. He often encouraged work with bibliography and advocated for the conservation of unstable library materials. He led several courses on conservation for KU’s Museum Studies program and, on occasion, spoke with history of the book classes. His interests in conservation covered a wide variety of materials, from the proper preservation of textual materials and bindery techniques to film preservation. He often kept interesting paper ephemera he came across – usually from other bookstores or vintage postcards – to preserve the history of his travels and work. Many of these postcards and syllabi can be found in his personal papers collection.
Several of Mitchell’s collected postcards. Personal Papers of William (Bill) Mitchell. Call Number: PP 649, Box 1, Folder 1. Click image to enlarge.
Mitchell’s love of preservation extended beyond KU and into surrounding communities. He consulted with several other libraries in the state, including at Kansas State University, Baker University, Saint Mary College, and the Wichita Public Library. He worked with the Dwight D. Eisenhower Presidential Library to save a letter from General Dwight Eisenhower that was sent to a family member. Mitchell presented at several library conferences and attended various conservation group meetings to bring further awareness on the necessity of conservation efforts.
Bill Mitchell’s letter to the Dwight D. Eisenhower Presidential Library discussing a letter that Eisenhower sent to Mitchell’s grandmother, Minnie Brazil (or Brazi). Personal Papers of William (Bill) Mitchell. Call Number: PP 649, Box 2, Folder 31. Click image to enlarge.
A 1944 letter from Dwight D. Eisenhower to Minnie Brazi (or Brazil), Bill Mitchell’s grandmother. D-Day was June 6, three weeks before Eisenhower wrote this document. Personal Papers of William (Bill) Mitchell. Call Number: PP 649, Box 2, Folder 31. Click image to enlarge.
Lawrence, Kansas, also had a special place in Mitchell’s life. He was a vocal historical building advocate, writing many letters to the Lawrence Journal-World with his concerns for historic Lawrence buildings regarding new proposed commercial developments. He wrote to the Lawrence Preservation Alliance and worked alongside the organization to protect a historic livery stable that was threatened by commercial development. But he was perhaps the most interested in preserving the history of West Hills, a neighborhood northwest of the University of Kansas campus. Many of his writings surround this neighborhood, from notes on traffic to rezoning laws allowing commercial enterprises to develop in the West Hills neighborhood.
William Mitchell retired from Spencer Research Library in 1999, though the Mitchells remained in Lawrence after retirement. Both Bill and Jean Mitchell supported Kenneth Spencer Research Library and the Helen Foresman Spencer Museum of Art; William’s papers were donated to the library in 2013, and Jean’s quilts and textiles are housed at the museum. Mitchells’ legacy continues on with The Bibliographical Society of America’s William L. Mitchell Award, given to researchers whose research focuses on eighteenth century English or English colonial periodicals.
