Kenneth Spencer Research Library

Each June 16th, fans of James Joyce’s Ulysses celebrate “Bloomsday” in commemoration of the day on which the novel is set.  The annual fête (often marked by marathon readings) takes its name from the modernist classic’s central character, Leopold Bloom.

Though the novel belongs primarily to Bloom, Stephen Dedalus, or (in the last episode) Molly Bloom, it is another character who graces its famous first sentence: “Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.”

First page of the first episode of Ulysses by James Joyce. Paris: Shakespeare and Company, 1922.
Call Number: Joyce Y116. Click image to enlarge.

Buck Mulligan, the flippant friend of Stephen Dedalus, was in part modeled after a friend from Joyce’s younger days, Oliver St. John Gogarty.  According to Joyce’s biographer, Richard Ellmann, the two young men met at the National Library of Ireland when Joyce was approximately twenty.  Both had medical aspirations and wrote poetry, though only Gogarty would go on to become a doctor.   While Gogarty admired Joyce’s writing, Joyce was less enthusiastic about his new friend’s, which he felt lacked weight and depth.  Joyce did, however, appreciate the satire and bawdiness of Gogarty’s more humorous poems, and he incorporated this into Mulligan’s verse in Ulysses.

Perhaps somewhat to his chagrin, Joyce found himself in Gogarty’s company in his first book appearance. Both men had poems titled “Two Songs” published in the annual anthology The Venture (1905). By this time, Joyce and Gogarty had already fallen out.  Ellmann notes that from the outset the friendship between the two would-be writers was also a rivalry. The character of Buck Mulligan in Ulysses is entertaining in his wit and pleasure-seeking, but he is also depicted as insensitive and disloyal.

Which young writer’s poems are more to your taste?: “Two Songs” by James Joyce and “Two Songs” by Oliver
St. John Gogarty from The Venture; An Annual of Art and Literature. London: John Baillie, 1905, p. 92, p. 138.
Call Number: Joyce Y243. Click images to enlarge and read poems.

Readers curious to investigate Gogarty through his own words will find plenty to peruse in Spencer’s collections. Gogarty published verse, plays, novels, and memoirs. His book, As I Was Going Down Sackville Street: A Phantasy in Fact (1937), offers depictions of writers he knew, including Joyce, Yeats, and George Moore, as well as the politicians with whom he associated, such as Arthur Griffith and Michael Collins (Gogarty performed the autopsies on both of these men and subsequently served as a Free State senator).

For those eager to delve into Gogarty’s more obscure writings, Spencer Research Library holds a copy of his play Blight the Tragedy of Dublin: An Exposition in 3 Acts (1917), published under the pseudonym “Alpha and Omega.” Even scarcer is Gogarty’s eight-page pamphlet, “A Suggested Operation for Turbinal Catarrh” (1921), which provides insight into his work as a doctor.

“A Suggested Operation for Turbinal Catarrh” by Oliver St. John Gogarty. Dublin: pr. for the author, 1921.
Call Number: C3118. Click image to enlarge.

Since this medical pamphlet is indeed rare (the only other copy recorded in WorldCat is housed at the National Library of Ireland) we’ve scanned it and posted it in its entirety here.  So this is what “Buck Mulligan” was up to when he wasn’t composing ribald rhymes!

Signature of Oliver St. John Gogarty, taken from a letter to P. S. O’Hegarty,
17 September, 1924. Call Number: MS P415:1a.

Searching for more Bloomsday fun?  For a list of Ulysses “firsts,” check out last year’s Bloomsday post.

Elspeth Healey
Special Collections Librarian

April is National Poetry Month, and in honor of this KU Libraries will host an event celebrating Ronald Johnson and poetry in Kansas at the Kenneth Spencer Research Library on Tuesday, April 16.

Revered as a poet’s poet, Ronald Johnson (1935-1998) was born and raised in Ashland, Kansas. Though he spent much of his literary career away from Kansas, first on the East Coast and then in San Francisco (where he lived for over two decades), his literary papers have long acted as a physical tie to his birth state.

The Kenneth Spencer Research Library acquired its first cache of the poet’s papers in April of 1969. By this time, Johnson had already published his early collections A Line of Poetry, A Row of Trees (1964) and The Book of the Green Man (1967), but was still building his reputation as a poet. Subsequent major installments followed in 1971 and 1987, culminating with a final acquisition of papers from Johnson’s literary estate in March of this year (2013).

The papers are a magnificent record of Johnson’s life and literary endeavors. They include,

• multiple drafts of his poetic works, such as his erasure poem Radi os (a re-writing of sections of Milton’s Paradise Lost by excision), and ARK, a long poem composed over twenty years (which will be republished by Flood Editions later this year)
• drafts and prototypes for his concrete poetry (poetry which emphasizes and plays upon the visual element)
• correspondence with friends, loved ones, and literary peers, such as writer Guy Davenport, a great champion and admirer of Johnson’s writing; Jonathan Williams, Jargon Society publisher, poet, and former love; and fellow poets such as Ian Hamilton Finlay, Louis Zukofsky, Mary Ellen Solt, and Robert Creeley.
• materials documenting Johnson’s “other” career as a chef, caterer, and cookbook writer, including drafts of his popular cookbooks, such as The American Table and The Aficionado’s Southwestern Cooking, and (in the most recent accession) correspondence with food writer M. F. K. Fisher
• research notes and writing journals
• photographs and audio recordings of Johnson

One of the highlights of the new acquisition are drafts of Johnson’s The Shrubberies, poems which he composed upon returning to Kansas from San Francisco.  These were collected, edited, and posthumously published by his friend and literary executor, poet Peter O’Leary.  The poems were inspired in part by Ward-Meade Park in Topeka, where Johnson had worked before succumbing to brain cancer and where a plaque now stands in his honor.

Though the materials that arrived in March are not yet cataloged, an online guide exists for the twenty-nine boxes of Johnson’s earlier papers.  The library also houses a large number of Johnson’s published works, many of which exist in scarce and limited editions. These materials complement Spencer’s New American Poetry holdings and its wealth of materials for Kansas writers.

The celebration on April 16 will feature three Kansas poets renowned in their own right: Joseph Harrington and Kenneth Irby, Professors in KU’s Department of English, and Denise Low, Kansas Poet Laureate, 2007-2009.  These speakers will fête Johnson by reading favorite passages from his works alongside poems of their own.  A selection of materials from the library’s Ronald Johnson holdings will be on display during the event.

Elspeth Healey
Special Collections Librarian

One of the most common questions we receive when new patrons enter the reading room is “what are those things on the desks?”  Most users are able to identify the clear acrylic (plexiglas) stands as book cradles (used to support a book while it’s being read), but the cushion-y, fabric-based “things” lying next to them present more of a mystery.

These are in fact another type of book support: one that consists of a roll-able, padded mat called a “book futon” and two long, pliable, cylindrical objects called “book snakes.”  Since some of the volumes in our collections can be quite fragile, it is important to limit the stress on their bindings during use. By rolling the ends of a book futon (or futons) around book snakes, you can create an adjustable support to accommodate books of various sizes.  The goal is to arrange the futon and snakes so that the volume lies open at a safe angle, with its “boards” supported.  This minimizes the pressure on the book’s spine and hinges.  Smaller book snakes (sometimes referred to affectionately as “book worms”) may be positioned on the book to keep it open to a given page.

Book snakes are not only an essential tool when handling rare and fragile books; they can also prove quite handy for the average reader at home! (Think about all of the times that you’ve struggled to keep a cookbook open while following a recipe or have needed to prop a book open in order to take notes).  Fortunately, making your own book snake is a relatively easy craft project. Roberta Woodrick of KU Libraries’ Conservation Services has made a wonderful video tutorial to walk you step by step through the process.  The tutorial is based on the guidelines of Jennifer Hain Teper, Conservation Librarian at the University of Illinois at Urbana-Champaign.  Enjoy!

How to Make a Book Snake, with Roberta Woodrick

Roberta Woodrick
Assistant Conservator, Conservation Services

and

Elspeth Healey
Special Collections Librarian

Though public figures in late nineteenth-century England might not have had to contend with paparazzi or gossip bloggers, their lives and personal writings were nonetheless a subject of interest and speculation.  What might begin innocently as a jovial private communication between friends could one day find itself before a much wider circle of readers, or so Pre-Raphaelite artist and poet Dante Gabriel Rossetti (1828-1882) warned his friend and fellow poet Algernon Charles Swinburne (1837-1909).

Left: Dante Gabriel Rossetti from photogravure by G. F. Watts;  Right: Black and white photograph of Dante Gabriel Rossetti’s portrait of Algernon Charles Swinburne, both reproduced in H. C. Marillier’s Dante Gabriel Rossetti: An Illustrated Memorial of his Art and Life. London: George Bell and Sons, 1899. Call Number: E1470.

In a letter likely dating from November 1871, Rossetti cautioned Swinburne,

[…] You seem to think that such things are likely to be restricted to the circle of their recipients. Why, my dear fellow, every line you have ever written will one day be religiously raked up by greedy & often doubtless malevolent exploiteurs, and it is very hard for those who receive these wonderfully funny things of yours to resolve on taking the only safe course with them for your sake — that is, to destroy them after they have been abundantly laughed over by a circle of friends who know what mere fun they are. (Call Number: MS 23D:3.2)

Though we can only hope that Rossetti wouldn’t have considered the staff at the Spencer Research Library to be greedy and malevolent “exploiteurs”–he had in mind perhaps critics of the day, publishers, or members of the periodical press–time has proven the validity of his concern.  For example, a number of Rossetti’s own private communications now reside in Spencer’s collection of Rossetti Family Correspondence (MS 23).  This collection includes letters by his father, Gabriele Rossetti, his sister, the poet Christina Georgina Rossetti, his brother, critic William Michael Rossetti, and his sister-in-law, painter and biographer Lucy Madox (nee Brown) Rossetti.  These letters are a boon to scholars, students, and the general public, even if their creators might not have wished for all of them to reach our prying eyes.

To read Rossetti’s letter to Swinburne, click on the thumbnails below to enlarge:

Letter from Dante Gabriel Rossetti to Algernon Charles Swinburne. [Shortly after 6 Nov. 1871?]. Rossetti Family Correspondence. Call Number: MS 23D:3.2. Click images to enlarge.

Elspeth Healey
Special Collections Librarian

St. Patrick’s Day is this Sunday, March 17, so we thought we would highlight a fascinating artifact from the Kenneth Spencer Research Library’s rich Irish holdings.

This autograph book, dating from 1921, contains entries by inmates at Ballykinlar Internment Camp.  Located in County Down in what is now Northern Ireland, Ballykinlar was a British-run camp that housed Irish prisoners during the Anglo-Irish War, also known as the Irish War of Independence (1919-1921).

Top: opening featuring an embellished camp credit ticket (left); Middle: opening featuring an inscription in Irish (right); Bottom: opening featuring a sketch and an inscription in shorthand.  Autograph Book, Ballykinlar Internment Camp, 1921. Call Number: MS K19. Click images to enlarge.

The book’s pages are filled with the internees’ inscriptions, drawings, patriotic sentiments, quotations, and poems (composed in English, Gaelic, and even shorthand).  Prisoners were housed in huts, as depicted in the sketch below, and many, like the author of the poem on the facing page, included their hut numbers when they signed their names.

Last stanza of the poem “The Angelus Bell”, written in the autograph book by a Ballykinlar internee:

[….]

Falls soft the light on the Altar white
When fragrant flowers and incense blend
And as the Aves raise in devout appraise
Men’s souls to Mary, the sinner’s friend.
But faint’s the knell of the Angelus bell,
So the prisoner turns in his barbed-wire pen
To wait the day whenev’r Risings may [?],
The sun of Freedom shall shine again.

Poem “The Angelus Bell”  inscribed by an internee and facing page sketch of the camp. Autograph Book, Ballykinlar Internment Camp, 1921. Call Number: MS K19. Click images to enlarge.

This manuscript volume came to the Spencer Library from Ireland as part of the 25,000 item collection of Irish nationalist, civil servant, and book collector, P. S. O’Hegarty (1879-1955).  The collection is particularly strong in publications and ephemera related to Irish politics as well as literature of the Irish Literary Renaissance.  O’Hegarty’s  library contains another internment camp autograph book from the early twentieth century.  This second book belonged to a man named Paul Cusack, who was first a prisoner at Frongoch Internment Camp in Wales in 1916 following the Easter Rising and then later at Mountjoy Prison in Dublin in 1921 (Call Number: MS K18).  The portion of Cusack’s autograph book that dates from 1916 includes an inscription that appears to be by fellow Frongoch inmate Terence MacSwiney.  MacSwiney later became Lord Mayor of Cork and died during a hunger strike while incarcerated in Brixton Prison in 1920.  Autograph books such as these offer insight into an important period in Irish history.

To learn more about the Kenneth Spencer Research Library’s Irish Collections, visit the overview of Spencer’s Irish holdings on our website or delve deeper with our Irish Collections Lib Guide (especially helpful for identifying our Irish manuscript holdings).

Looking for St. Patrick’s Day-themed activities in town?  Lawrence’s annual St. Patrick’s Day parade will take place on March 17, 2013 at 1:30pm. On March 23, the Irish Roots Cafe will host a musical event at the Grenada, which will include Sean Nós style song in the Irish language.

Elspeth Healey
Special Collections Librarian