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Inside Spencer: The KSRL Blog

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Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.

John Gould (1804-1881): Birdman in the Australian Bush

December 22nd, 2020

When John Gould set out with his wife Elizabeth and eldest son (three younger children remained in England with their grandmother) in 1838 on the five-month sea voyage from England to Australia, his goal was to observe birds in the wild, collect specimens and enable Elizabeth, an artist, to make drawings for their planned book about Australian birds. Their first stop was Tasmania (then known as Van Diemen’s Land), where the Goulds were befriended by the governor, Sir John Franklin, and his wife. Elizabeth, who was pregnant, stayed with the Franklins and made drawings of plants and animals. Meanwhile, Gould explored the bush in Tasmania and on the Australian mainland in New South Wales and South Australia, including Kangaroo Island. After the birth of another son, the Gould party travelled to New South Wales, where Elizabeth’s brothers, Charles and Stephen Coxen, had settled. Following the Goulds’ return to England in 1840, The Birds of Australia appeared in 36 installments, the first on December 1, 1840 and the last in 1848. Elizabeth had died in 1841, so the later parts were illustrated by another artist, Henry Constantine Richter, working under Gould’s close supervision. The lithographic crayon drawings, printed in black and hand-watercolored by hired colourists, contributed to the success of this landmark early book about Australian ornithology.

Gould also wrote the descriptive text accompanying each illustration with assistance from his accomplished and devoted secretary, Edwin Charles Prince. The comments about many of the birds of southeastern Australia were based on Gould’s own observations. Although John Gilbert, an assistant who accompanied the Goulds to Australia, had supplied specimens and notes about birds from other parts of Australia (before being killed by Aborigines near the Gulf of Carpenteria), the examples discussed here are firsthand accounts that reveal Gould’s keen observational skills, deep interest in birds, and nascent ambivalence toward the killing of birds for sport, food, and scientific collection.

Image of the Rose-breasted Cockatoo / Cacatua eos in The Birds of Australia (1848)
Rose-breasted Cockatoo / Cacatua eos in The Birds of Australia (1848), vol. 5, plate 4. Call Number: Ellis Aves H141. Click image to enlarge (redirect to Spencer’s digital collections).

Gould’s text enlivens this static picture of Rose-breasted Cockatoos by describing the breathtaking experience of seeing flocks in motion. “The Rose-breasted Cockatoo possesses considerable power of wing, and like the house-pigeon of this country [England], frequently passes in flocks over the plains with a long sweeping flight, the group at one minute displaying their beautiful silvery grey backs to the gaze of the spectator, and at the next by a simultaneous change of position bringing their rich rosy breasts into view, the effect of which is so beautiful to behold, that it is a source of regret to me that my readers cannot participate in the pleasure I have derived from the sight.”

Image of the Spotted Pardalote / Pardalotus punctatus in The Birds of Australia (1848)
Spotted Pardalote / Pardalotus punctatus in The Birds of Australia (1848), vol. 2, plate 35. Call Number: Ellis Aves H141. Click image to enlarge (redirect to Spencer’s digital collections).

The nesting habits of Australian birds were also intriguing. Gould writes that the Spotted Pardalote’s nesting habits differ from known members of its genus in nesting underground; “availing itself of any little shelving bank that occurs in its vicinity, [it] excavates a hole just large enough to admit of the passage of its body, in a nearly horizontal direction to the depth of two or three feet, at the end of which a chamber is formed in which the nest is deposited. The nest itself is a neat and beautifully built structure, formed of strips of the inner bark of the Eucalypti, and lined with finer strips of the same material.”

Image of the Spotted-sided Finch / Amadina lathami in The Birds of Australia (1848)
Spotted-sided Finch / Amadina lathami in The Birds of Australia (1848), vol. 3, plate 86. Call Number: Ellis Aves H141. Click image to enlarge (redirect to Spencer’s digital collections).

Above ground, Gould was surprised to find that Spotted-sided Finch nests are “frequently built among the large sticks forming the under surface of the nest of the smaller species of Eagles…both species hatching and rearing their progeny in harmony. He observed “little finches…sitting on the small twigs close to their rapacious but friendly neighbor…a Whistling Eagle.”

Image of the Piping Crow-shrike / Gymnorhina tibicen in The Birds of Australia (1848)
Piping Crow-shrike / Gymnorhina tibicen in The Birds of Australia (1848), vol. 2, plate 46. Call Number: Ellis Aves H141. Click image to enlarge (redirect to Spencer’s digital collections).

Some birds could co-exist with European settlers. Gould comments that the Piping Crow-shrike (Gymnorhina tibicen) “…is a bold and showy bird which, when not harassed and driven away, greatly enlivens and ornaments the lawns and gardens of the colonists by its presence, and with the slightest protection from molestation becomes so tame and familiar that it approaches close to their dwellings, and perches around them and the stock yards in small families of six to ten in number. Nor is its morning carol less amusing than its pied and strongly contrasting plumage is pleasing to the eye. To describe the notes of this bird is beyond the power of my pen, and it is a source of regret to myself that my readers cannot, as I have done, listen to them in their native wilds…”

Image of the Allied Kite / Milvius affinus in The Birds of Australia (1848)
Allied Kite / Milvius affinus in The Birds of Australia (1848), vol. 1, plate 21. Call Number: Ellis Aves H141. Click image to enlarge (redirect to Spencer’s digital collections).

Equally bold but less welcomed by colonists, a raptor, the Allied Kite (Milvius affinis), has a “confident and intrepid disposition [that] renders it familiar to every one, and not unfrequently costs it its life, as it fearlessly enters the farm yard of the settler, and if unopposed, impudently deals out destruction to the young poultry, pigeons, &c. tenanting it. The temerity of one individual was such, that it even disputed my right to a Bronze-winged Pigeon that had fallen before my gun, for which act, I am now almost ashamed to say, it paid the penalty of its life; on reflection I asked myself why should advantage have been taken of the confident disposition implanted in the bird by its Maker, particularly too when it was in a part of the country where no white man had taken up his abode and assumed a sovereign right over all that surrounds him.”

Image of the Partridge Bronze-wing / Geophaps scripta in The Birds of Australia (1848)
Partridge Bronze-wing / Geophaps scripta in The Birds of Australia (1848), vol. 5, plate 67. Call Number: Ellis Aves H141. Click image to enlarge (redirect to Spencer’s digital collections).

While “a most delicate viand for the table,” the Partridge Bronze-wing (Geophaps scripta) is less endangered due to its isolation. “It is to be regretted that [it] should be so exclusively a denizen of the plains of the interior that it is available to few except inland travelers…It is withal so excessively tame, that it is not unfrequently killed by the bullock-drivers with their whips, while passing along the roads with their teams.”

Image of the Adelaide Parakeet / Platycercus adelaidiae in The Birds of Australia (1848)
Adelaide Parakeet / Platycercus adelaidiae in The Birds of Australia (1848), vol. 5, plate 22. Call Number: Ellis Aves H141. Click image to enlarge (redirect to Spencer’s digital collections).

Gould’s regret for the predicted disappearance of the Adelaide Parakeet (Platycercus adelaidiae) did not curtail his specimen collecting. “This beautiful Platycercus…may in a few years be looked for in vain in the suburbs of this rapidly increasing settlement [Adelaide], as it…is even now much persecuted and destroyed by the newly arrived emigrants, who kill it either for mere sport or for the table; for, like the other Platycerci, all of which feed on grass seeds, it is excellent eating. It was only by killing at least a hundred examples, in all their various stages of plumage, from nestling to the adult, that I was enabled to determine the fact of it being a new and distinct species.”

We may disagree with him, but Gould was a man of his times, and his views are part of the history of ornithology. Although the science of ornithology has since moved on, aided by technological innovations not dreamed of in Gould’s lifetime, the artistry of the beautiful illustrations in his books still attracts modern viewers. These illustrations allow us to see the birds through the eyes of Gould and his artists, and it is equally worthwhile to read Gould’s eloquent written observations about them. The John Gould Ornithological Collection, accessible at the University of Kansas Libraries website, offers the opportunity to pair pictures and descriptive text while reading digitized copies of Gould’s books on the Internet. A nearly complete set of John Gould’s publications, along with about 2000 pieces of preliminary art from his workshop, was bequeathed to the University of Kansas in 1945 as part of Ralph Nicholson Ellis, Jr.’s natural-history library. The Gould books and artwork were digitized with funding support from the National Endowment for the Humanities.

Karen Severud Cook
Special Collections Librarian
Kenneth Spencer Research Library

Hugh Orr
Member, Royal Geographical Society of South Australia

Throwback Thursday: Final Exam Edition

December 10th, 2020

Each week we’ll be posting a photograph from University Archives that shows a scene from KU’s past. We’ve also scanned more than 34,800 images from KU’s University Archives and made them available online; be sure to check them out!

Finals look a bit different this year, but we’re sending positive vibes to all KU students as they wrap up the semester with final exams, projects, and papers this week. Good luck, Jayhawks!

Photograph of KU students taking a test, 1935-1936
KU students taking a test, 1935-1936. University Archives Photos. Call Number: RG 71/0 1935/1936 Prints: Student Activities (Photos). Click image to enlarge (redirect to Spencer’s digital collections).

Caitlin Donnelly
Head of Public Services

My Human and Me: Pennell Portraits that Include Dogs

December 8th, 2020

Dog owners love their dogs. This was as true one hundred years ago as it is today. Below are some portraits from the Joseph J. Pennell Collection that feature human subjects who have chosen to include their dog – or dogs – in their photo portrait. If you pay close attention to things like body positions and facial expressions, you will see how these human subjects feel about their pets. 

From the 1890s to the 1920s, Joseph J. Pennell photographed life in Junction City, Kansas, and the nearby Army base, Fort Riley. The strength of the collection, in my opinion, is that Pennell wasn’t content to just stay in his studio, taking portrait photography. He went out into the community to photograph its people, businesses, activities, groups, and families. And Pennell was inclusive of community members from diverse groups, revealing a fuller and richer story of Junction City. Because of his work, we are provided with a comprehensive view of life in a moderately-sized Midwestern army-post town on the Great Plains from the 1890s to the early 1920s.

Please enjoy this sample from the collection, and visit Kenneth Spencer Research Library’s website to see more.

A double portrait of Ellen Marks holding a dog, 1899
A double portrait of Ellen Marks, 1899. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 466.3, Box 13. Click image to enlarge (redirect to Spencer’s digital collections).
Portrait of Fred Durand with a dog, 1901
A portrait of Fred Durand, 1901. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 700, Box 19. Click image to enlarge (redirect to Spencer’s digital collections).
Portrait of Sgt. Blake (Fourth Cavalry Band) with a dog, 1901
A portrait of Sgt. Blake (Fourth Cavalry Band), 1901. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 785, Box 20. Click image to enlarge (redirect to Spencer’s digital collections).
The Newman siblings with a dog, 1905
A portrait of the Newman siblings, 1905. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 1539, Box 35. Click image to enlarge (redirect to Spencer’s digital collections).
Portrait of Lieut. G. L. Morrison's child with a dog, 1908
A portrait of Lieut. G. L. Morrison’s child, 1908. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 1951, Box 43. Click image to enlarge (redirect to Spencer’s digital collections).
Portrait of Robert Carr and a dog, 1919
A portrait of Robert Carr, 1919. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 3039, Box 68. Click image to enlarge (redirect to Spencer’s digital collections).

Kathy Lafferty
Public Services

Wayback Wednesday: Allen Fieldhouse Then and Now Edition

November 25th, 2020

Each week we’ll be posting a photograph from University Archives that shows a scene from KU’s past. We’ve also scanned more than 34,800 images from KU’s University Archives and made them available online; be sure to check them out!

Who’s excited for the return of KU basketball this week?!

Photograph of the interior of Allen Fieldhouse under construction, 1954
The interior of Allen Fieldhouse under construction, 1954. University Archives Photos. Call Number: RG 0/22/1 1954: Campus: Buildings: Allen Fieldhouse (Photos). Click image to enlarge (redirect to Spencer’s digital collections).

What does that view look like today? The answer to that question comes courtesy of KU student Rick McNabb. As part of a project for HIST 348 (History of the Peoples of Kansas), Rick found the above image in University Archives and later juxtaposed it with a picture he took at the men’s basketball game against Eastern Michigan on December 29, 2018. Play the video below to see! You can also move the slider back and forth yourself by visiting Rick’s post on the re.photos website.

A video created from two juxtaposed images of Allen Fieldhouse. The first is the image above, from 1954. The second was taken from roughly the same position in 2018.

Caitlin Donnelly
Head of Public Services

Manuscript of the Month: Charting a Late Fifteenth-Century Journey

November 24th, 2020

N. Kıvılcım Yavuz is conducting research on pre-1600 manuscripts at the Kenneth Spencer Research Library. Each month she will be writing about a manuscript she has worked with and the current KU Library catalog records will be updated in accordance with her findings. 

Written in Humanistic cursive by a single hand during the last decade of the fifteenth century, Kenneth Spencer Research Library MS B21 contains a travel itinerary from Italy to France and back. Currently consisting of only five folios, it was probably part of a larger book. It seems that each stop on the journey was recorded between February 1493, with a departure from Naples, Italy, and January 1494, with a return to Sermoneta, Italy, after going all the way to Paris, France. The majority of the text comprises the names of the cities, with occasional mentions of arrival or departure dates and a series of numbers in the margins that probably denote distances between the stops. Unfortunately, no personal name or a reason for the journey is mentioned, but from the language of the text and the style of handwriting we can surmise that the diary belonged to an Italian traveler.

Image showing the text from the beginning of the journey in February 1493. Travel Itinerary, Italy and France, 1493-1494. Call # MS B21.
Beginning of the journey in February 1493. Travel Itinerary, Italy and France, 1493-1494. Call # MS B21. Click image to enlarge.

The journey begins on February 21, 1493, in Naples, Italy. 24 days later, on March 16, the traveler arrives at Marseille, France. There are thirteen stops noted for this first leg of the journey between Naples and Marseille. Most of them were relatively easy to identify:

Gayeta = Gaeta
Hostia = Ostia
Civita Vechya = Civitavecchia
Mo[n]te Arge[n]taro = Monte Argentario
Livorno = Livorno
Porto Vener[e] = Porto Venere
Ienoa = Genoa
Villa Francha = Villefranche-sur-Mer
Nirza = Nice
Santa Margarita = Île Sainte-Marguerite
Insola de Heres = Îles d’Hyères

I was not so sure about where “Poncio” is, which is mentioned as a stop between Gaeta and Ostia but I decided it must be Pontinia, which is located almost right in the middle of the two places. I also had my doubts about where “Cornito” might be. It is mentioned as a stop between Civitavecchia and Monte Argentario. Although there are other places with this name in both Benevento and Campania regions of Italy, the contemporary name of the place we are looking for in this stretch is probably Tarquinia, whose name has changed from Corneto to Tarquinia in the last century.

Map of Naples-Marseille itinerary in MS B21. Created using Tableau.

After I identified the stops for the first leg of this journey between Naples and Marseille, I decided to place them on a map and see how it looks: indeed, all the places lined up in a neat route along the coast of the Tyrrhenian Sea and southern coast of France. What is striking is that all the places I was able to identify are on either the coast or an island close to the shore, such as Monte Argentario and Île Sainte-Marguerite. This gives us reason to think that this part of the journey was undertaken by ship along the coast of the Tyrrhenian and Ligurian Seas instead of by land. Now that we know the route, how long it took and the possible mode of travel, I was curious to compare this data. At that point, I turned to ORBIS: The Stanford Geospatial Network Model of the Roman World. Called by some “a Google Maps for Ancient Rome,” ORBIS allows one to analyze movements of people and goods along the principal routes of the ancient Roman world by taking into account different modes and means of transport and even the season in which the travel took place.

Map of Naples-Marseille (Neapolis-Massilia) itinerary according to Roman coastal sea routes. Source: ORBIS: The Stanford Geospatial Network Model of the Roman World.
Map of Naples-Marseille (Neapolis-Massilia) itinerary according to Roman coastal sea routes. Source: ORBIS: The Stanford Geospatial Network Model of the Roman World. Click image to enlarge.

Since Roman travel networks and routes continued to be used during the Middle Ages, the approximations created in ORBIS would provide us a reliable comparison point. According to ORBIS, if one travels only by daylight the journey between Naples and Marseille on coastal sea takes 18.7 days during winter. Although by this route there seem to be fewer stops compared to what is recorded in MS B21, the major ports, such as Ostia and Genoa, remain unchanged. The traveler of MS B21 noted that they arrived at Marseille after 24 days. Given that there are more stops mentioned in the manuscript and that we do not know if they spent any considerable time in any of these places, 24 days seem reasonable.

Image of leaf containing the last place mentioned as part of the journey in MS B21: Sermoneta.
Last place mentioned as part of the journey: Sermoneta. Travel Itinerary, Italy and France, 1493-1494. Call # MS B21. Click image to enlarge.

According to MS B21, it seems that the anonymous traveler spent between April and August 1493 in Paris before going to Tours via Orléans and staying there until January the year after. The traveler began their return from Tours, France to Italy on January 23, 1494. On the way back, they traveled exclusively by land, passing through cities such as Turin, Milan, Parma, Bologna, Florence, and Rome. Instead of going back to Naples, where they started, however, they stopped at Sermoneta, approximately 100 miles north of Naples. Unfortunately, the date of arrival is not recorded in the manuscript. If the anonymous traveler of MS B21 was a member of a diplomatic legation, as suggested by Bernard Rosenthal, from whom the Kenneth Spencer Research Library purchased the manuscript, this was a tumultuous time and there would have been good reason for such a journey, for in this very year the Kingdom of Naples was under threat of invasion by Charles VIII, king of France.

If the anonymous traveler was on a mission to the French court, that would also explain their spending time not only in Paris but also in Tours. Palais des Tuileries was the Parisian residence of most French monarchs but Charles VIII and his court also spent considerable time in Tours and had a royal residence there, Château de Plessis-lèz-Tours. Furthermore, we know that the French king may have been traveling from Paris to Tours that very August as Queen Anne is recorded to have had a premature birth and that the baby was buried at Notre-Dame de Cléry, a place mentioned also in MS B21 as the next stop after Orléans on the way to Tours.

King Ferdinand I of Naples died only two days after the departure date mentioned in the manuscript, on January 25, 1494, after 35 years of reign. Although succeeded by his son Alfonso II, the death of Ferdinand I allowed Charles VIII to lay claim to the throne and invade the Kingdom of Naples later in 1494. This marked the beginning of the Italian Wars, also known as Habsburg-Valois Wars, which took place between 1494 and 1559, during which the Kingdom of Naples was the focus of dispute among different dynasties and constantly changed hands.

The Kenneth Spencer Research Library purchased the manuscript from Bernard M. Rosenthal Inc. in July 1960, and it is available for consultation at the Library’s Marilyn Stokstad Reading Room when the library is open.

N. Kıvılcım Yavuz
Ann Hyde Postdoctoral Researcher

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