Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.
Each week we’ll be posting a photograph from University Archives that shows a scene from KU’s past. We’ve also scanned more than 34,800 images from KU’s University Archives and made them available online; be sure to check them out!
We’re ready to cheer on the Jayhawks in this year’s NCAA men’s basketball tournament!
KU cheerleaders clap and cheer at a men’s basketball game against Kansas State University, 1958-1959. University Archives Photos. Call Number: RG 66/13 1958/1959 Games: Kansas State University: Athletic Department: Basketball (Photos). Click image to enlarge (redirect to Spencer’s digital collections).
In honor of St. Patrick’s Day, this week we are highlighting KU’s participation in Beyond 2022: Ireland’s Virtual Record Treasury. On June 30, 1922, in the midst of the Irish Civil War, the Public Record Office of Ireland (PROI) was destroyed by an explosion and fire at the Four Courts in Dublin. As the Beyond 2022 website explains, seven centuries’ worth of Ireland’s historical records were lost in this fire.
To overcome this harm to “Ireland’s collective memory,” Beyond 2022 is undertaking an international collaboration to digitize copies of records held across Ireland, Northern Ireland, and beyond in order to launch a “Virtual Record Treasury for Irish history—an open-access, virtual reconstruction of the Record Treasury destroyed in 1922.” One particularly exciting aspect of the initiative is its work with Transkribus to employ HTR (Handwritten Text Recognition) to automate the transcription of manuscript records.
Beyond 2022: Ireland’s Virtual Record Treasury. A short video about Beyond 2022, explaining the project. Video available at https://beyond2022.ie/?page_id=171#videos. Photo Credits: UCD Archives; National Archives of Ireland; Irish Architectural Archive; NoHo; Trinity College Dublin; ADAPT Centre.
To assist in this ambitious effort, Spencer Research Library is digitizing several manuscripts from its collections that Beyond 2022 has identified as pertinent to its treasury. These manuscripts bearing on Irish history include volumes containing civil and military establishments for late 17th and early 18th century Ireland (MSD88, MS B86, and MS A42), a “Galtrim Parish tithe composition book,” Co. Meath, 1825 (MS P403A), and a volume containing “Copies of informations &c taken in Dunfanaghy Petty Sessions district, County Donegal,” 1863-1901 (MS E109). Such manuscripts are the types of records that might have once been held in the Public Record Office of Ireland (PROI).
Of these, MS E109 is particularly intriguing. The manuscript volume contains copies of depositions, informations, statements, and declarations of complainants, witnesses, and occasionally defendants taken between 1863 and 1901 in the Dunfanaghy Petty Sessions district of Co. Donegal, a county in the northwest of Ireland bordering the Atlantic ocean. Petty Sessions were “courts held by the justices of the peace to try minor criminal offences summarily—i.e. without a jury.”[i] More serious cases would also be referred to other court proceedings, such as quarter sessions and assizes. (For a brief overview of the legal system in Ireland during the 19th century, visit the “History of the Law in Ireland” page on the website of The Courts Service of Ireland.)
Manuscripts such as the Dunfanaghy Petty Sessions district copy book can be particularly interesting to historians and genealogists alike because they offer views of the experiences and conditions of individuals for whom other types of written evidence may not exist or survive. For example, a significant number of those providing sworn informations and depositions in the Dunfanaghy copy book are recorded as having signed with their mark—the x or symbol that individuals unable to write would use in place of their signature. Such individuals are unlikely to have left other written documentation of their lives, such as letters or diaries, so their statements (though filtered through the clerk’s transcription) may be all that survives of their voices. Of course, it is worth remembering that a volume like the copy book for the Dunfanaghy Petty Sessions district isn’t necessarily capturing everyday life, but the experiences of individuals—whether complainants/victims, defendants, or witnesses—as their lives intersect with the legal system and crime.
Details from the sworn “informations” of James Gallagher (Item 5) and James Lindsay (Item 6) concerning the theft of clothes hanging in their respective gardens in December of 1863. The notations in the copy book suggest that Gallagher (left) signed with his mark, whereas Lindsay (right) used a signature. “Copies of Informations &c taken in Dunfanaghy Petty Sessions district, County Donegal.” Dunfanaghy, copybook, 1863-1901. Call #: MS E109. Click here to see the full page containing the sworn information of both Gallagher and Lindsay.
The types of offenses recorded in the copy book include fights, theft (of clothes, of oats, of horses, sheep, and cattle, etc.), unlicensed guns, misappropriation of letters, threats of violence, and resisting the bailiff’s confiscation of a horse, to name a few. Occasionally the volume also contains accounts of more serious and violent crimes, such as assault and battery, murder, and rape. The witness and complainant statements for these matters can be quite harrowing to read. These cases would be referred to the assizes, the courts where the most serious offences (felonies) were addressed.
Several sworn statements offer glimpses into some of the difficult conditions of the lives of women. One example involves the case of Mary McBride, who in the spring of 1871 is accused of the concealment of the birth of a child. The sworn informations associated her case can be challenging to read, not only because of the difficult subject matter, but also because they make reference to no fewer than three Mary McBrides: 1) the woman who gave birth (sometimes referred to as Mary McBride junior); 2) that woman’s mother (Mary McBride senior); and 3) Mary McBride junior’s sister-in-law (Mary McBride, wife to Michael McBride). However, it is worth pushing through the confusion that the shared names might pose since the content of the statements is likely to hold much interest for researchers in the field of women’s history; women, gender, and sexuality studies; and the law.
Detail showing the beginning of Item 76, the sworn information taken on May 27, 1871 of Mary McBride (wife to Michael McBride) concerning her sister-in-law Mary McBride (junior), who is charged with concealing the birth of her child. From: “Copies of Informations &c taken in Dunfanaghy Petty Sessions district, County Donegal.” Dunfanaghy, copy book, 1863-1901. Call #: MS E109. Click image to see full page.
Though most of the cases are non-political, a few have a larger political valence. One notable instance relates to William Harkin of Creeslough, who is accused of inciting a meeting (which some witnesses referred to as a Land League meeting) to violence. The Land League was political agrarian organization that campaigned against landlordism and its more predatory practices, seeking rights for farmer tenants, such as fair rents, rights to sale of occupancy, and security of tenure. The date of the incident recorded in the Dunfanaghy copy book, July 11, 1881, falls during a period of heightened agrarian agitation referred to as the Land War, and indeed, later that year, the Land League would be suppressed and several of its national leaders, including Michael Davitt and Charles Stewart Parnell, jailed. The Dunfanaghy copy book contains witness statements of three members of the Royal Irish Constabulary against Harkin. Constable Joseph Lougheed’s brief deposition reports, “In [Harkin’s] address or in the concluding words of it, he said ‘have no mercy on Landlords. Kill them, send them out of the country into Boersland.[’],” although he also notes, “When the word kill was used some voices in the meeting said, ‘no-no.’” News of the charges against Harkin reached as far as New South Wales, where Sydney’s TheFreeman’s Journal reported on it a month and a half later as part of a section on the Land War, under the heading “A Land League Secretary Charged With Inciting to Murder.”[ii] The depositions surrounding Harkin’s case may appeal to students and scholars studying Irish nationalism, reform movements, and agricultural history alike.
Detail from Constable Joseph Lougheed’s deposition regarding William Harkin (Item 141). From “Copies of Informations &c taken in Dunfanaghy Petty Sessions district, County Donegal.” Dunfanaghy, copy book, 1863-1901. Call #: MS E109. Click image to see full page.
In the coming months, the five selected manuscripts will be made available online through Beyond 2022’s Treasury and in KU Libraries’ own digital collections, enabling researchers around the world to make new investigations into Irish history. On this St. Patrick’s Day, following a full year during which so many of our activities have migrated online in response to the Covid-19 pandemic, it’s exciting to think that students, scholars, and members of the public will soon be able to read (and make discoveries with) several of Spencer’s Irish manuscripts from wherever they can access a computer.
Each week we’ll be posting a photograph from University Archives that shows a scene from KU’s past. We’ve also scanned more than 34,800 images from KU’s University Archives and made them available online; be sure to check them out!
We’re excited to watch the Jayhawks in this year’s Big 12 Tournament – starting with their game against Oklahoma tonight! Rock Chalk!
A KU men’s basketball game against the University of Oklahoma Sooners at Allen Fieldhouse, 1970-1971. University Archives Photos. Call Number: RG 66/13 1970/1971 Games: University of Oklahoma: Athletic Department: Basketball (Photos). Click image to enlarge (redirect to Spencer’s digital collections).
Each week we’ll be posting a photograph from University Archives that shows a scene from KU’s past. We’ve also scanned more than 34,800 images from KU’s University Archives and made them available online; be sure to check them out!
Members of the KU men’s basketball team during a game at Allen Fieldhouse, 1969-1970. University Archives Photos. Call Number: RG 66/13 1969/1970 Games: Athletic Department: Basketball (Photos). Click image to enlarge (redirect to Spencer’s digital collections).
N. Kıvılcım Yavuz is conducting research on pre-1600 manuscripts at the Kenneth Spencer Research Library. Each month she will be writing about a manuscript she has worked with and the current KU Library catalog records will be updated in accordance with her findings.
One of the first manuscripts I looked at after I started working at the University of Kansas in September 2019 was Kenneth Spencer Research Library MS E71. Since I am equally interested in the reception of the Trojan War in the Middle Ages and the history of the book, this incomplete copy of the Aeneid was the perfect choice. The Aeneid is an epic poem in twelve books composed between 29 and 19 BCE by Publius Vergilius Maro (70 BCE-19 BCE), more commonly known as Vergil or Virgil. It tells the story of Aeneas, a Trojan who travelled to Italy after the fall of Troy and who is considered to be the ancestor of the Romans.
Vergil’s Aeneid was probably the most read and most consulted classical work during the Middle Ages and beyond. One could even go as far as to say that Vergil’s Aeneid is probably the most well-known classical work of all times. It was used as part of the curriculum in Latin probably almost immediately after its composition for centuries to come. Even today, if one were to learn Latin anywhere in the world, it is more than likely that this is the first text one would encounter in class. And, if you learned Latin with Vergil, even if you forgot everything else, you would probably still remember the opening words of the poem: “Arma virumque cano” (“I sing of arms and the man”). Romans of the first century certainly were familiar with this phrase, as this is one of the most common texts found among the graffiti that survive on the walls of the ancient city of Pompeii, which was buried under volcanic ash and pumice following the eruption of Mount Vesuvius in the year 79!
MS E71 was probably copied in the first quarter of the fifteenth century in Italy, many centuries after its composition. The state of the manuscript as we have it reflects the rich history of reading, writing and ownership of the manuscript over the past five hundred years, with its leaves full of annotations by previous users and owners. It is also incomplete, missing several leaves, perhaps another indication of heavy use of the manuscript over the centuries. One of the reasons why this manuscript holds a special place in the collections of the Kenneth Spencer Research Library is thatMS E71 is part of a larger gift from Robert T. Aitchison (1887-1964). The manuscript was donated along with 42 rare printed editions of Vergil’s works, one of which is an incunabulum dated to 1487 (Aitchison D1). A native Kansan, Aitchison was an artist and a book collector, and served as the president and director of the Kansas Historical Society among other things. Aitchison had purchased the manuscript from Bernard M. Rosenthal in July 1961, a mere two years before he gifted it to the University of Kansas Libraries along with the rest of his collection of Vergil’s works.
Bookplate of Robert T. Aitchison in the middle and the ticket of the binder, George Bretherton, in the upper left corner of the front pastedown (left). Vergil, Aeneid, Italy (?), first quarter of the fifteenth century?. Call # MS E71. Click image to enlarge.
In the previous century, MS E71 was in the collection of another prominent book collector: Sir Thomas Phillipps (1792–1872). It is estimated that Sir Thomas had some 40,000 printed books and 60,000 manuscripts in addition to paintings, prints, photographs and other materials, which makes him the owner of the largest private collection of manuscripts in the world in the nineteenth century, or perhaps ever. The Kenneth Spencer Research Library preserves a number of manuscripts from the former Phillipps collection, which were dispersed during the years after the Phillipps’s death, such as MS C247, about which I had previously written a blog post.
According to surviving records, Sir Thomas Phillipps purchased the manuscript from Payne & Foss, an antiquarian bookseller based in London who was instrumental in procuring many of the manuscripts in his collection. It is inscribed in Phillipps’s usual manner as “Phillipps MS 12281” in ink on the lower margin of the recto of the first leaf. MS E71, a paper manuscript of currently 67 leaves, must have been unbound at the time of its purchase. It seems that it was immediately rebound by a binder who used to work for Phillipps, George Bretherton. The manuscript still has this mid-nineteenth-century half calfskin and blue cloth binding, with the binder’s ticket intact in the upper left corner of the front pastedown: “BRETHERTON, ligavit 1847” [BRETHERTON, bound 1847].
Vergil’s Aeneid begins with Book II, line 672 in MS E71, folio 1r. Sir Thomas Phillipps’s handwritten shelfmark in the lower margin (“Phillipps MS 12281”). Click image to enlarge.
MS E71 seems to have undergone heavy repairs in the nineteenth century, presumably during Bretherton’s rebinding process. As part of these conservation efforts, various tears and holes on the leaves seem to have been mended, usually by pasting pieces of modern paper on top of the damaged parts of the medieval paper. More importantly, paper strips were adhered to the center-folds and spine-folds of most of the leaves to support the integrity of the book. Single leaves that were presumably detached from the bookblock were also glued to other leaves, forming artificial gatherings. And finally, a lining was adhered to the spine before the book was bound. Because of all of these interventions and the rearrangement of the quires during the rebinding, the original design of the manuscript is now completely altered. For example, the current first folio of the manuscript contains Book II, lines 672-732 of the Aeneid whereas the second folio begins on Book III, line 469. So, clearly there are several leaves missing between these two leaves which now follow each other, but one would not be able to tell this immediately just by looking that the manuscript.
Paper strip adhered to the center-fold of folios 30v and 31r of MS E71. Click image to enlarge.
Detail from the head (top) of the manuscript showing the current quire structure, with part of the spine lining visible. Call # MS E71. Click image to enlarge.
Due to the current condition of the manuscript, it is difficult ascertain not only which leaves originally went together as conjoint leaves but also how the manuscript was collated, that is, what the structure of the gatherings originally were. Thus, in this case, a physical examination of MS E71 alone does not help one to understand how the manuscript was actually put together.
In the past two millennia, the Aeneid was copied in manuscripts thousands of times and printed in various editions also by the thousands since its first print edition in 1469. Although there are a variety of differences on the word level in these copies, the work as a whole is fairly well-established since the early Middle Ages. That MS E71 contains this well-known work is very useful in this case because it means that we have a good understanding of how long the text is and that we can identify what parts of the manuscript are lost and even estimate how many leaves are missing. It is also helpful that the Aeneid is a verse text, meaning that each line in a given copy also would correspond to a line in this manuscript and that there would be no variations on the length of the text depending on the density of the script or the size of the leaves.
In order to compare the text of the Aeneid as we have it in MS E71, I used the Greenough edition dated to 1900, which is available open access via the Perseus Digital Library of Tufts University. The Aeneid consists of twelve books, with each book having a different number of lines. In this edition, Book I has 756 lines, Book II 804 lines, Book III 718 lines, Book IV 705 lines, Book V 871 lines, Book VI 901 lines, Book VII 817 lines, Book VIII 731 lines, Book IX 818 lines, Book X 908 lines, Book XI 915 lines and Book XII 952 lines. So, if one were to copy the entire text of the Aeneid with no break, one would copy 9896 lines of text. If one were writing 29 to 30 lines per page, the average in MS E71, then one would end up filling about 168 leaves. Ideally, such a manuscript could have been arranged in quires of 12 leaves, for example, which would make up 14 gatherings, or in quires of 8 leaves which would make up 21 gatherings.
The text as we have it in MS E71 begins on line 672 of the second book of the Aeneid (now folio 1r). This means that, at the very least, the first 671 lines of Book II as well as the entirety of Book I (756 lines) are missing. The last line we have in MS E71 is Book IX, line 425 (now folio 67r). Ordinarily, one would think that the rest of the work was also missing from the manuscript; however, since the copying ends on the recto of a leaf and the verso is left blank, we can surmise that the scribes of this manuscript abandoned the project on Book IX, line 425 and did not copy the entirety of the Aeneid. Thus, if they copied the text continuously up to that point, they would have had 6728 lines. We can estimate therefore that originally MS E71 must have had at least 114 folios. Therefore, it is currently lacking at least 47 leaves, 24 of which are almost certainly from the beginning. We may never be able to confidently reconstruct the original collation of MS E71, but with the help of a little bit of mathematics, we can at least point to the possible number of missing leaves and where they are missing in the manuscript!
The Kenneth Spencer Research Library was gifted the manuscript by Robert T. Aitchison in July 1963, and it is available for consultation at the Library’s Marilyn Stokstad Reading Room when the library is open.
Further literature to explore:
Editions and translations of Vergil’s Aeneid on Perseus Digital Library: [open access]
Craig W. Kallendorf. A Bibliography of the Early Printed Editions of Virgil, 1469-1850. New Castle, DE: Oak Knoll, 2012. [KU Libraries]
The Phillipps Manuscripts: Catalogus librorum manuscriptorum in bibliotheca D. Thomae Phillipps, BT. Impressum Typis Medio-Montanis, 1837-1871. London: Holland Press, 1968. [KU Libraries]
A. N. L. Munby. The Dispersal of the Phillipps Library. Phillipps Studies 5. Cambridge: University Press, 1960. [KU Libraries]
L. R. Lind. The R. T. Aitchison Collection of Vergil’s Works at the University of Kansas Library, Lawrence. Wichita, KS: Four Ducks Press, [1963]. [open access by KU Libraries]
N. Kıvılcım Yavuz Ann Hyde Postdoctoral Researcher
Follow the account “Manuscripts &c.” on Twitter and Instagram for postings about manuscripts from the Kenneth Spencer Research Library.