The University of Kansas

Inside Spencer: The KSRL Blog

Books on a shelf

Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.

A Holinshed’s Chronicles Provenance Puzzle

February 6th, 2018

Holinshed’s Chronicles of England, Scotland, and Ireland is widely regarded as a book that inspired and informed many of William Shakespeare’s history plays, as well as tragedies such as Macbeth and King Lear. Last year Kenneth Spencer Research Library (KSRL) purchased the first edition (1577) with the aim of making the book and its 212 lively woodcut illustrations available to visiting classes and researchers. The bookseller’s description said that this copy had been in private family ownership for generations, but we never dreamed that it would be possible to trace the book back to its original owner. After unpacking the two volumes, we leafed through them page by page looking for manuscript annotations.

On the title page of volume one “William Kyllygrewe” had signed his name twice in Tudor script:

Title page of volume 1 of Holinshed's Chronicles (1577), with William Killigrew's signature

Title page of Volume 1 of Raphael Holinshed’s
Chronicles of England, Scotlande, and Irelande.
At London: Imprinted for Iohn Hunne, 1577.
Call Number: Pryce D11. Click image to enlarge.

Could William Kyllygrewe have been the original owner of the book? Browsing through the rest of the book revealed some marginal notes and manicules (sketches of a pointing hand) marking passages of interest to some past reader. There is no other handwritten evidence of ownership.

However, there is an eye-catching pictorial map in the section about the reign of Queen Elizabeth I that concludes volume two. The text recounts the conflict between the Catholic forces supporting Mary, Queen of Scots, and the Protestant forces of Queen Elizabeth during 1571-1573. The hostilities culminated in the “Lang Siege” of Edinburgh Castle.

The map shows the Protestant artillery bombarding Edinburgh Castle before achieving victory.

Map showing the Protestant artillery bombarding of Edinburgh Castle from volume 2 of Holinshed's Chronicles, following p. 1868

Map of the siege of Edinburgh Castle, from Vol. 2 (following page 1868) of
Holinshed’s Chronicles of England, Scotlande, and Irelande.
Call Number: Pryce D11. Click image to enlarge.

Text on the back side of the map lists the chief participants in the siege. General Sir William Drurie commanded the Protestant forces with the aid of ten Gentlemen and Captaines. One of them was “Henrie Killigrew hir maiesties ambassadoure at that present in Scotland.” Listed next are thirteen “Gentlemen as went thither to serve of their owne free willes.”

Among the gentlemen who participated “of their own free willes” is William Killigrew.

List of participants in the Siege of Edinburgh Castle, including the names of Henry and William Killigrew.

List of participants in the siege from the verso of the map of Edinburgh castle,
from Vol. 2 (following page 1868) of Holinshed’s Chronicles of England,
Scotlande, and Irelande
. Call Number: Pryce D11. Click image to enlarge.

Allowing for the variations in spelling usual at that time, could he be the William Kyllygrewe who owned this book? In his shoes, wouldn’t you want to own a book in which you and your brother are mentioned as major players in a recent military victory?

Some genealogical investigation of the Killigrew family tree with its numerous Henrys and Williams revealed that the Henry Killigrew (d. 1603) and William Killigrew (d.1622) were the fourth and fifth sons of John Killigrew and Elizabeth (née Trewennard) of Arwennack in Cornwall. As younger sons they needed to make their own way in the world and did so successfully as royal courtiers. William was elected Member of Parliament a number of times and was appointed to various government offices, including Groom of the Privy Chamber to Elizabeth I in 1576 and Chamberlain of the Exchequer under James I in 1608.  In 1594 he took an 80-year lease on Kempton and Hanworth, adjoining royal manors in Middlesex near London. In 1603 he was knighted.

While the biographical information did not answer the question whether this William Killigrew had owned our copy of Holinshed’s Chronicles, his prominence suggested that surviving documents signed by him might be located and compared with our owner’s inscription. The Discovery database at the website of The National Archives at Kew near London in England led to an archival record in the Surrey History Centre for a letter held written by William Killigrew to Sir William Moore on 3 June 1579, just two years after the publication of Holinshed’s Chronicles.

Killigrew’s letter concerns the Bishop of Winchester’s meadow at Farnham in Surrey.

Letter from William Killigrew to Sir William Moore, 3 June 1579

Letter from William Killigrew to Sir William Moore, 3 June 1579.
Surrey History Center. Letter Ref. Number 6729/1/56.
Reproduced by permission of the More-Molyneux family and
Surrey History Centre. Click image to enlarge.

Killigrew planned to pasture his horses there but was asking Moore, one of the Bishop’s executors, to reduce the rent because the meadow was “very much choked with sand and gravel by reason of the great floods.” It was exciting for us to discover that the Killigrew signature on the letter is a close match to the ownership inscriptions in our Holinshed’s Chronicles.

William Killigrew signature detail from the title page of volume 1 of Raphael Holinshed's Chronicles of England, Scotlande, and Irelande. William Killigrew signature from a letter from William Killigrew to Sir William Moore, 3 June 1579

Details of William Killigrew’s signatures: Holinshed’s Chronicles (left)
and the letter to Moore (right). Click image to enlarge.

In fact, the search for a William Killigrew signature need not have led so far afield. Kenneth Spencer Research Library’s large collection of English Historical Documents includes, as it turns out, a 26 October 1601 deed of covenant by William Killigrew and his son, Robert, agreeing to sell a messuage (dwelling house, outbuildings, and land) in Clerkenwell Parish, Middlesex to John Gregorye and his wife, Judith.

William Killigrew’s signature is clear at the bottom of the deed, although Robert’s signature to the right is only partly legible

Deed of covenant by William Killigrew and his son, Robert, agreeing to sell a messuage (dwelling house, outbuildings, and land) in Clerkenwell Parish, Middlesex to John Gregorye and his wife, Judith.

Deed of covenant signed by William Killigrew, 26 October 1601.
A Miscellany of Deeds and Manorial, Estate, Probate and Family Documents, 1194-1900.
Call Number: MS 239: 2357. Click image to enlarge.

Once again, the signatures match.

William Killigrew signature detail from the title page of volume 1 of Raphael Holinshed's Chronicles of England, Scotlande, and Irelande. William Killigrew signature detail from 1601 deed of covenant.

Details of William Killigrew’s signatures: Holinshed’s Chronicles (left)
and Killigrew-Gregorye deed (right). Click images to enlarge.

The manner in which the copy of Holinshed’s Chronicles descended from the hands of William Killigrew in family ownership until Kenneth Spencer Research Library purchased it is still uncertain. The bookseller’s description suggests that a female Killigrew relative may have taken the book with her when she married into the Grenville family. More research remains to be done.

Karen Severud Cook
Special Collections Librarian

“Happy Christmas to All and to All a Good Night”

December 19th, 2017

To help celebrate the holidays, we’re sharing Clement Clarke Moore’s poem The Night Before Christmas (originally published in 1823 as A Visit from St. Nicholas) as illustrated by two copies of the text in Spencer’s collections – one from 1896 and the other from the early 1900s. The version of the poem used here comes from a 1920 edition, also in the library’s holdings.

Image of The Night Before Christmas, cover, 1896

The Night Before Christmas, or, A Visit of St. Nicholas
by Clement Clarke Moore, 1896.
Call Number: Children E39. Click image to enlarge.

‘Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St Nicholas soon would be there;

The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads;
And Mamma in her kerchief, and I in my cap,
Had just settled our brains for a long winter’s nap,

When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.

Illustration from The Night Before Christmas, circa early 1900s

The Night Before Christmas by Clement Clarke Moore,
undated, circa early 1900s. Call Number: Children E40.
Click image to enlarge.

The moon on the breast of the new-fallen snow
Gave the lustre of midday to objects below,
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny reindeer,

With a little old driver, so lively and quick,
I knew in a moment it must be St Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name:

Illustration from The Night Before Christmas, 1896

The Night Before Christmas, 1896.
Call Number: Children E39. Click image to enlarge.

“Now, Dasher! now, Dancer! now, Prancer and Vixen!
On, Comet! on, Cupid! on, Donner and Blitzen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!”

As dry leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky,
So up to the house-top the coursers they flew,
With the sleigh full of Toys, and St Nicholas too.

Illustration from The Night Before Christmas, circa early 1900s

The Night Before Christmas, undated, circa early 1900s.
Call Number: Children E40. Click image to enlarge.

And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St Nicholas came with a bound

What constitutes a “cause of action” remains something of an open question, although claims of recruitment based on inflated grades and employment rates have supported many applications to date student loan forgiveness program. In late January, the Wall Street Journal reported that the Obama administration had already waived student loans for 1, 300 students in Corinthia, amounting to $28 million. This development has opened the floodgates for other disgruntled graduates to also demand refunds. The Journal’s analysis found that more than 7,500 people have applied for $164 million in student loan forgiveness in the past six months.Through 2015, only five people applied for a waiver under the program – and only three of them did so successfully, the Journal said.

He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of Toys he had flung on his back,
And he looked like a pedlar just opening his pack.

Illustration from The Night Before Christmas, 1896

The Night Before Christmas, 1896.
Call Number: Children E39. Click image to enlarge.

His eyes – how they twinkled! his dimples how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard of his chin was white as snow;

The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath;
He had a broad face and little round belly,
That shook when he laughed, like a bowlful of jelly.

He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and twist of head
Soon gave me to know I had nothing to dread.

Illustration from The Night Before Christmas, circa early 1900s

The Night Before Christmas, undated, circa early 1900s.
Call Number: Children E40. Click image to enlarge.

He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;

He sprang to his sleigh, to his team he gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight,
HAPPY CHRISTMAS TO ALL AND TO ALL A GOOD NIGHT

Illustration from The Night Before Christmas, 1896

The Night Before Christmas, 1896.
Call Number: Children E39. Click image to enlarge.

Meredith Huff
Public Services

Collection Snapshot: Late for Dinner?

November 29th, 2017

It’s that time of year when dinner parties and invitations of all sorts abound, so we thought it might be interesting to turn to a nineteenth-century etiquette book to explore its advice on the age-old question of when to arrive for dinner.

Stamped cloth binding of Etiquette for Gentlemen (1841 edition)  Title page of Etiquette for Gentlemen

Stamped cloth binding and title page of  and title page of Etiquette for Gentlemen: With Hints on the Art of Conversation. London: Tilt and Bogue, 1841. Call #: A445. Click images to enlarge.

Of the numerous etiquette books in Spencer Research Library’s collections, Etiquette for Gentlemen: With Hints on the Art of Conversation offers particularly unyielding guidance.  Its anonymous author advises:

If you accept [a dinner invitation], you arrive at the house rigourously at the hour specified. It is equally inconvenient to be too late and to be too early.  If you fall into the latter error, you find every thing in disorder; the master of the house is in his dressing-room; the lady is still in the pantry; the fire not yet lighted in the parlour.  If by accident or thoughtlessness you arrive too soon, you may pretend that you called to inquire the exact hour at which they dine, having mislaid the note, and then retire to walk for an appetite. If you are too late, the evil is still greater, and indeed almost without remedy.  Your delay spoils the dinner and destroys the appetite and temper of the guests; and you yourself are so much embarrassed at the inconvenience you have occasioned, that you commit a thousand errors at table.  If you do not reach the house until dinner is served, you had better retire to a restaurateur’s, and thence send an apology, and not interrupt the harmony of the courses by awkward excuses and cold acceptances.

Passage on arriving at the appointed time for dinner in Etiquette for Gentlemen

Arrival etiquette in Etiquette for Gentlemen: With Hints on the Art of Conversation. London: Tilt and Bogue, 1841. Call #: A445. Click image to enlarge.

Etiquette for Gentlemen appears to have been first published in 1838, and the library holds the 1841 edition. The book’s advice, however, is hardly new as its preface confesses:  “It is […] scarcely possible that anything original should be found in a brochure like the present: almost all that it contains must have fallen under the notice of every gentleman who has been in the habit of frequenting good society.”  As with many etiquette books, the volume’s directives will strike modern readers as by turns sensible, humorous, odd, ill-conceived, and offensive. The volume itself is small enough to fit in the palm of one’s hand (and certainly one’s pocket) for ready consultation whenever the need might arise. Although, isn’t it perhaps impolite to pause a social interaction in order to consult one’s etiquette book?!

Elspeth Healey
Special Collections Librarian

Home for Thanksgiving

November 21st, 2017

Happy (early) Thanksgiving, everyone! We hope you all get the chance to enjoy a relaxing few days with your loved ones over the holiday! Please remember that the Spencer Research Library will be closed from Thursday to Sunday this week.

We invite you to take a moment and reflect on this thoughtful and introspective poem by award-winning poet, Linda Pastan. Entitled Home for Thanksgiving, the poem comes from her book, Setting the Table.

Poem "Home For Thanksgiving" by Linda Pastan

Cover of Linda Pastan's Setting the Table: Poems

“Home for Thanksgiving” by Linda Pastan from her collection, Setting the Table: Poems. Washington, D.C. ; San Francisco: Dryad Press, [©1980]. Kenneth Spencer Research Library, University of Kansas. Call #: C9301. Click images to enlarge.

Emily Beran
Public Services

Improving the Physical Environment in Spencer Library: A First Visit from Image Permanence Institute

November 14th, 2017

KU Libraries was recently awarded a planning grant from the National Endowment for the Humanities, under the Sustaining Cultural Heritage Collections program. The purpose of the grant is to work with an environmental consultant, Image Permanence Institute (IPI), to study the heating, ventilation, and air conditioning (HVAC) system in Spencer Research Library in order to better preserve our collections while also hopefully finding ways to save energy.

On October 23-25, 2017, we had our first visit from IPI consultants Christopher Cameron and Kelly Krish. The consultants met with the KU team, which consists of representation from Facilities Services, Campus Operations, Center for Sustainability, KU Libraries, Facilities Planning and Development, and the Department of English.

The first visit allowed the consultants to get a lay of the land: listening to participants’ concerns about the building’s environmental systems and collections issues, touring the spaces, and installing dataloggers to collect more information.

One of the first stops was the Spencer Library mechanical room. Facilities staff led the tour, pointing out how the system works, and, in particular, which parts have been most difficult to maintain.

In the mechanical room, Spencer Library, University of Kansas   In the mechanical room, Spencer Library, University of Kansas

Left: Entering Spencer Research Library’s mechanical room.
Right: Kelly Krish and Christopher Cameron in the supply air area, with filters to the left.

In the mechanical room, Spencer Library, University of Kansas

Facilities staff share energy data with IPI consultant Christopher Cameron.

The consultants also met separately with collections staff, walking the stacks and taking notes on anomalies in temperature and humidity, light, and other environmental issues. They asked many questions and took copious notes. They also used a handy infrared (IR) attachment to a smart phone in order to record hot and cold spots in the stacks. The IR images confirmed the ancedotal evidence that some of the vents aren’t functioning properly.

Consultants in stacks, Spencer Research Library, University of Kansas.

Kelly Krish and Christopher Cameron learn about environmental concerns in the stacks.

Consultant in stacks, Spencer Research Library, University of Kansas.

IPI also used an infrared camera to locate hot and cold spots in the stacks areas.

After discussing problems with collections staff, Christopher, Kelly, and Head of Conservation, Whitney Baker, discussed where additional dataloggers should be placed in order to supplement five years of data from thirteen loggers already in Spencer Library. They added loggers into the air handling unit, vents, and in collections spaces not previously monitored in order to gain a better overall picture in the coming months of the climate in Spencer Library.

Man placing datalogger in vent, Spencer Research Library, University of Kansas.

Christopher Cameron placing a datalogger in the air stream.

Until they visit us again next spring, we will take monthly data readings for twenty-three loggers in the Spencer stacks, vents, and mechanical systems. We look forward to IPI’s return visit, when we examine the data from the first six months and discuss additional testing that may be undertaken at that time.

Whitney Baker, Head
Conservation Services

Any views, findings, conclusions, or recommendations expressed in this blog post do not necessarily represent those of the National Endowment for the Humanities. “Improving the Physical Environment in Spencer Research Library” has been made possible by a grant from the National Endowment for the Humanities: Sustaining Cultural Heritage Collections.