Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
To continue our spooky journey through Spencer’s collections, this week I share Samhain or “All Hallowe’en.”: A Romantic Irish Cantata. As noted in the Concise Oxford Companion to Irish Literature, “Samhain had an important place in Celtic mythology as a time when the normal order is suspended to allow free passage between the natural and supernatural worlds.” As defined by Merriam-Webster, a cantata is “a composition for one or more voices usually comprising solos, duets, recitatives, and choruses and sung to an instrumental accompaniment.” This particular cantata was written and composed in 1902 expressly for the Dublin Musical Festival, or Feis Ceoil. Established in 1897, “Feis Ceoil Association promotes excellence in the learning and performance of music across all ages, levels and disciplines…Today, Feis Ceoil is an event of major significance in the development of musical talent in Ireland.” The festival now comprises 180 competitions with a diverse range of ages from seven years old and up.
Dr. Annie Patterson (1868-1934), who wrote the cantata, “composed sacred and secular cantatas, orchestral works and songs based on Irish themes. She also wrote poetry, essays, short stories as well as professional articles and books on music.” Working with Rev. Houston Collisson – the cantata’s composer – and others, Patterson co-founded the Feis Ceoil in 1897 as part of the broader Gaelic revival in Ireland.
No matter what you believe or how you celebrate, I wish everyone a safe and very happy Halloween! Next week we will share one last item in the spirit of October before returning to regular postings.
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The front cover and first two pages of Samhain or “All Hallowe’en.”: A Romantic Irish Cantata, 1902. Call Number: O’Hegarty D613. Click images to enlarge.
The letters of Guy Hatfield are a collection of 50 letters written by a traveling salesman to his wife, Nell, living in Kansas City, Missouri. He made his living traveling throughout the Midwestern United States. His letters document his travels between Iowa, Nebraska, Kansas, Oklahoma Territory, Colorado, Missouri, and Illinois, all in the hopes of making a quick buck. Though little is known about Guy Hatfield’s life outside of the collection of letters here at Spencer Library, he is associated as a contemporary of the better-known George B. McClellan, a traveling medicine man and Wild West showman. [i]
Guy’s letters to his wife, Nell, give a window into his business life as a traveling salesman. Rarely was business good. Inclement weather would keep the townspeople in their homes and slow business. Sometimes “biz” (as Guy called it) in company towns was centered around payday; setting up shop at the right time was key. Risk of illness and outbreak of the “grip” (also written as grippe, an old-fashioned term for the flu) could also be a detriment to business.
In a letter written from Davenport, Iowa, in September 1891, Guy’s typically neat handwriting is shaky and the message short. Is Guy in the grips of the Grippe? Letters of Guy Hatfield. Call Number: RH MS 1371. Click image to enlarge.
The letters give a wealth of information beyond Guy’s correspondence to his wife. His travels, most often by train, show the rail network in the Midwest and Great Plains around 1890. The stationery and envelopes, bearing the names and proprietors of the hotels Guy stayed at, give us a list of the hotels and innkeepers that served travelers as they crisscrossed the country.
Guy Hatfield’s travels in winter 1889/1890 outlined on a Kansas railroad map. Based on the order of his letters, he traveled to Wymore and Beatrice (Neb.) and south to Manhattan and Salina (Kan.). He then headed up to Red Cloud (Neb.) before going to Wichita and Winfield (Kan.). From there, he ventured into Oklahoma Territory. He returned, stopping in Emporia and Osage City (Kan.) before returning to Kansas City. Call Number: RH Map R452. Click image to enlarge.
The back of an envelope for the St. James Hotel in Manhattan (Kan.) features a verbose ad for Merchant’s Gargling Oil Liniment, November 1889. Letters of Guy Hatfield. Call Number: RH MS 1371. Click image to enlarge.
So what exactly did Guy Hatfield sell? His letters mention glasses and figurines (mislaid and broken by the railroad company), wigs, a mummy, a gorilla, a skeleton (in one letter, a gorilla skeleton), and medicine (though he does not say if it is for resale or personal use). In one of his letters, he mentions his attempts to sell his whole museum to one or more interested parties in Wichita, but bad luck seemed to prevent the sale from going through. He blames an associate named Converse, who he calls a “dead rank Jonah.”
Whatever it was Hatfield was trying to sell, few were interested in buying. With a few exceptions, the common thread through the letters are complaints of low revenue, high expenses, and excuses for why he cannot yet come home. The letters begin in October 1889 in Sioux City, Iowa, where Guy complains about losing lots of money. In the last letter, dated February 25, 1892, he is staying in Pittsburg, Kansas, a couple days longer with hopes of making a few dollars. As to his association with the famous George McClellan, a letter from January 22, 1891, suggests the nature of their friendship: “George has not answered any of my letters at all nor sent me a cent[.]”
Beyond these three years of flourishing (if we can call it that), little is known about Guy Hatfield or his wife Nell. The Kansas City addresses on the envelopes no longer exist. A search of digitized newspapers reveals two stories of a Guy Hatfield, who may or may not be the same as our ambitious and unlucky letter-writer. A newspaper report in the Kansas City Journal from January 1898 tells the story of a salesman of the same name attempting suicide in a saloon; a report from the Topeka State Journal from July of the same year reports on the impending execution of a soldier bearing the same name, who, “in a drunken row soon after pay day,” stabbed another soldier to death.
When we think of archival collections, we often give too much credit to the movers and shakers of history. It makes sense that the Kansas Collection at KU’s Spencer Library would hold the personal and professional papers of governors, senators, and other pillars of the civic community. But there is much to learn about the world of the past in collections like the letters of Guy Hatfield. He lived during an era we like to call the Gilded Age. But through his own words, we are reminded that to many, it may not have been so gilded.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
Rolling on with our spooky theme for October, this week I share Imps, Demons, Hobgoblins, Witches, Fairies & Elves by Leonard Baskin. Baskin (1922-2000) is best known for his illustrations, graphic arts, and sculptures. The website of Seattle’s Davidson Galleries notes that he was “committed to figurative art in a time when the art world focused on abstract expressionism. His work emphasized portraiture and the human condition, often malformed, exaggerated, and animal-like.” A biography on the website of the Smithsonian American Art Museum states that “Baskin’s work is represented in the collections of major museums in the United States and Europe, including the National Gallery of Art, the Victoria and Albert Museum, and the Whitney Museum of American Art. His graphic art and sculpture have been shown in exhibitions in the United States, England, France, and Austria. He is also the recipient of numerous graphic-design awards, including the Special Medal of Merit from the American Institute of Graphic Arts.” Other works illustrated by Baskin include Hosie’s Alphabet, Gods and Heroes of the Greeks: The Library of Apollodorus, and Under the North Star. More on Leonard Baskin can be found on Wikipedia.
The book highlighted in today’s post was published in 1984 and shares illustrations portraying various creatures from other works and Baskin’s own imagination. This volume was one of over 150 Leonard Baskin-related items donated by collector John C. English, Professor Emeritus of History and Political Science at Baker University. Prof. English’s gift of his Baskin Collection included twenty-two volumes published by Baskin’s Gehenna Press, as well as fine press and commercial books containing work by Baskin, exhibition catalogues, and ephemera. Below we share images of a Gremlin, Bloody Bones, and the Imp of the Perverse.
The front cover of Imps, Demons, Hobgoblins, Witches, Fairies & Elves by Leonard Baskin, 1984. The inside cover asks “have you ever seen a Gremlin or an Imp? Do you wonder that the Tooth Fairy really looks like?…Leonard Baskin intrigues, scares, tickles, edifies, and delights in the pages of this spirited book.” Call Number: Children C802. Click image to enlarge.
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Illustrations and descriptions of a Gremlin (top), Bloody Bones (middle), and the Imp of the Perverse (bottom) in Imps, Demons, Hobgoblins, Witches, Fairies & Elves. Call Number: Children C802. Click images to enlarge.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
This week on That’s Distinctive! we are mixing it up a little. Having posted every Friday (except for one) since January 20th (or 38 weeks), I thought it might be fun to share a little about me and how That’s Distinctive! works.
Tiffany McIntosh. Click image to enlarge.
Some background about me.
I grew up in Lawrence and went to KU for my undergraduate studies in anthropology and religious studies. I am currently pursuing my master’s in museum studies online via the University of Oklahoma in hopes of some day working at the KU Natural History Museum. When I’m not at work at Spencer, I am likely at home in Meriden cuddling with my five cats or hanging out with family. We moved away from Lawrence in 2022 to an old farmhouse in Meriden, which is about a 40-minute drive from Lawrence. You can also find out more about my position in my Meet the Staff post from 2022.
How did you come up with the idea for That’s Distinctive!?
I came up with the idea for the blog not too long after I first started working at the library. I had started sharing cool items I found with my family on Facebook under the name “fun find Fridays.” After some thought, I felt it would be better to share these materials more broadly. It seems a large portion of the public, or even the student body, does not know that the library is here and open to everyone so I thought the blog posts would help raise awareness. I didn’t know the library was here when I was studying at KU, and it is really a unique resource with something for everyone. While the library’s primary use is for research (as noted in the name), its collections are vast and cover a wide range of topic areas. I have yet to meet someone that I wasn’t able to find an item of interest for.
What does your process for picking items look like?
I honestly do not have a very rigid process. For most of this year I chose holidays or anniversaries of things for the weeks I wasn’t sure what to share. Other weeks I just chose whatever topic came to mind and did some quick researching. Once I have a topic in mind I go through our online catalog and finding aids to find collections and materials I think might fit. I then pull everything I found to view in the Reading Room and narrow down to a single item or collection. Sometimes items are not at all what I was expecting; other times I find multiple things I like, which can make it hard to choose. Then with other topics I walk away empty-handed and start all over. Once I have an item chosen, I scan it on our Bookeye and then I sit to write the post. Some posts come more easily than others as you can see by the varying length of posts (some are really long, while others are super short).
I try to keep a hefty backlog of posts, so I’m not writing them every week. I will stock up five or six weeks’ worth then when that runs down, I’ll start writing again. Sometimes when I sit to write a post, and nothing comes to mind, I simply start my process all over. Quite a few topics have been pushed aside due to lack of inspiration. Fear not, though; I keep a running list of items I like but don’t write about to be visited later.
I should also add that finding items does not always require such an in-depth process. As I spend more time in the stacks, I frequently find items of interest just by walking around. I have also highlighted items that I have shared with classes and family members on special visits.
What does the future of That’s Distinctive! look like?
I am hoping to continue That’s Distinctive! into 2024. I intend to switch it up a little and attempt to avoid holidays and anniversaries and instead just focus on random topics and finds. I also hope to collaborate with staff and students around the building to highlight some items they have interest in as well.
What are some of your favorite finds for That’s Distinctive!?
Honestly, everything on the blog is of some interest to me. Obviously, some items intrigue me more than others but I wouldn’t highlight something I didn’t think people would like. I have a hard time picking a favorite, but I have narrowed it down to three posts that I really enjoyed writing.
Kansas farmer’s diary: I found this post super fun to write because you can’t go anywhere in Kansas without driving past a field of corn, seeing cows, or running into a tractor driving down the highway. Being able to look back and see what farming was like in the 1890s is just fun. It might seem mundane and redundant but what would Kansas be without farmers?
Two pages from the diary, September and October 1896. Call Number: RH MS P885. Click image to enlarge.
Flood of 1951:This post was interesting to me because the flood of 1951 was something I had heard about but didn’t really grasp the severity of until I saw the photographs. The process of writing this post also sent me on a little side quest. I shared one of the photos with some friends and my friend Chris recognized a grocery store in the photo that used to belong to his family. This led me to search to see what else we had related to his family, and we actually had a collection with old family photos from when his dad was a child. I thought that was super neat.
Locust Street in North Lawrence, 1951. 1951 Flood – Lawrence and Kansas City, Kansas, Photographs. Call Number: RH PH 172. Click image to enlarge.
Mexican recipes: Other than looking at all the old diaries we have in our holdings, this collection is probably my all-time favorite. Handwritten in the early nineteenth century, the recipes in the collection give a peek into what life was like back then. The process of having them translated was fun too because it was a collaboration of staff in the libraries. I think it would be neat to have the whole collection translated to be able to make the dishes in the present.
The recipe for bodin, undated. Call Number: MS 346. Click image to enlarge.
Stoker-ed about Halloween? Count get enough spooky stories? Excited to sink your teeth into this year’s Booktoberfest Community Read at Lawrence Public Library?
But of corpse!
Stop by and check out Spencer’s current short-term exhibit (ahem, exhi-bite) featuring a selection of materials by Bram Stoker, special editions of his novel Dracula, and copies of other early vampire stories. Highlights include:
the first installment of The Primrose Path, Stoker’s first novel that was initially published as a serial in 1875;
a handwritten draft of an unpublished article written and signed by Bram Stoker in 1887;