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Inside Spencer: The KSRL Blog

Books on a shelf

Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.

This blog may contain archived web content. This blog may link to catalog records which no longer exist as of a software change in 2026.

The Magic of Classic Children’s Books: Rumpelstiltskin

June 12th, 2026

This is the second post in a series highlighting various titles from Spencer Research Library’s vast children’s book collection.

Well-loved children’s books spark magic from the thrill of adventure to imagination of far-off, enchanted places. Beloved by generations, classic children’s stories remain with us throughout life, whether it is re-reading childhood favorites or sharing our most loved stories with young people in our lives. These classics ignite imaginations and impart timeless lessons. They become some of our most cherished friends that stay with us throughout our lives.

While browsing our children’s collections for this series, my eye caught the book Rumpelstiltskin. It was a beloved story from my childhood. I carefully pulled the volume from the shelf and discovered that this is the exact same book with the little yellow troll that I remembered. The copy I grew up with made it from 1973 through three kids and years of love, although the dust jacket was lost along the way.

The front cover (left) and title page (right) of Edith H. Tarcov’s retelling of the Brothers Grimm story Rumpelstiltskin, illustrated by Edward Gorey, Four Winds Press: 1973. Call Number: Children C262. Click images to enlarge.

Before opening Spencer’s copy, I realized how little of the story I actually remembered – just impressions, really. A spinning wheel. A frightened girl. A strange little man whose name felt impossible and magical all at once. Childhood stories often linger this way, not as full plots but as bright fragments that stay tucked in the corners of memory. Holding the book again, I felt those fragments stir, as if the story had been waiting patiently for me to return.

Browsing through the pages, I was transported back to a place and time I had not visited in years. Books have that effect on people. They can sweep you into imagined worlds filled with wonder, but they can also return you to the most familiar corners of your own story: the home of your youth, your small hands turning the pages, the feeling of sitting on your mother’s lap as she reads to you. That quiet comfort stays with you long after childhood has passed.

Selected pages in Rumpelstiltskin, 1973. Call Number: Children C262. Click images to enlarge.

The illustrations were the first things to rise up from memory, those bold shapes and bright colors that once felt larger than life. Seeing them again was like recognizing an old friend across a crowded room. Childhood stories often imprint themselves visually before anything else, and these images had lived quietly in the back of my mind for decades. Each page brought back a flicker of familiarity: the tilt of a character’s expression, the sweep of a dress, the way the little man seemed both mischievous and mysterious. Illustrations have a way of anchoring a story in the imagination and rediscovering them reminded me just how powerfully art shapes the way we remember the tales we loved.

Selected pages in Rumpelstiltskin, 1973. Call Number: Children C262. Click images to enlarge.

Stories also change as we change. The tale I remembered from childhood – a frightened girl trapped in an impossible bargain – reads differently now. With adult eyes, I see a young woman navigating power, danger, and impossible expectations and ultimately outwitting the very creature who sought to control her. What once felt like a simple “damsel in distress” story reveals itself as something more layered: a narrative about resourcefulness, resilience, and the quiet strength of naming what threatens you. It is remarkable how familiar tales shift over time, offering new meanings as we grow into new versions of ourselves.

That feeling – that sudden, tender collapse of past and present – is exactly why special collections stewardship matters. We preserve these books because they are more than paper and ink. They are anchors. They are memory‑keepers. They are the quiet, steady companions that shaped childhoods, sparked imaginations, and offered refuge on difficult days. When we protect them, we are not just saving objects; we are safeguarding the emotional landscapes they hold.

Selected pages in Rumpelstiltskin, 1973. Call Number: Children C262. Click images to enlarge.

In special collections, we make sure that these touchstones of childhood do not disappear into attics or thrift stores or the slow erosion of time. We keep them so that someone, decades from now, can open a familiar story and feel that same rush of recognition, that same warmth of being transported home.

Selected pages in Rumpelstiltskin, 1973. Call Number: Children C262. Click images to enlarge.

As I closed the book and placed it back on the shelf, that familiar warmth lingered: the feeling of being carried, just for a moment, back into childhood. That is the quiet power of these stories, and the reason we preserve them. Through the work of special collections and the care of special collections stewardship, we ensure that these tales endure not only as artifacts, but as living companions. They remain ready to inspire new readers, spark new imaginations, and offer that same sense of home to someone else, years or even decades from now.

Meredith Phares
Operations Manager

The Magic of Classic Children’s Books: Treasure Island Edition

June 2nd, 2025

Well-loved children’s books spark the magic from the thrill of adventure to imagination of far-off, enchanted places. Beloved by generations, children’s classic stories remain with us throughout life, whether it’s re-reading childhood favorites or sharing our most loved stories with young people in our lives. These classics ignite imaginations and impart timeless lessons. They become some of our most cherished friends that stay with us throughout our lives.

Spencer Research Library has a vast children’s book collection to be explored. Some works have multiple editions published throughout the years. Different editions often have different illustrations, annotations, and even adaptations. This is the first post in a series highlighting various children’s book titles in Spencer’s holdings. First up, we bring you Treasure Island by Robert Louis Stevenson.

Black-and-white photograph of a man and boy looking at a large map.
Movie still from MGM’s adaptation of Treasure Island from the 1934 Grosset & Dunlap edition. Call Number: Children 5948. Click image to enlarge.

Spencer Research Library has seven holdings of Treasure Island. The publisher, publication date, and call number of each volume are listed below:

  • Cassell & Company, Limited: London, Paris, New York & Melbourne, 1886 (O’Hegarty B2959).
  • Scribner’s Sons: New York, 1913 (SC Annex 326).
  • Rand McNally: New York and Chicago, copyrighted 1916, published 1928 (Children C623).
  • Grosset & Dunlap: New York, 1934? (Children 5948).
  • Limited Editions Club: New York, 1941 (D7309).
  • Award Books: New York, 195-? (Children B2846).
  • Franklin Watts: New York, 1964 (C18419).

This introduction appears in most editions of the book:

To the Hesitating Purchaser

If sailor tales to sailor tunes,
Storm and adventure, heat and cold,
If schooners, islands, and maroons
And Buccaneers and buried Gold,
And all the old romance, retold
Exactly in the ancient way,
Can please, as me they pleased of old,
The wiser youngsters of to-day:

–So be it, and fall on! If not,
If studious youth no longer crave,
His ancient appetites forgot,
Kingston, or Ballantyne the brave,
Or Cooper of the wood and wave:
So be it also! And may I
And all my pirates share the grave
Where these and their creations lie!

The first edition of Treasure Island – published by Cassell & Company in 1883 – featured no illustrations. Three years later, the publisher released a new edition with 18 pages of illustrations and 26 leaves of plates.

Scenes from Treasure Island depicted in black-and-white sketches with the book's title.
Frontispiece illustration from the 1886 Cassell & Company edition of Treasure Island. Call Number: O’Hegarty B2959. Click image to enlarge.

Maps of the island do not appear in every edition. Those that are included vary in detail, from topography and landmark descriptions.

Black-and-white map.
Map of Treasure Island from the 1886 Cassell & Company edition. Call Number: O’Hegarty B2959. Click image to enlarge.
Color map of Treasure Island, with the "bulk of treasure here" marked with a red "x" and a rainbow.
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Color map of "the island from the West."
Maps of Treasure Island in the 1941 Limited Editions Club version of the novel. Call Number: D7309. Click image to enlarge.

The 1941 edition of Treasure Island, published by the Limited Editions Club, was limited to 1,500 copies.  Spencer Library’s edition is numbered 1,426. Colored Illustrations signed by Edward A. Wilson – which includes a signed lithograph of Long John Silver – and the unique binding of dark blue sailcloth and gold-stamped red leather spine label makes this edition a highly sought collectible.

Black-and-white illustration of the pirate with a parrot on his shoulder and a pistol in his hand.
Signed lithograph of Long John Silver in the 1941 Limited Editions Club version of Treasure Island. Call Number: D7309. Click image to enlarge.

Rand McNally published several editions of Treasure Island over the years. Kenneth Spencer Research Library holdings include a 1928 edition copyrighted in 1916. This edition features a durable hardback binding with full-page color illustrations along with black and white drawings. 

Color illustration of a pirate walking aggressively and holding a large knife.
Cover illustration from the 1928 Rand McNally edition of Treasure Island. Call Number: Children C623. Click image to enlarge.

Details are scarce for many cover images. Several editions from this period featured Jim Hawkins or Long John Silver, given their key roles in the story. 

Meredith Phares
Operations Manager

My Research of Juneteenth: Understanding Emancipation Celebrations

June 18th, 2024

Over the past few years, before Juneteenth became a national holiday, KU Libraries gave employees the day off as a Day of Reflection. We used this time to reflect on what we knew and learn more about African American history, understanding the history of emancipation.

This image has the text of the title.
Official souvenir program from the 23rd annual Emancipation Celebration in Dayton, Ohio, 1923. Marcus Hamilton Papers. Call Number: RH MS 667. Click image to enlarge.

I grew up in Battle Creek, Michigan. It wasn’t as big as Detroit or Grand Rapids, but it was a large city with a number of companies that kept the city in business. Battle Creek is where the Kellogg brothers and Charles W. Post invented cereal. Those companies employed the majority of Battle Creek’s population. It is also the place where Sojourner Truth is buried.

Having this connection to the Underground Railroad where I lived, I became more interested in history.  However, we learned about emancipation only from one view. 

This image has the text of the title with a black-and-white sketch of two African American men, one standing and one down on one knee.
The front cover of Freedom to the Free: Century of Emancipation, 1863-1963, a report to the President by the U.S. Commission on Civil Rights, 1963. Call Number: RH WL C10768. Click image to enlarge.
This image has text, including a list of events such as a rodeo, ball, bowling tournament, and jazz festival plus pageants, parades, exhibits, and speakers.
A flier for the 1963 Emancipation Celebration in Wichita, Kansas. Leonard Garrett Papers. Call Number: RH MS 689. Click image to enlarge.

From junior high to college, many of my classmates were African American. I also had teachers, principals, and a high school counselor who were Black. It was only when I lived in and traveled around the country that I became aware of the lack of diversity in many communities.

This image has text.
A flier for the 1992 Juneteenth Celebration at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut. Personal Papers of Moses Gunn. Call Number: PP 463. Click image to enlarge.

Working at Spencer with our African American Experience collections, I have become more knowledgeable about history from the African American perspective.

Black ink sketch of people in a covered wagon pulled by horses with the text "Nicodemus Homecoming Celebration 1986 Participant," all against a green background.
A 1986 Homecoming Celebration ribbon from Nicodemus, Kansas. Nicodemus Historical Society Collection – Original Donations. Call Number: RH MS 545. Click image to enlarge.

When I began my research on Juneteenth, I could not find much information. A colleague mentioned that I should use “emancipation” as my search term instead. I wanted to learn the importance and history of the Juneteenth holiday. I found that emancipation celebrations were held on different days of the year in different locations. 

This image has text, primarily a list of events such as a jazz concert, dance, pancake breakfast, parade, and fashion/talent show.
A flier for the “Nicodemus 128th Emancipation Celebration and Nicodemus National Historic Site 10th Year Anniversary,” 2006. Nicodemus Historical Society Collection – Original Donations. Call Number: RH MS 545. Click image to enlarge.
Round button with a tan background, the text "Nicodemus Homecoming 2006," and a map of Kansas.
A 2006 Homecoming Celebration button from Nicodemus, Kansas. Nicodemus Historical Society Collection – Original Donations. Call Number: RH MS 545. Click image to enlarge.

With Juneteenth becoming a national holiday, I hope it is a catalyst for people understand and learn more about African American history from their perspective. Juneteenth is more than a day off work. It is a day to celebrate African American history and U.S. history to the present. 

This image has black text against a red background.
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This image has the text of "Lift Every Voice and Sing" and the order of events in the program.
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This image has text about the significance and observance of Juneteenth.
A Juneteenth Celebration program, 2008. Records of the Topeka Council of Colored Women’s Clubs. Call Number: RH MS 1289. Click image to enlarge.

Researching our collections, I was able to find many documents on emancipation. This blog post is only a small sample from our holdings.

I encourage you to visit Spencer to see and touch the historical materials housed at the library. Spencer is free and open to the public. A reference librarian can work with you to find resources on emancipation, Juneteenth, and broader African American history in Kansas. See the library’s website for more information.  

See you soon!

Meredith Phares
Operations Manager