Kenneth Spencer Research Library

Spencer Research Library and the Gordon Parks Center have collaborated to create a pop-up display and small exhibition on the life, journey, and friendship of Gordon Parks and Langston Hughes.

The Gordon Parks Center in Fort Scott, with support from Humanities Kansas, curated an exhibition in 2023 exploring the connections between these two Kansas artistic luminaries and their local connections to the state.

This collaborative effort is inspired in part by a call by the Association for the Study of African American Life and History (ASALH) to highlight “African Americans and the Arts” in 2024. Working across collections and institutions, we have an opportunity to take a closer look at the varied histories and lives of African American artists.

Oftentimes, when we think of Black artistic movements, we often think of the Harlem Renaissance of the 1920s or the Black Arts Movement of the 1960s and 1970s. What is easy to overlook is the strong Kansas connection to both movements. Likewise, when we think of Kansas art and artists, it is easy to think of pastoral landscapes that capture the natural beauty of the prairie landscape and poetic descriptions of wildflowers and controlled burns. The linking of Kansas artists to these larger artistic movements that give rise to underrepresented voices in the world of arts and letters is not always so apparent. One of the most famous artists of the state is John Steuart Curry, the hand behind the Tragic Prelude mural painted in the rotunda of the capitol building in Topeka. But, did you know that another work by Curry, The Fugitive, was featured in an exhibition titled An Art Commentary on Lynching in 1935? Of the 38 artists whose work was included in the New York exhibition, Curry’s work was used on the cover of the exhibition catalog, designed to bring attention to the need for a nationwide anti-lynching law.

Two of the most recognized artists of the Harlem Renaissance and Black Arts Movement have roots in Kansas. This is no coincidence. Kansas in the early 20th century fostered a certain creative intelligence in these young men that would translate to and be understood by a large audience. Both Hughes and Parks grew up in working class families. Langston Hughes was born in Joplin, Missouri, just across the state line from Baxter Springs, Kansas. Before his first birthday, he was living between Topeka and Lawrence. Locally, he attended Pinckney School and lived on Alabama Street in West Lawrence (now referred to as Old West Lawrence). He worked for a time as a newsie, selling the Saturday Evening Post and briefly the Appeal to Reason, a socialist newspaper published out of Girard, Kansas. He stopped delivering the Appeal after being told by the local editor of the former that the latter would get him into trouble. His introduction to the social issues discussed in the Appeal would shape a sense of solidarity with working class folks. Fifty miles away from Hughes’ birthplace is the childhood home of Gordon Parks, born in Fort Scott, Kansas, where his father was a tenant farmer. While Hughes was an only child, Parks was the youngest of fifteen.

Both Parks’ and Hughes’ earliest writings were inspired by memories of their Kansas childhoods and drew upon stories about people they knew. Hughes’ first novel, Not Without Laughter, is based on his upbringing in Lawrence. In his first autobiography, The Big Sea, he reflected on the ideas that would become Not Without Laughter. He wanted to write about a typical Black family in the Midwest and about people he had known in Kansas. Yet, he felt like his family and upbringing was not typical. “I gave myself aunts that I didn’t have, modeled after other children’s aunts whom I had known,” Hughes wrote. “But I put in a real cyclone that had blown my grandmother’s front porch away.”

Parks drew on his own childhood while writing his first novel, The Learning Tree. Though set in the fictional town of Cherokee Flats with fictional characters, it closely resembled Fort Scott. When Parks later directed a film based on the story, he shot it on location in Fort Scott.

Kansas was not without racial bigotry. Both Hughes and Parks talked openly about being the subject of ridicule and name-calling and feeling fearful of violence. Despite the unpleasant realities faced during their childhoods, Kansas remained an important part of their lives. In Half Past Autumn, a retrospective of Parks’ work, he calls the state his touchstone:

“I looked back to the heaven and hell of Kansas and asked some questions…My memories gave me some straight talk. The important thing is not so much what you suffered or didn’t suffer, but how you put that learning to use.”

“There had been infinitely beautiful things to celebrate – golden twilights, dawns, rivers aglow in sunlight, moons climbing over Poppa’s barns, orange autumns, trees bending under storms and silent snow. But marring the beauty was the graveyard where, even in death, whites lay rigidly from Blacks. Twenty-odd years had passed when, with these things lying in my memory, I returned to Kansas and went by horseback to lock them firmly with my camera. Spring was wrapped around the prairies. Nothing much has changed – certainly not the graveyard.”

Langston Hughes returned to visit Lawrence after many years as well. Later in life, he was invited to speak at the University of Kansas, which he had visited as a small child. During one of his return visits, Hughes donated a collection of personal books and manuscripts to KU Libraries.

Throughout this summer, Spencer Library will feature a panel-display exhibit from the Gordon Parks Center accompanied with archival materials from the Kansas Collection to tell the stories of Langston Hughes and Gordon Parks and show the impact of their time growing up in Kansas on their life and careers. Their cultural expression through visual art, performing arts, literature, films, and music preserves our history, retells our stories for the next generation, and inspires our futures.

The exhibition will be on display through August 17, 2024, in the reception area of Spencer Research Library. The library and exhibit are free and open to everyone. You can visit our website to plan your visit.

Phil Cunningham
Kansas Collection Curator

Over the past few years, before Juneteenth became a national holiday, KU Libraries gave employees the day off as a Day of Reflection. We used this time to reflect on what we knew and learn more about African American history, understanding the history of emancipation.

I grew up in Battle Creek, Michigan. It wasn’t as big as Detroit or Grand Rapids, but it was a large city with a number of companies that kept the city in business. Battle Creek is where the Kellogg brothers and Charles W. Post invented cereal. Those companies employed the majority of Battle Creek’s population. It is also the place where Sojourner Truth is buried.

Having this connection to the Underground Railroad where I lived, I became more interested in history.  However, we learned about emancipation only from one view. 

From junior high to college, many of my classmates were African American. I also had teachers, principals, and a high school counselor who were Black. It was only when I lived in and traveled around the country that I became aware of the lack of diversity in many communities.

Working at Spencer with our African American Experience collections, I have become more knowledgeable about history from the African American perspective.

When I began my research on Juneteenth, I could not find much information. A colleague mentioned that I should use “emancipation” as my search term instead. I wanted to learn the importance and history of the Juneteenth holiday. I found that emancipation celebrations were held on different days of the year in different locations. 

With Juneteenth becoming a national holiday, I hope it is a catalyst for people understand and learn more about African American history from their perspective. Juneteenth is more than a day off work. It is a day to celebrate African American history and U.S. history to the present. 

Researching our collections, I was able to find many documents on emancipation. This blog post is only a small sample from our holdings.

I encourage you to visit Spencer to see and touch the historical materials housed at the library. Spencer is free and open to the public. A reference librarian can work with you to find resources on emancipation, Juneteenth, and broader African American history in Kansas. See the library’s website for more information.  

See you soon!

Meredith Phares
Operations Manager

The Todd Family Photographs collection consists of thirty-seven photographic reproductions donated by Loretta Estelle Carraher. They depict three generations of her family, the Todds.

After they were freed from enslavement to a family in Platte County, Missouri, Adam and America Todd moved to Kansas with the Payne family, also freed from slavery. They raised six children, settling first in Leavenworth and then moving to Oskaloosa. Adam Todd died at the age of 98. America Todd died in 1920.

Below are a few images from the collection for you to enjoy.

Kathy Lafferty
Public Services

Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.

This week on That’s Distinctive! we highlight a book from Special Collections titled Homespun Heroines and Other Women of Distinction by Hallie Q. Brown. The book, published in 1926, highlights notable African American women of the nineteenth and early twentieth centuries by, in the words of a Google Books summary, telling the stories of “[enslaved people] and social workers, artists and activists, cake makers and homemakers.” In so doing, it offers “unusual insight into female networks, patterns of voluntary association, work, religion, family life, and Black women’s culture.” The book highlights many notable figures such as Harriet Tubman, Sojourner Truth, Dinah Cox, Matilda J. Dunbar, and Martha Payne (mother of Daniel Alexander Payne).

According to Britannica, author Hallie Q. Brown was an

“American educator and elocutionist who pioneered in the movement for African American women’s clubs in the United States. In 1893 Brown was a principal promoter of the organization of the Colored Woman’s League of Washington, D.C., which the next year joined other groups to form the National Association of Colored Women. In 1893 she was appointed professor of elocution at Wilberforce University, but her teaching duties were limited by her frequent and extensive lecture tours, notably in Europe in 1894–99. Her lectures on African American life in the United States and on temperance were especially popular in Great Britain, where she appeared twice before Queen Victoria. She was a speaker at the 1895 convention of the World’s Woman’s Christian Temperance Union in London and a representative of the United States at the International Congress of Women there in 1899. Browns other works include Bits and Odds: A Choice Selection of Recitations (1880) and First Lessons in Public Speaking (1920).”

Homespun Heroines and Other Women of Distinction is a part of the Howey Collection within Special Collections at Spencer Research Library. The Howey Collection houses many books that originate from the Gerritsen Collection. Spencer’s copy of this volume originally came from the library of physician and women’s activist Aletta Jacobs (1854-1929) and her husband C. V. Gerritsen, who collected books, pamphlets, and other materials on women’s issues. Acquired by the John Crerar Library of Chicago in 1903, the Gerritsen collection was purchased with other Crerar Library materials by the University of Kansas in 1954. The collection was microfilmed and is now available digitally through subscription to libraries worldwide.

A digital copy of the book can be found at Documenting the American South, or the library’s physical copy can be viewed in the Reading Room, Monday through Friday between 10am and 4pm.

Tiffany McIntosh
Public Services

The Association for the Study of African American Life and History (ASALH) founded the annual February celebration of Black History in 1926 and has identified “Black Health and Wellness” as the theme for 2022.

Until the 1960s, Black physicians and nurses in the United States were denied access to most hospitals, while Black patients were either not accepted or relegated to inferior, segregated areas in hospitals. From Spencer’s African American Experience Collections, I selected images and a few printed items to highlight the Greater Kansas City Black Community’s pioneering effort to defy “Jim Crow” practices by establishing the nation’s first Black community owned and operated hospital west of the Mississippi. It was also the region’s first modern hospital to welcome all patients equally regardless of their “race.”  

Organized by Black physicians and community leaders from Kansas City, Kansas (KCK), and Kansas City, Missouri (KCMO), Douglass Hospital opened its doors in December 1898 under the temporary supervision of Nurse Miss A.D. Richardson from Provident Hospital in Chicago. The building previously housed a white Protestant hospital. Fully equipped, it provided ten beds for patients on the first floor and a nurse’s quarters on the second floor. In 1901, the hospital’s first Nursing School exercise convened at First AME Church in KCK and its Nurse Commencement at the Second Baptist Church in KCMO.             

Dr. Thompson, the leading founder of Douglass Hospital, was the eldest of thirteen children born to Mr. Jasper and Mrs. Dolly Thompson in West Virginia. He earned his undergraduate degree from Storer College in Harper’s Ferry, West Virginia, and a medical degree from Howard University Medical School in Washington, D.C.  After an internship in surgery at Freedmen’s Hospital in D.C., he moved to Kansas City, Kansas, where he developed a thriving private practice. He also served as the head of Douglass until he retired from practicing medicine in 1946.  

A native of Saline County in Missouri, Mr. Isaac Franklin Bradley was a co-founder and devoted community advocate for Douglass Hospital. After earning a bachelor of law degree from the University of Kansas in 1877, he moved to Kansas City, Kansas, where he established an active private law practice and served as the City’s Justice of the Peace (1889-1891) and the First Assistant County Attorney (1894-1898). Dedicated to Black collective advancement, Mr. Bradley engaged in a variety of community business enterprises, served as a charter member of the 1905 Niagara Movement (the predecessor of the NAACP), co-founded KCK’s Negro Civic League, and owned/edited the Wyandotte Echo newspaper.

(Douglass Hospital co-founder Dr. Thomas C. Unthank (1866-1932) in Kansas City, Missouri, also pioneered the development of General Hospital #2 in Kansas City, Missouri, the first Black Municipal Hospital in the United States in 1911.)   

Once up and running, Douglass Hospital sparked the development of a nearby Black community owned and operated “medical” building.

More than 6,000 people, Black and white, attended this Douglass Hospital fundraising event in Kansas City, Missouri’s Convention Hall to hear Booker T. Washington’s lecture. A year earlier, the hospital’s volunteer governing board and medical staff decided to move under the administration of the African Methodist Episcopal Church’s Fifth District led by Bishop Abraham Grant in response to the increasing costs and administrative needs required to maintain a modern hospital.  After this event, Douglass paid its debts and enlarged its facility, as seen in this photo:

By 1915, the Douglass Hospital Nurse Training School was incorporated into the curriculum at Western University in Kansas City, Kansas.

To meet the hospital’s increasing number of patients, the Greater Kansas Black community organized a fundraising drive that led to the purchase of the former Edgerton Estate. The two-story, fifteen-room residence enabled the hospital to increase its capacity to twenty-five patients with two more small buildings for meetings and events. Douglass Hospital convened public programs during annual Negro Health Week in April and sponsored free clinics for ear, nose, and throat exams and sessions on medical care for babies. 

Douglass Hospital nurses delivered the ongoing care for patients, organized outreach activities, and managed the hospital’s ongoing need for more medical supplies.

During the 1930s the hospital experienced a steep decline in patients, staff, and funding. After graduating forty-three nurses during the last three decades, the Douglass Hospital Training School closed in 1937. However, with support from the Black and white Greater Kansas City communities and funding from the Federal government’s Hill-Burton Act for hospitals in 1945, Douglass renovated a three-story building on the former Western University campus to accommodate a fifty-bed hospital that included a bloodbank, lab, and obstetrics unit. On the building’s ground floor, visitors were welcomed in a spacious reception area.    

By 1954, desegregation practices in Greater Kansas City’s white hospitals eventually forced Douglass to close its doors in 1977. Afterwards, the hospital’s last building was torn down and its records lost.

Deborah Dandridge
Field Archivist/Curator, African American Experience Collections
Kansas Collection