The University of Kansas

Inside Spencer: The KSRL Blog

Books on a shelf

Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.

Manuscript of the Month: The Making of a Medieval Codex

October 27th, 2020

N. Kıvılcım Yavuz is conducting research on pre-1600 manuscripts at the Kenneth Spencer Research Library. Each month she will be writing about a manuscript she has worked with and the current KU Library catalog records will be updated in accordance with her findings. 

We have very little information about the past history of Kenneth Spencer Research Library MS C195. When, where and by whom it was made are unknown. This is not surprising; the origins of many medieval manuscripts are uncertain. Scholars utilize different evidence to determine the circumstances in which a manuscript was produced as well as its history since its production. The only hint about the past of MS C195 comes from  a note dated to 1841 glued onto the front pastedown according to which the manuscript previously belonged to the library of the Charterhouse of Montrieux (Chartreuse Notre-Dame de Montrieux) in Méounes-les-Montrieux in southeastern France. This Carthusian monastery that was originally built in 1137; yet even if MS C195 was in their library at some point, it does not mean that it was made there, although it could suggest the general region in which it was created.

MS C195 contains a copy of Petrus Riga’s Aurora, a verse commentary on the Bible. Also known as Peter Riga (approximately 1140–1209), Petrus was a canon of the Cathedral of Notre Dame of Reims and later a Canon Regular of the Order of St Augustine at St Denis, also in Reims, France. It is thought that the Aurora was written over a long period of time at the end of the twelfth century, between 1170 and 1200. The modern editor of the Aurora, Paul E. Beichner, argues that there were three different editions of the work, all by Petrus Riga, over this thirty-year period as well as two later redactions by Petrus’s disciple, Aegidius of Paris (also known as Egidius or Gilles de Paris, approximately 1160–1223/1224). The text as it is contained in MS C195 is a copy of the third edition of the Aurora except that the beginning is missing and it does not include the chapter titled “Recapitulationes.”

Identifying the text contained in a manuscript only takes us so far in terms of understanding and appreciating the book as an object. On the other hand, a detailed physical examination, although it will not provide all the answers about the origin of a manuscript, allows us to discover the circumstances in which the manuscript was produced and used. When it comes to understanding the history of a manuscript, codicology, the study of manuscripts as physical objects, is as vital as the study of the texts contained in the manuscripts. When we look at MS C195, the first thing to be noticed is that the manuscript is no longer in its original binding. The current binding, which is probably early modern, is leather over paper boards, with both of its covers and spine blind-tooled. That the manuscript was rebound at some point requires one to be more careful when conducting an examination of the bookblock as there might be alterations such as added leaves or reorganized gatherings that were introduced—both knowingly and unintentionally—during the rebinding.

Scraped off writing still partly visible on folio 64r on the right. Petrus Riga, Aurora, Spain or southern France, first half of the thirteenth century. Call # MS C195.
Scraped off writing still partly visible on folio 64r on the right. Petrus Riga, Aurora, Spain or southern France, first half of the thirteenth century. Call # MS C195. Click image to enlarge.

MS C195 is a parchment manuscript. As we leaf through the manuscript, we see that some leaves are thicker than others, some have yellower tint than others, several leaves have holes and cuts, and dozens of stubs are visible in the gutters. Furthermore, there are at least a few leaves that are palimpsests, still bearing visible traces of former writing on them. The variety of thickness and color of the parchment may indicate that these were made of different animal skins or prepared at different times or in different ways. Holes and cuts in the parchment usually occur during the preparation of animal skins, especially when hair was being scraped off with a knife. The existence of stubs mean smaller, single parchment leaves were added or inserted into the gatherings instead of using bigger sheets of parchment (or, in some cases that the existing leaves were cut out). Taken together with the existence of palimpsests in the manuscript, these features all indicate that the manuscript was made at a time and a place in which the resources were limited and that the scribe (or the compiler) of the manuscript made use of whatever material was available

Holes and cuts visible on folios 107v and 108r of Spencer Library's copy of Petrus Riga, Aurora, Spain or southern France, first half of the thirteenth century. Call # MS C195.
Holes and cuts visible on folios 107v and 108r. Petrus Riga, Aurora, Spain or southern France, first half of the thirteenth century. Call # MS C195. Click image to enlarge.
Stub conjoint to folio 130 visible in the gutter between folios 124 and 125 of Spencer Library's copy of Petrus Riga's Aurora (Call # MS C195).
Stub conjoint to folio 130 visible in the gutter between folios 124 and 125. Petrus Riga, Aurora, Spain or southern France, first half of the thirteenth century. Call # MS C195. Click image to enlarge.

In most cases, the imperfections in the parchment in MS C195 are found in the margins. Other times, when it was not possible to arrange the leaves so that the holes and the cuts remained in the margins, the scribe worked around these defects to complete the text, as seen, for example, on folio 107v and folio 108v. As for the stubs visible in the manuscript, all of these seem to be additions of single leaves to the gatherings made by the scribe as part of the original design. As it stands, MS C195 consists of 233 parchment leaves arranged in 31 quires. There are some signs of rearrangement. For example, the first two leaves of the original second gathering (now the third quire) were dismembered and are missing, and the last two leaves of the same gathering were misbound (now the second quire). Nevertheless, most of the quires seem to be intact and in their original order.

Although it is not particularly complex, the collation of the manuscript displays the resourcefulness of the scribe. The collation formula of MS C195 is as follows:

14 + 24 (wants 1 and 2) + 34 + 48 (2 and 7 are singletons) + 58 (2 and 7 are singletons) + 610 (3 and 8 are singletons) + 78 (3 and 6 are singletons) + 88 (2 and 7 are singletons) + 98 + 1010 +1112 + 1 leaf after 10 + 128 + 1 leaf after 3 + 13-148 + 156 + 1 leaf after 1 + 168 + 178 (5 and 7 are singletons) + 188 (2 and 7 are singletons) + 19-208 + 218 (2 and 7 are singletons) + 228 + 238 (2 and 7 are singletons) + 242 + 1 leaf after 1 + 25-278 + 288 (2 and 7 are singletons) + 298 (2 and 7 are singletons) + 308 (2 and 7 are singletons) + 314 (wants 4).

Even for the trained eye, such a collation formula might be intimidating. Furthermore, as detailed as this formula is, it still provides limited information as to the materiality of the manuscript and how the manuscript was actually put together. As it is seen in the collation formula, the majority of the quires are quaternions, that is, gatherings of 8 leaves which are usually made up of 4 folded sheets. In MS C195, however, 11 of the 22 quaternions are formed by putting together 3 folded sheets, which make up six conjoint leaves, and two single leaves. In the seventh quire, the third and the sixth leaves are singletons, and in the remaining 10 quires the second and the seventh leaves; but the arrangement of the leaves with respect to sewing are not always the same.

Visualization of the collation of quires 4 and 5 of MS C195 (Petrus Riga's Aurora), which all include two added single leaves. Created using VisCodex
Visualization of the collation of quires 7 and 8 of MS C195 (Petrus Riga's Aurora), which all include two added single leaves. Created using VisCodex
Visualization of the collation of quires 4, 5, 7 and 8 of MS C195, which all include two added single leaves. Created using VisCodex.

A visual representation of the collation of the manuscript provides more information as to the arrangement of the leaves in each quire. In the visualization, it is seen clearly that even though quires 4, 5 and 8 are formulated in the same way, the manner in which they appear in the manuscript is not the same. An interactive version of the full collation of MS C195 can be viewed on VisCodex. Part of Digital Tools for Manuscript Study developed by the University of Toronto Libraries Information Technology Services and the Old Books New Science Lab at the University of Toronto, VisCodex is a web application based on VisColl, a system for modelling and visualizing collations of manuscripts created by Dot Porter and Alberto Campagnolo.

Writing collation formulas or indeed creating visualizations for collations is not a recent development, but as it is the case here, digital tools dedicated to manuscript studies can help us understand the physicality of artefacts better and share our knowledge with wider audiences. There are several other codicological aspects of MS C195, such as ruling and pricking, that can be examined and visualized in a similar manner to its collation in order to see what kinds of patterns can be detected. Findings of these examinations in turn can enable scholars to compare MS C195 with similar manuscripts, and perhaps even one day to pinpoint its date and place of production.

The Kenneth Spencer Research Library purchased the manuscript from Bernard M. Rosenthal Inc. in January 1969, and it is available for consultation at the Library’s Marilyn Stokstad Reading Room when the library is open.

  • Edition of Petrus Riga’s Aurora: Aurora: Petri Rigae Biblia Versificata. A Verse Commentary on the Bible. Ed. Paul E. Beichner. 2 vols. Publications in Mediaeval Studies 19. Notre Dame, IN: University of Notre Dame Press, 1965.

N. Kıvılcım Yavuz
Ann Hyde Postdoctoral Researcher

Follow the account “Manuscripts &c.” on Twitter and Instagram for postings about manuscripts from the Kenneth Spencer Research Library.

Throwback Thursday: First Jayhawk Edition

October 22nd, 2020

Each week we’ll be posting a photograph from University Archives that shows a scene from KU’s past. We’ve also scanned more than 34,800 images from KU’s University Archives and made them available online; be sure to check them out!

This week’s image is the first Jayhawk drawing to appear in print.

The first Jayhawk drawing to appear in print, University Daily Kansan, October 25, 1912. Drawn by Daniel Henry “Hank” Maloy, this illustration is the final panel in a cartoon series titled “What We’ve Had to Stand For This Week at K.U.” This sketch references the football team’s 0-6 loss to Drake University. University Archives. Call Number: UA Ser 69/2/1. Click image to enlarge.

The Spencer Research Library exhibit “100 Years of the Jayhawk” notes that

KU student Daniel Henry “Hank” Maloy drew what became the first “signature” Jayhawk. In recollections of his college years, Maloy remembered that he first had the idea of drawing the Jayhawk as a bird in October of 1912 when he saw a stuffed chickenhawk in the Squires photography studio [in downtown Lawrence]. He went home and drew a long-legged Jayhawk with big, heavy shoes so that he “could administer more effective justice” towards athletic opponents.

The term Jayhawker has been associated with Kansas since the pre-Civil War era and eventually became the symbol for the University of Kansas. In 1886, the term Jayhawk was incorporated into [KU’s] world-famous college yell “Rock Chalk Jayhawk KU,” although it was not yet portrayed as a bird. In a pre-Maloy drawing in the 1908 Jayhawker yearbook, a rather prehistoric looking bird is perched on a goalpost heckled a miserable looking Missouri Tiger.

Caitlin Donnelly
Head of Public Services

Lucy McLinden: KU Student Nurse During the 1918 Flu Pandemic

October 20th, 2020

In the fall of 1918, the University of Kansas was swept up in the flu pandemic that was raging across the country and world. Out of a student population of approximately 3,000, it is estimated that there were as many as 1,000 cases of flu on campus, with up to 750 of those being ill at the same time. In addition to the main campus hospital, make-shift infirmaries were set up on campus to handle the vast number of servicemen and students who were getting sick. Doctors, nurses and volunteers worked tirelessly to care for them. One of the volunteers was Lucy McLinden. From my research, I estimate that thirty-two deaths actually occurred on campus, all of those male except for one, that being Lucy.

Photograph of Lucy McLinden, circa 1918
A photograph of Lucy McLinden in World War Roll of Honor, 1917-1920: Marion County, Kansas (page 216). Call Number: RH D448. The full text of this book can be accessed online via HathiTrust. Photo accessed via the Find A Grave website. Click image to enlarge.

Lucy was born on July 6, 1897, and lived in Cedar Point, Kansas. In the fall of 1918, she was a sophomore at KU. She was working her way through school as a librarian in the Physiology Library. When volunteers were needed, she was among the first to sign up. She worked in the Student Army Training Corps (S.A.T.C.) hospital almost as soon as the epidemic started. She continued to nurse the sick even after she began to develop flu symptoms herself. When she finally succumbed to the illness, her mother and father came to care for her. Sadly, Lucy developed pneumonia and died on Saturday, November 9, 1918. She was twenty-one years old.

"Death of Volunteer Nurse," (Lawrence, Kansas) Daily Gazette, November 9, 1918
An obituary for Lucy McLinden in the (Lawrence, Kansas) Daily Gazette, November 9, 1918. Article accessed via Newspapers.com. Click image to enlarge.

Want to learn more about this topic? Explore our online exhibition, “The 1918 Influenza Epidemic at KU.”

Kathy Lafferty
Public Services

Throwback Thursday: Spooky Season Edition

October 15th, 2020

Each week we’ll be posting a photograph from University Archives that shows a scene from KU’s past. We’ve also scanned more than 34,800 images from KU’s University Archives and made them available online; be sure to check them out!

Pharmacy section illustration in the KU yearbook Oread, 1899
The illustration at the beginning of the section about pharmacy students and activities in the 1899 KU yearbook, called Oread. University Archives. Call Number: LD 2697 .J3 1899. Click image to enlarge.

Caitlin Donnelly
Head of Public Services

Celebrating Hispanic Heritage Month with Oral Histories

October 13th, 2020

As Hispanic Heritage Month draws to a close I would like to draw attention to three oral history collections housed in the Kansas Collection at Kenneth Spencer Research Library. These collections speak to the everyday lives and experiences of the Hispanic communities in Garden City, Emporia, and Kansas City, Kansas.

The collection I’m going to highlight is the Oral History Project Regarding the Hispanic Community of Garden City, Kansas (RH MS 750). The collection consists of interview transcripts, audio tapes, and photographs. This project was funded by a grant from what is now Humanities Kansas.  

For example, in her interview Cipriana “Sue” Rodriquez spoke about the harsh conditions and treatment her father faced as part of the working class in Mexico before coming to Garden City to work for the railroad, originally in 1900. Cipriana also discussed living in a railroad house, her experience in school, the family’s work experiences, and the strong sense of community among the Hispanic families.  

Photograph of a railroad crew in Garden City, Kansas, circa 1900
A railroad crew in Garden City, Kansas, circa 1900. Oral history Project Regarding the Hispanic Community of Garden City, Kansas. Call Number: RH PH 183, Box 1, Folder 1. Click image to enlarge.
Portrait of an unknown Hispanic family in Garden City, Kansas, circa 1900
A portrait of an unknown Hispanic family in Garden City, Kansas, circa 1900. Oral history Project Regarding the Hispanic Community of Garden City, Kansas. Call Number: RH PH 183, Box 1, Folder 25. Click image to enlarge.

Similarly, Lydia Mendoza de Gonzalez and Louis Mendoza discussed the conditions in Mexico that lead to family members coming to Garden City around 1900. They spoke of growing up in a culturally traditional Mexican household and the discrimination faced by the Hispanic community. A primary focus of this interview was education and Lydia’s efforts to help members of the community get the financial support they needed to attain a vocational education.

Photograph of a Mexican Fiesta in Garden City, Kansas, circa 1950
A Mexican Fiesta in Garden City, Kansas, circa 1950. Oral history Project Regarding the Hispanic Community of Garden City, Kansas. Call Number: RH PH 183, Box 1, Folder 24. Click image to enlarge.
Photograph of graduates Angela and Salina Gonzales, with their mother Lydia, at a commencement ceremony in Garden City, Kansas, circa 1970
Graduates Angela and Salina Gonzales, with their mother Lydia, at a commencement ceremony in Garden City, Kansas, circa 1970. Oral history Project Regarding the Hispanic Community of Garden City, Kansas. Call Number: RH PH 183, Box 1, Folder 31. Click image to enlarge.

The other oral history collections are the Oral History Project Regarding the Hispanic Community of Emporia, Kansas (RH MS 751) and the Kansas City, Kansas, Spanish Speaking Office Interviews and Slides (RH MS 752).

Letha E. Johnson
Kansas Collection Curator