Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.
On June 28, 1894, President Grover Cleveland signed the bill that designated the first Monday of September as a day to celebrate the workers of America known as Labor Day. Below are photographs selected from the Joseph J. Pennell Collection that feature workers in various occupations.
From the 1890s to the 1920s, Joseph J. Pennell photographed life in Junction City, Kansas, and the nearby Army base, Fort Riley. It is my belief that the strength of the collection is that Pennell wasn’t content to just stay in his studio, taking portrait photography. He went out into the community to photograph its people, businesses, activities, groups, and families. And Pennell was inclusive of community members from diverse groups, revealing a more complete representation of Junction City history. Because of his work, we are provided with a comprehensive view of life in a moderately-sized Midwestern army-post town on the Great Plains at the turn of the century.
A group of people at work in Dixon’s Laundry, 1899. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 468.5, Box 13. Click image to enlarge (redirect to Spencer’s digital collections).
Workers at a water works site, 1911. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 2339, Box 50. Click image to enlarge (redirect to Spencer’s digital collections).
Men and boys working in Counts Shoe Shop, 1915. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 2807, Box 60. Click image to enlarge (redirect to Spencer’s digital collections).
A group of men working on a road with horse and mule teams as part of the Good Roads Movement, circa 1911. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 2464.16, Box 52. Click image to enlarge (redirect to Spencer’s digital collections).
Bakers in front of Frey’s Bakery, 1900. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 507, Box 14. Click image to enlarge (redirect to Spencer’s digital collections).
Miss Crook and Miss Mickey at a telephone switchboard, 1900. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 632, Box 17. Click image to enlarge (redirect to Spencer’s digital collections).
A portrait of Alfred Londin and a friend in work clothes, 1916. Joseph Judd Pennell Photograph Collection. Call Number: RH PH Pennell, Print 2867, Box 62. Click image to enlarge (redirect to Spencer’s digital collections).
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
“First day of school! First day of school!” Nemo says excitedly in the beginning of Finding Nemo. The return to school is often an exciting time for students around the country. After a lengthy summer break, students are ready to return to the classroom with their new clothes, classroom supplies, and fancy lunch boxes. The night before, old routines are picked back up and much thought is put into the perfect first day outfit. Teachers have spent weeks preparing for the return of students, prepping to provide a safe and welcoming space for all identities.
As it is once again time for students of all ages to head back to school, I thought it would be fun to share some Lawrence Journal-World photos from 1954 and 1955. The folders containing the photos are labeled “Back to School Edition.” The Journal-World Photograph Collection consists of approximately 660 boxes that house photos ranging from the 1950s through 2001. There are about 545 boxes of negatives, and an additional 113 boxes hold physical prints. Many of the photos involving KU have been removed from the collection and re-housed within University Archives.
A boy with his schoolbooks, 1954. Lawrence Journal-World Photograph Collection. Call Number: RH PH LJW. Click image to enlarge.
A girl on the front steps, 1954. Lawrence Journal-World Photograph Collection. Call Number: RH PH LJW. Click image to enlarge.
A woman, possibly a teacher, with a book, 1955. Lawrence Journal-World Photograph Collection. Call Number: RH PH LJW. Click image to enlarge.
A woman, possibly a Lawrence School District employee, typing a budget ledger on a typewriter, 1955. Lawrence Journal-World Photograph Collection. Call Number: RH PH LJW. Click image to enlarge.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
This week on That’s Distinctive! we visit University Archives again and share some photos of Potter Lake at the University of Kansas. In 1910, the Kansas Board of Regents decided to construct a water source for in case of a fire on the north side of campus. That water source became Potter Lake, named after state senator T.M. Potter. Up until Lawrence built the public pool in 1927, the lake served as a swimming hole. According to the Historic Mount Oread Friends website, swimming, skating, and sledding have been prohibited since the 1970s. KU’s online places directory notes that “today, the lake is used as a storm water retention pond, and swimming is prohibited. Some classes and academic research occur at the site, and canoes and non-motorized boats are permitted in those instances. State fishing laws apply.”
People participating in boat races on Potter Lake, 1911. University Archives Photos. Call Number: RG 0/24/1 Potter Lake 1911 Prints: Campus: Areas and Objects (Photos). Click image to enlarge (redirect to Spencer’s digital collections).
Potter Lake drained, 1958. University Archives Photos. Call Number: RG 0/24/1 Potter Lake 1958 Prints: Campus: Areas and Objects (Photos). Click image to enlarge (redirect to Spencer’s digital collections).
A boy fishing at Potter Lake, 1970-1979. University Archives Photos. Call Number: RG 0/24/1 Potter Lake 1970s Prints: Campus: Areas and Objects (Photos). Click image to enlarge (redirect to Spencer’s digital collections).
Potter Lake, 1985. University Archives Photos. Call Number: RG 0/24/1 Potter Lake 1985 Slides: Campus: Areas and Objects (Photos). Click image to enlarge (redirect to Spencer’s digital collections).
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
This week on That’s Distinctive! we share a photo collection from the flood of 1951. The photographs were taken by U.S. Naval Air Station Olathe personnel, unit NA87-2098-7-51 (Call Number: RH PH 172). According to Kansapedia, “July 13, 1951, has been called by some Black Friday.” This is the day that historic floods swept through the Kansas River Valley. Flooding began in Manhattan and continued down to Topeka, Lawrence, and Kansas City. The Kansas River crested in Lawrence at 29.90 feet, which was 11.90 feet above flood stage. In the end, 116 towns and cities were affected with 85,000 people evacuating homes and 10,000 farms suffering damage. According to the National Weather Service, damage was estimated to cost $760 million, which would be over $5 billion today.
North Lawrence in the vicinity of the Union Pacific Railway station at the height of the flood, 1951. 1951 Flood – Lawrence and Kansas City, Kansas, Photographs. Call Number: RH PH 172. Click image to enlarge.
The bridge over the Kansas (Kaw) River looking toward North Lawrence at the height of the flood, 1951. 1951 Flood – Lawrence and Kansas City, Kansas, Photographs. Call Number: RH PH 172. Click image to enlarge.
Locust Street in North Lawrence, 1951. 1951 Flood – Lawrence and Kansas City, Kansas, Photographs. Call Number: RH PH 172. Click image to enlarge.
North Lawrence, looking south, at the crest of the flood, 1951. 1951 Flood – Lawrence and Kansas City, Kansas, Photographs. Call Number: RH PH 172. Click image to enlarge.
The library houses many collections that share local history. Search our finding aids to see what we have.
More images of the flood can be found in person within other collections at Spencer or online through the Watkins Museum of History website.
Becoming the Ringle Conservation Intern has been an incredible learning experience both on its own and as an expansion of the work I have been fortunate enough to do during my two years as a student employee at the Kenneth Spencer Research Library Conservation Lab. Since September of 2022, I have assessed, lightly cleaned, and re-housed over 900 individual glass plate negatives, and at least 100 flexible negatives, taken by the George Cornish Studio (based in Arkansas City, Kansas) between 1890 and 1945. With the guidance of Marcella Huggard, Charissa Pincock, Whitney Baker, and Roberta Woodrick, I have contributed 833 entries to the ongoing finding aid that include the subject of the photo (if identifiable) and the condition of each plate. My hope is that, when the collection is complete with its partner collection (the Hannah Scott Collection), history and photo enthusiasts will be able to enjoy the wide range of portraiture, landscape, and urban life photography contained within the collection.
Creating a spreadsheet with information about the negatives in the Cornish Studio collection.
The Ringle project began with a massive shifting project. Roberta Woodrick, Grace Awbrey, Hannah Johnson, Rory Sweedler, Sarah Jane Dahms, and I moved the Cornish, Scott, and several other glass plate negative collections in advance of the heating, ventilation, and air conditioning (HVAC) updates in the stacks. During this shifting, we saw how both age and the heat from the old furnace, located under the floor where the glass plates had been held, had affected the collections. There were clear indicators that re-housing these collections was necessary. On some glass plates there was flaking emulsion and discoloration, and some flexible negatives were experiencing “vinegar syndrome” (the strong smell of deteriorating acetate film) and leaving liquid residue on the shelves (from the chemical separation of the emulsion on the plastic).
Glass plate negatives from the Cornish Studio collection housed in boxes in the stacks.
Flaking emulsion on one glass plate negative in the Cornish Studio Collection.
The Cornish Studio was located in Arkansas City, Kansas, 8 miles north of Chilocco, Oklahoma, where the Chilocco Indian School operated, and about 200 miles southwest of Lawrence. The studio was opened by George Cornish in 1905 and was run jointly from 1912 onward by Cornish and his assistant Edith Berrouth (to whom he would leave the practice in 1946 after his death.) In 1993, attorney Otis Morrow, whose practice was in the building that had once been Cornish’s studio, donated the 8 boxes of glass plates, photo registrars, and even George Cornish’s autobiography of running the studio (called “My Life on Fifth Avenue”) to the Kenneth Spencer Research Library. (More about the history of the collection can be found at the Collections Overview.)
Many of the glass plates in the Cornish collection have some degree of damage – they’ve existed through a wide range of temperature and humidity fluctuations – but at over 100 years old for many of them, they generally look remarkably good. The subjects in the photos are almost all visible, and the excitement on their faces in these century old photographs endures. It’s clear that the people who went to the Cornish Studio for their portraits, or for the portraits of their young children (babies make up a significant portion of the plates from the 1910s-20s), were happy to have the opportunity to have their photos taken. They couldn’t have known that their likeness would be preserved for longer than them, but I like to think it would make them happy to know their investment in a photograph might provide returns to scholars today.
Negative and reversed positive image of Letha Thomas and baby, circa 1919, Cornish Studio Collection.
Before me, several Ringle interns worked on an impressive collection of projects over timespans of six weeks to three months. So far, I have been working with the Cornish Collection for nine months and will continue to do so for another two. Having almost a full year has been immensely valuable – each plate must be placed individually into a four-fold wrapper before being re-housed in boxes, and many plates between 1917 and 1930 have subjects that could be researched (which I did, especially when there might be the opportunity to identify the women in couples’ portraits who were usually identified as Mrs. (Man’s Name.)). Having now completed the 5 x 7 plates, I continue to work on the 8 x 10 plates which represent a shift from traditional studio portraiture and into street scenes in Ark City and the surrounding area. These images, and this collection, offer a valuable slice-of-life view of Southwest Kansas across a period of American history with rapid changes.
Cornish Studio ledgers that record information about some of the subjects featured on the negatives in the collection.
