Kenneth Spencer Research Library

We are periodically sharing some of the materials that are featured in Spencer Research Library’s North Gallery permanent exhibit. We hope you’ll be able to visit the library and explore the full exhibit in person! This week’s post highlights materials documenting the history of Sumner High School in Kansas City, Kansas. The Sumner collection is part of the African American Experience Collections within the Kansas Collection.

Established in 1905 in response to the threat of racial violence and a decades long effort to exclude African Americans from the city’s high school, Sumner High School was created by exempting Kansas City, Kansas, from the state law prohibiting racially segregated high schools. However, the local African American community resisted further efforts to further diminish their children’s opportunities to achieve academic excellence. Their relentless push for the school’s curriculum to emphasize college preparation earned Sumner High School’s membership in the prestigious North Central Association of Secondary Schools by 1914. Under a federally mandated plan for racial integration, Sumner closed in 1978.

Due to the Covid-19 pandemic, the 2020 national convention of the Sumner High School Alumni Association of Kansas City, Kansas, has been postponed until next year. In anticipation of the convention – and in honor of the new school year – here are a few highlights from the Sumner High School Alumni Association of Kansas City, Kansas, Collection, established in 1986. Additional donations of materials are welcomed.

The film clips below show various aspects of Sumner High School. The first features scenes from a football game in 1931. The second clip, from the 1940s, introduces viewers to the new building, the principal, and staff members; it also shows students arriving for school. There’s no need to turn up the volume on your computer or phone; neither clip has any sound.

See Spencer’s online exhibit “Education: The Mightiest Weapon” to learn more about the active role African Americans in Kansas played in our nation’s past struggle with laws and practices of racial segregation in public schools.

Deborah Dandridge
Field Archivist/Curator, African American Experience Collections
Kansas Collection

I love ice cream. I’ve very rarely screamed for it, but I may occasionally feel the urge! There are many flavors I like, including matcha and mint chocolate chip, though I feel there is something special about a good vanilla or my absolute favorite…homemade peach ice cream. Ice cream flavors are also a great thing to disagree about. You can have a very satisfying argument about which flavor is best (or at least rank them) knowing that it doesn’t really matter. It is a treat, it is satisfying, it is not particularly healthy, and it has a special quality of nostalgia for me.

I remember getting together with family on the Fourth of July, playing all day, eating too many hot dogs/burgers/potluck/picnic food of all sorts, then finding the room to try three or four different flavors of homemade ice cream while sitting back and watching the fireworks. The sound of the churns were a persistent whine accompanying the conversation and bangs going on through the day.

No doubt such shared smiles and remembrances led to the naming of July as National Ice Cream Month.

Ice cream can be found in our collections as well. I mean…not literally. That would be a nightmare for archival control. Instead there are pictures of people working on the apparatus of ice cream making, gathering socially around ice cream, or even making a buck going back quite a while!

So when the urge for ice cream strikes, indulge, at least a little.

Shelby Schellenger
Reference Coordinator

The Association for the Study of African American Life and History (ASALH) founded the annual February celebration of Black History in 1926 and has identified Black Migrations as the theme for 2019. To demonstrate African American migration in the United States, I chose the Anthony Scott family papers from Spencer’s African American Experience Collections. The papers tell the story of the migration experiences of two families who lived in or came to Kansas.

Anthony Scott was born in Kentucky in 1846. He and his wife Anna had five children: James, Thomas, Elder, Mary, and Alvin. In 1880, Anthony and Anna moved their family from Kentucky to Topeka, Kansas.

Anthony and Anna Scott in Topeka, 1895. Anthony Scott Family Papers.
Call Number: RH MS 676. Click image to enlarge.

A bill of sale for a home on Taylor Street in Topeka purchased by Anthony and Anna Scott, 1901.
Anthony Scott Family Papers. Call Number: RH MS 676. Click image to enlarge.

James, the eldest son of the Scott family, staked out land and established a homestead in the Cherokee Outlet (now part of Oklahoma) in 1890. However, shortly after the turn of the century James returned to Topeka, where he met Lenetta Brasfield. They married on August 18, 1903. The couple had seven children: James Jr., Luther, Raymond, George, Charles, Bessie, and Thelma. Around the same time, Thomas Scott, James’s brother, moved to Chicago.

James Scott’s ranch in Oklahoma, circa 1895. Anthony Scott Family Papers.
Call Number: RH MS 676. Click image to enlarge.

Lenetta Scott with sons George and Luther outside the family’s home in Topeka, 1915.
Anthony Scott Family Papers. Call Number: RH MS 676. Click image to enlarge.

In 1919, James Scott purchased an insurance policy for a Chandler touring car. The Scotts used this car on their thirteen-day journey from Topeka to Los Angeles later that same year.

James Scott’s insurance policy for the Chandler touring car, 1919.
Anthony Scott Family Papers. Call Number: RH MS 676. Click image to enlarge.

The James H. Scott family, 1919. Front row, left to right: Lenetta Scott, Bessie Scott,
Amanda Adkins, Raymond Scott, George Scott, Luther Scott, Thelma Scott,
James Scott Jr., Erma Scott, and James H. Scott; people in the car unknown.
Anthony Scott Family Papers. Call Number: RH MS 676. Click image to enlarge.

James Scott’s California registration for a 1920 Chandler touring car, 1924.
Anthony Scott Family Papers. Call Number: RH MS 676. Click image to enlarge.

The James Scott family settled in the Boyle Heights neighborhood of Los Angeles upon their arrival in 1919 and lived at the same address until 1962.

The Scott family home in Los Angeles, 1950. Anthony Scott Family Papers.
Call Number: RH MS 676. Click image to enlarge.

Thelma Scott – the youngest daughter of James and Lenetta Scott – met her husband, Grant D. Venerable, in Los Angeles. Mr. Venerable (pictured with the family below) was born in Jackson, Missouri, in 1905. He became the first African American to graduate from the California Institute of Technology in 1932. Grant D. Venerable’s older sister Neosho once lived in Lawrence; she graduated from the University of Kansas in 1914.

The James H. Scott family dinner session of the Kansas Club in the Venerable home, 1946.
Front row, left to right: Elizabeth (Pettus) Moore, James Scott, and Lenetta Scott.
Back row, left to right: Thomas Moore, Erma (Scott) Moore, Mildred Moore,
Thomas Moore Jr., unknown, Thelma (Scott) Venerable, and Grant Venerable.
Anthony Scott Family Papers. Call Number: RH MS 676. Click image to enlarge.

Mr. and Mrs. Venerable had three children: Delbert (Grant D. Venerable II), Lynda, and Lloyd.

Thelma (Scott) Venerable and Delbert Venerable in California, 1944.
Anthony Scott Family Papers. Call Number: RH MS 676. Click image to enlarge.

Delbert Venerable, son of Grant D. Venerable and great-grandson of Anthony Scott, graduated from the University of California, Los Angeles in 1965. He went on to receive his Ph.D. in physical chemistry from the University of Chicago in 1970. He was awarded the United States Atomic Energy Commission Fellowship for his research into radiation biology. He taught chemistry in both high schools and universities in the 1970s and went on to work in Silicon Valley as a systems scientist in the 1980s. From 1992 to 1999 he was the CEO of Venteck Software Inc.

Dr. Venerable became a part of the development of a new field of study combining science, history, and ethnic studies. He continued in the 1990s to maintain positions of administration or professorship at various universities. His publications have included books, scientific paintings, academic articles, and editorials.

The Scott and Venerable families illustrate the importance of migration as a major theme in the African American historical experience.

Elaine Kelley
African American Experience Student Assistant

In order to make manuscript collections available to researchers, we have to describe what we have so they know whether it is of interest or not. Typically archival description provides information about what is in the collection itself, as well as some contextual information to aid researchers in understanding more about why materials may be in the collection—a biographical note or administrative history of the creator of the collection, for example, or information about how Spencer acquired the collection. This additional information may come from the collection itself—the creator handily leaves a copy of their resume in their files, or the organization has created annual reports that provide some historical information about them. It can also come from external sources, such as websites and materials the creator and/or donor provided the curator when transferring the collection to Spencer, including notes the curator took when discussing the collection with the donor.

Sometimes, particularly with photographic collections that have little to no textual material donated with them, processing staff have very little to go on when creating a finding aid to help researchers. Take, for example, a collection of cabinet cards and tintypes that had been assembled into a photograph album. These photographic images are beautiful, posed portraits of African Americans in late 19th-century eastern Kansas—but we have very little external information about these images. We’re not even sure how we acquired this collection, or the story behind the creation of the photograph album. If any portrait is identified with a name, it’s hidden on the back, and we haven’t taken the album page package apart, even if the album overall was disbound due to its severe deterioration.

Family group, circa 1890s? African American Photograph Collection.
Call Number: RH PH 531. Click image to enlarge.

In this kind of situation, we provide what information we can. We can describe simply at the collection-level, or we can attempt to describe at the file or individual item level, but those descriptions will necessarily be generic: “Tintype of a soldier in a Civil War-era uniform.”

Tintype of a soldier in a Civil War-era
uniform, circa 1880-1900.
African American Photograph Collection.
Call Number: RH PH 531. Click image to enlarge

We can also provide rough date estimates for when the portraits were made, based upon the clothing worn by the sitters and upon the photographic processes used.

This woman’s overskirt—draped at the back of her dress
helping to create a bustle—tightly-fitted sleeves with cuffs,
and fitted basque-type bodice all indicate her photograph
was probably taken around the mid-1880s. African American Photograph Collection.
Call Number: RH PH 531. Click image to enlarge.

Photographers’ names, often provided on the bottom of cabinet cards and cartes de visite—think about watermarks on professionally-made digital photographs in the 21st century—also provide clues about where and when a collection is from. The photographers found in this collection mostly appear to come from Topeka, Kansas, with some also from Atchison, Lawrence, and perhaps other towns in the eastern part of the state.

The text under the image indicates it was taken by F. F. Mettner,
photographer of Lawrence, Kansas. Also notice the girl’s giant
leg o’mutton sleeves; this style was quite popular in the mid-1890s.
African American Photograph Collection. Call Number: RH PH 531. Click image to enlarge.

There are many decisions that go into processing a collection like this: Do we take apart the individual album pages to see if we can find more identifying information? Do we leave as is because this was how the images were intended to be seen (and who knows if anybody wrote anything on the back anyway)? Do we describe at a detailed level when we cannot provide names, or are we content with providing a simple collection-level description and hope that researchers are able to realize there may be a treasure trove from that collective description?

Who is this gentleman? If we knew his name,
what other information could it provide?
African American Photograph Collection.
Call Number: RH PH 531. Click image to enlarge.

No matter what we choose to do, archival description cannot capture the beauty of the women’s and children’s dresses and men’s suits—the sitters no doubt wearing their Sunday finest—the personalities that peek through even these stiffly posed studio portraits, the stories that may be hiding in the pictures themselves.

Portrait of an unknown woman, circa 1880-1900.
Marcella is especially fond of this photograph.
African American Photograph Collection.
Call Number: RH PH 531. Click image to enlarge.

If you have any information about any of these images, or others in the collection, we would be happy to add that information to the finding aid. To request to use the collection, contact Public Services staff at ksrlref@ku.edu. To provide more information about the collection, please also contact our African American Experience field archivist, Deborah Dandridge, at ddandrid@ku.edu.

Marcella Huggard
Manuscript Processing Coordinator

Each week we’ll be posting a photograph from University Archives that shows a scene from KU’s past. We’ve also scanned more than 33,500 images from KU’s University Archives and made them available online; be sure to check them out!

KU athletes Wilt Chamberlain and John Traylor, December 1955.
Lawrence Journal-World Photo Collection, University Archives Photos.
Call Number: RG LJW 66/13 Chamberlain, Wilt: Athletic Department: Basketball:
Players (Photos). Click image to enlarge (redirect to Spencer’s digital collections).

This photograph appeared in the Lawrence Journal-World on Monday, December 19, 1955. The caption read as follows:

Two Reasons for the Party’s Success

Saturday afternoon’s Christmas party for about 30 youngsters at the Leavenworth Guardian Angel Home, a Catholic-operated orphan institution, was a raging success primarily because of the appearance of seven-foot Wilt Chamberlain, K. U. freshman basketball star, and John Traylor, 155-pound sophomore halfback for the 1955 Jayhawker football team. Basil Green, Lawrence contractor, planned the party and presented the kiddies with gifts, as well as arranging for the Kansas athletes to be on hand to present the group with some athletic gear. Left to right here are six-year-old Eddie Penrice, Chamberlain, Traylor, and four-year-old Paul Wiley. The youngsters were quick to befriend the two distinguished visitors and soon were bombarding them with all sorts of questions.

According to Lyanne Candy Ruff’s dissertation, Thrown on the Cold Charity of the World: Kansas Cares for Its Orphans, 1859-1919, the Guardian Angel Home was the oldest Catholic orphanage for African American children west of the Mississippi River (pp. 189-208).

You can see additional pictures of Wilt Chamberlain and John Traylor at the Guardian Angel Home Christmas party via Spencer’s online collection of University Archives photographs.

Caitlin Donnelly
Head of Public Services

Melissa Kleinschmidt and Abbey Ulrich
Public Services Student Assistants