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Inside Spencer: The KSRL Blog

Books on a shelf

Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.

That’s Distinctive!: Kansas Postcards

March 15th, 2024

Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.

This week on That’s Distinctive! I am sharing some early twentieth-century postcards from our Kansas Towns Photograph Collection. The town shown are Burlington (1910), Clyde (1907), Eudora (1908), and Hays (1910). As seen, stamps at that time were one cent and featured Benjamin Franklin.

The back of the Hays postcard is labelled “J. BOWERS Photographic Co., London.” According to the Flint Hills Special Digital Magazine, John Bowers was born in 1865 and took up the trade of photography in 1896 after returning from a two-year world tour. Around 1906, Bowers and his family moved to Long Beach, California, where he opened a photography studio. During this time, he frequently visited Topeka, Kansas, by train where he “engaged in photographic excursions…Between 1907 and 1910, Bowers produced a large volume of postcard photographic views from Kansas, Missouri, Iowa, and Nebraska.” Bowers’ postcards from Kansas are described as “numerous and noteworthy.” In 1908, there was an explosion of interest in collecting real photo postcards, which only fueled Bowers’ business. There is no evidence that he ever operated a studio in London. More on Bowers’ life and adventures, along with more images of his postcards, can be found via the Flint Hills Special.

Sepia-toned photo of a dirt street with buildings on each side.
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Sepia-toned photo of a dirt street with two-story buildings - and some horses and wagons - on each side. A handwritten note says "Main St S, Eudora, Kan."
Postcards from Burlington (top) and Eudora (bottom), Kansas. Kansas Towns Photograph Collection. Call Number: RH PH 134. Click images to enlarge.
Sepia-toned photograph of a large two-story brick building with a window awning that says "Clyde Drug Co." There are other buildings nearby and horses and buggies in the foreground. The handwritten caption says "Beachtel Theatre, Clyde, Kans."
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This image has text.
The front and back of a postcard from Clyde, Kansas, 1907. Kansas Towns Photograph Collection. Call Number: RH PH 134. Click images to enlarge.

Here is a transcription of the postcard from Clyde:

7-31st
Weather here is cooler
since our nice rain
Sat. night & Sun. morn.
Will help corn & pastures
Am better since it
is cooler. It’s the heat
gets away with me.
All the rest are well.
Am going to Clyde tomorrow
As Lizzie [L?] & [Jeremia?] are both
home on a visit.
Sister Jennie

Sepia-toned photo of a dirt street with two-story buildings - and some horses and wagons - on each side. A handwritten note says "2803 Chesnut [sic] St, Hays, Kans."
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This image has text.
The front and back of a postcard from Hays, Kansas, 1910. Kansas Towns Photograph Collection. Call Number: RH PH 134. Click images to enlarge.

Tiffany McIntosh
Public Services

That’s Distinctive!: Artist’s Book

March 8th, 2024

Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.

This week on That’s Distinctive! I am sharing Not Paper by Peter and Donna Thomas. The book describes and contains paper-like materials that do not actually qualify as paper. It is “an adaptation of [the authors’] 1997 miniature book Almost Paper.” Spencer has copy #26 out of the 48 copies that were made.

A fun tidbit about Not Paper is that it is actually an artist’s book. According to Smithsonian Libraries, “an artist’s book is a medium of artistic expression that uses the structure or function of ‘book’ as inspiration—a work of art in book form.” The Oxford Companion to the Book describes artists’ books as “both object and concept.” The 1960s brought a surge of artists’ books throughout Europe and much of the US. For many, this is the time artists’ books became classified as a distinct genre. There is no true definition of what makes an artist’s book though. Both the definition and history of how they came to be are heavily debated.

I had loosely heard about artists’ books in passing but had never really encountered one even during my time at Spencer Research Library (though we regularly have classes that visit to examine them). One day when putting out a call for blog ideas, the topic of artists’ books came up via one of the catalogers here at Spencer, and I thought I would do some searching. That is how I stumbled upon this particular book. I found it interesting because of how it is stored and thought it was intriguing that it is bound in an accordion style. In flipping through the book and learning about all these materials that are not technically paper, it made me think back to fifth grade when we made “paper” one day in science class. It was a neat experience that has stuck with me since. My experience with finding this book has definitely made me want to dig deeper and see the different artists’ books we have in Special Collections.

You can find Spencer artists’ books by searching the KU Libraries online catalog in a couple of different ways. One option is to set the drop-down field menu to “subject” and use the search term “Artists’ books–Specimens.” Or, to get an even larger number of results, set the drop-down field menu to “any field” and use the search term “artists’ books” (in quotation marks) with the search term “specimens.”

Two objects against a black background: on the left a book with the title against a marbled background and on the right a dark brown enclosure with an embossed title.
The front cover (right) and housing (left) of Not Paper by Peter & Donna Thomas, 2010. Call Number: C21287. Click image to enlarge.
This image has text, including a paragraph about the process of making paper.
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A paragraph about papyrus - with a small sample - against a light blue background with the word "papyrus" in different fonts of blues and greens.
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A paragraph about tapa - with a small sample - against a yellow background with the word "tapa" in different fonts of yellows and greens.
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This image has text about the book.
The title page of – and selected pages from – Not Paper by Peter & Donna Thomas, 2010. Call Number: C21287. Click images to enlarge.

Tiffany McIntosh
Public Services

Spencer’s March-April Exhibit: “From Shop to Shelf”

March 5th, 2024

Conservators often say that what draws them to this work is the variety – every day is different! Always something new to learn! Never a dull moment! In my role as special collections conservator at KU Libraries, I am fortunate to work on interesting items from all of the collecting areas within the Kenneth Spencer Research Library, and my day-to-day experience bears out the truth of those clichés. Each book, document, and object I work with wears evidence of its own unique history. Physical condition, materials, marks or repairs made by persons past – sometimes these features tell a clear story about the life an object has lived, and sometimes the picture is murky, fragmented, or confusing. In the new short-term exhibit on view in Spencer Library’s North Gallery, I returned to the subject of a 2016 blog post to explore the ways that a book’s binding might provide information about who owned the book and how it was used.

Spencer Library’s three copies of Thomas Sprat’s A true account and declaration of the horrid conspiracy against the late king, His present Majesty, and the government: as it was order’d to be published by His late Majesty are displayed in the first exhibit case. This book relates Sprat’s official account, as Bishop of Rochester, of the failed 1683 Rye House Plot to assassinate King Charles II of England and his brother (and successor) James, Duke of York. The horrid conspiracy, as we’ll call it, was printed in London in 1685 by Thomas Newcombe, “One of His Majesties printers; and … sold by Sam. Lowndes over against Exeter-Change in the Strand.”

Three copies of The Horrid Conspiracy on display in the exhibit From Shop to Shelf in Spencer Research Library's North Gallery.
Three copies of The Horrid Conspiracy on display in Spencer Research Library’s North Gallery.

After leaving Lowndes’ shop these three edition-mates embarked on separate journeys, only to arrive back together again in our stacks over three hundred years later. The books’ differing conditions and binding styles invite speculation about their adventures (and misadventures!) in the intervening years. The exhibit compares the physical characteristics and evidence of use seen on the three volumes and considers what these features might tell us about who owned them and how they were used. We cannot know for sure, but it is so fun to wonder!

A selection of books from the exhibit From Shop to Shelf on display in Spencer Research Library's North Gallery.
A selection of books from the exhibit From Shop to Shelf on display in Spencer Research Library’s North Gallery.
A selection of books from the exhibit From Shop to Shelf on display in Spencer Research Library's North Gallery.
A selection of books from the exhibit From Shop to Shelf on display in Spencer Research Library’s North Gallery.

In case two, we expand our examination of different binding styles to include a small selection of bindings from Spencer Library’s rare books collections. The display includes books in original paper bindings or wrappers from the publisher, books custom-bound for private owners in either a plain or a fine style, and others bound simply and sturdily for use in a lending library. Spencer Library’s collections are rich with examples of bookbinding styles across the centuries; this assortment of volumes represents just a fraction of the many ways that a book might have been bound either by bookseller, buyer, or library.

That’s Distinctive!: Nineteenth-Century Sketchbooks

March 1st, 2024

Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.

This week on That’s Distinctive! I am sharing a sketchbook from the Papers of Lady Pauline Trevelyan. As noted in the finding aid, Lady Pauline Trevelyan (1816-1866) was a “writer, traveler, etcher, and painter of watercolors. She was also known as a naturalist and scientist.” Her collection here at the library holds mostly journals, notebooks, and sketchbooks. The collection consists of 69 volumes and one document case.

I actually first came across this collection when we had a researcher viewing it in the Reading Room. Otherwise, I am not sure I ever would have stumbled upon it. While I have not viewed the journals, the sketchbooks fascinated me because they are quite thin and all different sizes. Due to age, some of them are quite fragile. The sketchbook shared today is from Paris in 1863. This particular sketchbook is quite small (similar to a small spiral notepad) which makes the paintings that much more impressive.

To get a “taste” of Pauline Trevelyan’s journals, see the 2012 blog post “An Easter Pizza in Umbria, Italy in 1842” by former Special Collections Librarian Karen S. Cook.

Color sketch of a tan building that is probably a family home.
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Color sketch of a green field cut by lines of trees, with a large blue sky overhead.
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Two-page color sketch of swans and ducks in nests that sit in water.
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Color sketch of a small boat on the edge of a body of water, with trees and pink flowers in the background.
Selected pages from a sketchbook by Lady Pauline Trevelyan in Paris, 1863. Trevelyan Collection. Call Number: MS K1, volume 9. Click images to enlarge.

Tiffany McIntosh
Public Services

Student Spotlight: Kaitlynn McIntosh

February 28th, 2024

This is the latest installment in a series of posts introducing readers to student employees who make important contributions to the work of Spencer Research Library. Today’s profile features Public Services student assistant Kaitlynn McIntosh, who answered a few questions about her work at Spencer.

Photograph of a young woman with a green field behind her.
Public Services student assistant Kaitlynn McIntosh. Click image to enlarge.

Please provide some brief biographical information about yourself.

My name is Kaitlynn and I am a second-year undergraduate art history major and education minor. I am on the track to be a part of the Accelerated Masters Program in hopes of graduating with my Bachelors in 2026 and my Masters in 2027. After completing my program I hope to work in a museum – possibly as a curator – or go on to be a college art history professor.

What does your job at Spencer entail?

I am a student assistant in the Public Services area, meaning I interact with most of the people that come into the library. I check people into our Reading Room and gather materials for patrons that come in. I also gather materials for professors who would like to hold class inside the library. In my job I handle a lot of old materials and I find myself very lucky to do so. Whenever I am paging items I always find new things that I am interested in or would have never thought I would come across. That is my favorite part of my job at Spencer.

Why did you want to work at Spencer Research Library?

I wanted to work at Spencer because I believed it would give me some good practice for working in a museum one day. Though we are a library, we do have a gallery and exhibition space. I am also handling a lot of old and fragile materials, so this job has given me good practice in how certain items need to be handled and cared for.

What are you studying, and what do you hope to do in your future career? Has your work at Spencer changed how you look at your studies or your future career plans in any way?

I am studying art history in hopes of working in a museum setting. Since starting at Spencer I have opened up to more possible careers after graduating. I have my mind on the possibility of working in a library as a curator like some of the staff here at Spencer. I am intrigued by a lot of the work that they do, mainly that they are able to work with professors who hold class sessions here. Working at a library or museum on a college campus has never crossed my mind but by working here that new possibility has opened up to me. I love working with the public and I would love to continue that into my future career plans.

What piece of advice would you offer other students thinking about working at Spencer Research Library?

If you are wanting to work at Spencer I would say apply. There are other positions for student employees that aren’t just in Public Services. This includes University Archives and Conservation Services. It is a very fun environment and is a great job to have as a student because they are very flexible with your class schedule and are very willing to help you with anything at all.

Kaitlynn McIntosh
Public Services student assistant