The University of Kansas

Inside Spencer: The KSRL Blog

Books on a shelf

Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.

Meet the KSRL Staff: Molly James

October 27th, 2022

This is the latest installment in a recurring series of posts introducing readers to the staff of Kenneth Spencer Research Library. Today’s profile features Molly James, who joined Spencer Research Library in 2022 as a Manuscripts Processor.

Headshot of a young woman in front of green foliage.
Manuscripts Processor Molly James. Click image to enlarge.

Where are you from?

I’m from Kansas! I was born in Wichita, then lived for a brief time in Salina before my family moved to Eudora, a small town just outside of Lawrence. After graduating high school, I moved to Manhattan, obtaining both my bachelor’s and Master of Arts in English before returning to the Eudora-Lawrence area.

What does your job at Spencer entail?

I process incoming collections for Spencer’s various collecting areas. This includes maintaining the original order that the materials’ donor or creator had them in, or creating an order that makes sense if there wasn’t one before, and then creating a finding aid to make these collections easily searchable online. Sometimes it also means identifying and sending a damaged item to Conservation and Preservation to stop something from deteriorating so it can be referenced in the future.

How did you come to work at Spencer Research Library?

Before working at Spencer, I spent six years with the Eudora Community Library, first as a volunteer then as a circulation assistant. Then, while I was working on completing my undergraduate degree, I was briefly introduced to Library Science by a K-Stater who was going to Simmons University to complete their Master of Library Science degree. Before this, I hadn’t known there was an entire field dedicated to library science and spent some time researching it. This exploration led me to learn about archives and libraries in a broader sense, so when I graduated with my master’s, I knew I wanted to return to a library to keep learning about how libraries and archives operate. I’m incredibly lucky to be here with the Spencer Research Library!

What is one of the most interesting items you have come across in Spencer’s collections?

While I haven’t interacted with a terribly large number of collections, the most interesting thing I’ve come across so far is a lock of hair in a baby book from 1919. I wasn’t expecting it! Otherwise, the most interesting thing that I’ve seen (but didn’t process) is the Hugo Award currently on display in the North Gallery.

What part of your job do you like best?

I feel like I learn something new every day – either about how libraries and archives work or history! I consider myself a lifelong learner, so having constant interactions with a continuously growing knowledge resource is fantastic.

What do you have on your desk?

I’ve got a small assortment of companions to help with processing – notably Gander the Magnetic Goose who holds on to the paperclips I find. Additionally, I’ve got both Calcifer the Fire Demon and Howl’s Heart from Howl’s Moving Castle, a magnetic Totoro, and a good luck tribble, if tribbles can be good luck signs.

Five small items in front of a sign that reads "Inking Station; No Original Materials on This Surface!"
Items on Molly’s desk. From left to right: Gander the Magnetic Goose, Howl’s Heart, a tribble, Calcifer the Fire Demon, and Totoro. Click image to enlarge.

What are some of your favorite pastimes outside of work?

I enjoy reading – primarily science fiction and fantasy – when I’m not at work. I’m currently trying to work my way through a rather large to-be-read pile that I had started before pursuing my undergraduate degree. Besides reading, I enjoy spending time with my dogs, writing, and playing board and card games.

What piece of advice would you offer a researcher walking into Spencer Research Library for the first time?

Sometimes unexpected connections between collections appear, and when they do, don’t be afraid to explore those opportunities! They might be the key to expanding your research horizons or unlocking something previously unknown.

Molly James
Manuscripts Processor

Context Matters

October 24th, 2022

Like many institutions, KU Libraries (KUL) has come a long way in recognizing that we are not neutral and that our collecting practices, descriptive traditions, and operations are often not nearly as inclusive as we would like them to be. We have much, much further to go, but we are taking steps where we can. Libraries do not move quickly or easily when large-scale systems are on the line.

Color photograph of a woman sitting, with her back to the camera, facing a desktop computer. She is writing with a pencil, and there are library materials on her desk.
University Archives Photos. Call Number: RG 32/13: KU Libraries: Cataloging Department (Photos). Click image to enlarge (redirect to Spencer’s digital collections).

Realizing we should communicate transparently about our collections and practices, Spencer Research Library colleagues agreed we didn’t want to “disclaim” anything; we do not want to deny our responsibility to cover perceived liability or avoid a lawsuit. In fact, we are proud of our collections and the hard work that has gone into building them for decades. But in the world today, where images can be shared immediately, without context, and where intention is rarely assumed to be good, it was important to try to explain our work to those who might encounter our materials virtually.

Our reasons for collecting disturbing or offensive materials and making them available to users are grounded in library and archival best practices, our mission, and the mission of the larger university. In fact, sharing these materials with researchers, students, and the public around the world is our actual purpose for existing. If we don’t collect these materials, many of the perspectives they capture may not be represented elsewhere. Ignorance and secrecy rarely advance the best of our humanity.

But these reasons might not always be clear to folks outside the library, so we wanted to strike a balance between 1) providing information about why objectionable or even harmful material can be found in our library and 2) acknowledging that, even if we have good reasons to collect and share these materials, they have the potential to cause harm to users. Like libraries everywhere, we began by looking at what other institutions were doing.

We decided to call this work “contextual statements,” to make clear that we want to provide the context of our collections. We wanted to articulate our mission in a way that acknowledges that libraries are doing hard work in trying to capture voices and tell stories, even though we struggle to do enough with limited resources.

The first step was to add a phrase to all images from our collections in KU’s digital repository, where digitized versions of our collection materials are increasingly being made available to the world. This language was drafted by a small group and went through many revisions by the Spencer collections group, and was implemented by our colleagues in KUL Digital Initiatives:

“Users of this collection should be aware that these items reflect the attitudes of the people, period, or context in which they were created. Certain images, words, terms, or descriptions may be offensive, culturally insensitive, or considered inappropriate today. These items do not represent the views of the libraries or the university.”

Screenshot of a black-and-white photograph with textual description.
An example of an image in the University Archives Photographs digital collection with the contextual statement about problematic language. Click image to enlarge (redirect to Spencer’s digital collections).

We also decided we needed a longer statement about our collections, and added more information to our previously published collection development statements, also freely available. Initial work came from Head of Public Services Caitlin Klepper and Head of Manuscripts Processing Marcella Huggard with input from a group from across Spencer.

Finally, we saw an opportunity, as have many of our peer institutions, to expose the work of description, a professional specialty that has long been hidden behind card catalogs and filing cabinets, frequently in the basements of buildings and at the end of a long series of tasks that take collections from the donor’s attic to the loading dock and to the shelves (or laptops). We published a statement about that as well, initially drafted by Caitlin Klepper and Marcella Huggard, based on the work of other institutions.

Photograph of a large open room. Large tables in the foreground are full of boxes and other library materials.
A view of the Processing and Cataloging workspace at Spencer Research Library. Click image to enlarge.

In all of this, we relied heavily on the good judgement and best efforts of colleagues at peer institutions. We realize that every environment is unique, so we tailored it to the KU world, talking with colleagues and, where we could, members of our communities. We hope to get feedback as we go, as we begin a larger conversation with those who use our collections in various ways—about what we collect and why, how we describe it, and how we use the impact of our collections to make a better, more just world.

Beth M. Whittaker
Interim Co-Dean, University of Kansas Libraries
Associate Dean for Distinctive Collections
Director of Spencer Research Library

Meet the KSRL Staff: Jaime Groetsema Saifi

October 4th, 2022

This is the latest installment in a recurring series of posts introducing readers to the staff of Kenneth Spencer Research Library. Today’s profile features Jaime Groetsema Saifi, who joined Spencer Research Library in 2022 as Assistant Librarian and Special Collections Cataloging Coordinator.

Young woman standing in front of trees, bushes, pink flowers, and a black wrought-iron fence.
Special Collections Cataloging Coordinator Jaime Groetsema Saifi. Click image to enlarge.

How did you come to work in Special Collections?

At the School of the Art Institute of Chicago, I studied in the Visual & Critical Studies department and engaged with theories in art history, social theory, and aesthetics that brought into question the meaning of visual objects. As a student worker in the John M. Flaxman Library, I learned about the importance of special collections and research libraries, like the Joan Flasch Artists’ Book Collection, then run by the great Doro Boehme, and the Ryerson and Burnham Libraries.

After graduating, I started my library career at the Newberry Library, an independent research library dedicated to the humanities. This experience gave me a firm grounding in what it means to work with unique, rare, and scarce materials; to engage with an international scholarly community; and to consider the ethical responsibilities librarians and archivists have to the public in supporting access to these materials.

Since then, I’ve continued working with special collections materials and archives at libraries in Chicago, Denver, and Boulder. I am excited to continue to work with special collections materials in Lawrence at the Spencer Research Library!

What does your job at Spencer entail?

As the Special Collections Cataloging Coordinator, I support a team of four rare materials catalogers and manage workflows for our Special Collections Cataloging Unit. I enjoy working across the Spencer Research Library with Curators and colleagues in Conservation and Public Services, to ensure our collections are well-described and accessible.

A row of book shelves; many have books or archival boxes on them.
Collection materials at Spencer Research Library waiting to be processed and cataloged. Click on image to enlarge.

What is your research about?

My research focuses on the epistemological intersections of materiality, artifact, and environment and is concerned with the ways that (visual) evidence and language work together to transmute meaning. I am most interested in how pairings and double-meanings shape and question memory. To that end, I work with materials from antiquity through the contemporary period that come out of counter-cultural movements, very broadly defined.

What are some of your favorite pastimes outside of work?

I love to play pinball, draw, drink coffee, watch art films, and read.

What piece of advice would you offer a researcher walking into Spencer Research Library for the first time?

My advice to a researcher visiting Spencer Research Library for the first time is to take a stroll through the North Gallery and Exhibit Space to view our permanent and rotating exhibitions. They will give you a small glimpse into the expansive, important, and complex collections, both new and old, that the Spencer Research Library provides public access to. On your way out, pick up a Spencer 50th Anniversary exhibit catalog to learn more and celebrate your visit.

Jaime Groetsema Saifi
Special Collections Cataloging Coordinator

Fall Exhibit 2022: Keeping the Books: The Rubinstein Collection of the Orsetti Family Business Archive

September 15th, 2022

In 1974, the University of Kansas Libraries acquired a remarkable collection of bound business manuscripts from the Orsetti family of Lucca, in present-day Tuscany, Italy. Containing 294 bound volumes; 84 individual, hand-drawn maps; and five boxes of unbound accounting and family records, the Rubinstein Collection, as it is now called, comprises a rich archive of business accounts and legal documents of the Orsetti family’s commercial enterprises of agriculture, real estate, and textiles, as well as personal expenses. The collection of account books, business letters, legal documents, and inventories spans the late 12th century to the early 19th century, with the heaviest concentration dating from the 16th to 18th centuries.

The Orsetti family originated in San Donnino di Marlia, a rural village located near the Tuscan city of Lucca, where they relocated at the beginning of the 15th century. Lucca was a center for silk production and trade. By the mid 17th century Orsetti family members owned the second-largest textile workshop in Lucca, with ninety-five looms. Their companies thrived in Italy, as well as in Germany and Eastern Europe, especially Poland. Their silk trading company, Filippo Orsetti e Compagnia, flourished between 1695 to at least 1744. As the silk market declined in the 18th century, the Orsetti liquidated those assets and focused on their land holdings. Other noble families acted similarly, transforming the ruling class of Lucca in the 18th century from a group of merchants into wealthy landowners.

The Orsetti family crest features a golden eagle in profile wearing a crown in the top half, and a shock of wheat flanked by two gold stars in the lower half.
The Orsetti family crest features a golden eagle in profile wearing a crown on a blue background in the top half, and a shock of wheat flanked by two gold stars on a red background in the lower half. This ink-drawn version adorns the covers of a series of legal books in the Rubinstein Collection. Call number MS E133 v.4 of 6, Special Collections, Spencer Research Library, KU Libraries.

The Orsetti family of merchants used the accepted practices of their time to record their business and personal expenses and revenues. In 1494, Luca Pacioli, a Franciscan friar and mathematician, published his description of the Venetian double-entry accounting system, the treatise “About Accounts and Other Writings,” in Summa de arithmetica, geometria, proportioni et proportionalita. Pacioli’s work was translated into many languages, and that the style of bookkeeping became standard practice across Europe. In many ways, his descriptions of double-entry accounting are still used today. Pacioli recommended different types of books for different accounting purposes, and that practice is reflected in the Rubinstein Collection and in this exhibit.

Large ledger open to columns of accounting notations.
Ledger H for the Altopascio estate. The red arrow points to a credit posting for a grain transaction with the Biancalana family of Carraia, Tuscany. Call number MS J15:6, Special Collections, Spencer Research Library, KU Libraries.
Front cover of an Italian manuscript book, dated 1698.
Bound book of copies of business letters for Filippo Orsetti e Compagnia, a silk business that operated from 1695 to at least 1744. Call number MS E136 v.3 of 11, Special Collections, Spencer Research Library, KU Libraries.

In addition to serving as an example of accounting practices in early modern Italy, the collection provides a rare opportunity to study bookbinding attributes from one family’s archive over centuries. From January to June 2022, I was awarded sabbatical leave to study the bindings in the Rubinstein Collection. A University of Kansas General Research Fund grant provided funds for raw materials to create bookbinding models to further understand how the books were constructed. Some of the models are also shared in this exhibit.

Model of a book in Spencer Library's collection, featuring a parchment cover with leather bands. Title and date are hand-written on the top cover.
Parchment account book model made by Whitney Baker, based on MS E145 (Contracts of Goods from the Altopascio Estate), Special Collections, Spencer Research Library, KU Libraries.

The Rubinstein Collection honors Joseph Rubinstein, the first curator of the Department of Special Collections at KU Libraries, from 1953 to 1963. After Rubinstein left KU he entered the rare book trade and was instrumental in helping the University of Kansas acquire the Orsetti family papers. Rubinstein died in 1973, while purchase negotiations were ongoing. When the Orsetti family papers finally came to Spencer Library the following year, the collection was named in honor of KU’s first special collections librarian.

Man holding book, in front of bookshelf
“Joseph Rubinstein examines books, 1956,” call number 41/0, University Archives, Spencer Research Library, KU Libraries.

Keeping the Books will be featured in Spencer Library’s main gallery from September 9, 2022 to January 13, 2023. An online version of the exhibit may be found here: https://exhibits.lib.ku.edu/exhibits/show/keeping-the-books–the-rubinst

Visual Communications (VISC) 440/740 (Book Arts) students meeting with exhibit curator Whitney Baker in a gallery tour, September 14, 2022.

Whitney Baker
Librarian / Head, Conservation Services

New Finding Aids, January-June 2022

July 19th, 2022

Supply chain issues and lower staffing levels have continued to affect our ability to process new collections in the first half of 2022, but despite this we have continued to process and describe new materials. We’ve also been able to return to a project that has long languished, in which we are inventorying and describing the official records of the University of Kansas, including creating finding aids for record groups that were previously undescribed in an easily accessible, online way. Look for updates to our record group listings throughout the rest of this year and beyond!

You’ll see some newly described record groups in the list below, amongst our other newly processed collections.

William Coker collection, 1932-2004 (RH MS 1550)

Hodgeman colony history collection, 1879-1963 (RH MS P977)

Chester Owens collection, 1923-2010 (bulk 1950s-1980s) (RH MS 1549, RH MS R496)

Paul A. Black photograph album, approximately 1916-1938 (RH PH 564)

Philippine-American War diary by a U.S. officer, March 25-April 6, 1900 (RH MS C93)

Dotti McClenaghan “Follies” collection, 1959, 1963 (bulk 1959) (RH PH 563)

Black album page with two black-and-white photographs and "The Golden Voice of Jenni Wren" written in white.
A page from a scrapbook/photograph album compiled by the cast and crew of the “Follies” variety show produced by the Antioch Elementary School’s Parent Teacher Association in Overland Park, Kansas. Call Number: RH PH 563, Box 1, Volume 1. Click image to enlarge.

Pace and Mendenhall family photographs, 1909, 1925-1935, undated (RH PH 562)

Jerauld R. Crowell papers, 1963-2018 (RH MS 1551, RH MS R497, RH MS R498, RH MS S76, KC AV 115)

Independent Order of Good Templars of Jefferson County, Kansas, Lodge No. 17 records, 1874, 1876 (RH MS P978)

June flood of 1908 at Kansas City postcards, June 1908 (RH PH P2843)

Walter Thomas Bezzi journals, 1975-1985 (RH MS 1552)

Bullene family bible, [bible printed in 1833, includes information dating up to 1926] (RH MS 1546)

J.C. Nichols Investment Company covenant book, November 1922 (RH MS P976)

Bell Memorial Hospital photograph, 1918 (RH PH P2842(f))

Clarence Kivett papers, 1977-1995 (RH MS 1547)

Harris family papers, 1965-2019 (RH MS 1543, RH MS Q483)

Perry Alan Werner photograph collection, December 1977-September 1978 and undated (RH PH 561)

1890s family photograph album, probably from Kansas, 1890s (RH PH P2845)

James Milton Turner correspondence, July 1884 (RH MS P979)

Langston Hughes play scripts, 1937-1958 (RH MS 1554)

Robert C. Wilson collection, 1967-1999 (RH MS 1556, RH MS R501, KC AV 119)

“The Order of the Little Bears” notebook, April 7, 1942-May 1943 (MS C317, MS P761)

Hand-drawn sketch of a woman with the caption "Our Grand Master Bear Bibs."
One of the many delightful illustrations from this English World War II-era scrapbook that describes the escapades of a group of young women, The Order of the Little Bears, living in wartime. Call Number: MS C317, Volume 1. Click image to enlarge.

Personal papers of Thomas N. Taylor, 1961-2016 (PP 631)

Hinton family papers, 1921-2016 (RH MS 1558, RH MS Q489, KC AV 120)

“These Were People of Mercy” Stoner family genealogy, December 2019 (RH MS D302)

John Parks enlistment papers, October 1, 1863 (RH MS P980)

Joshua William Beede letters, April 6, 1899 and August [1899?] (RH MS P981)

Postcards addressed to Lillian Mitchner, 1910 (RH MS P982)

Records regarding Faculty and Staff at the University of Kansas, 1880s-2020 (bulk 1930s-2000s) (RG 41)

Group of people standing in a large warehouse.
Image from the May 1997 Wheat State Tour, a week-long tour organized by the University of Kansas for new faculty and staff to become acquainted with the state. Call Number: RG 41/5 Photographs. Click image to enlarge.

Records of Radio, TV, and Film at the University of Kansas, 1923-2019 (bulk 1950s-1980s) (RG 40)

Records of the Office of Public Safety at the University of Kansas, 1925-2019 (RG 48)

Personal papers of Neil J. Salkind, 1970-2017 (PP 632)

Personal papers of Anton Rosenthal, 1984-2020 (PP 633)

Personal papers of Larry Martin, approximately 1972-2010 (PP 630)

Living the Dream, Inc. invitation, 2020 (RH MS P988)

Margaret Kramar collection, March 2017 (RH MS P987)

John Swift school records, 1950-1956 (RH MS P986)

Amelia Pardee Ellis McQueen collection, 1862-1997 (RH MS P985)

Blue Rapids Supply Company brochures, February 1940, September 1941 (RH MS P984)

“Grandmother’s Letters,” by Louisa B. Simpson, 1847-1864 (RH MS P983)

U.S. Committee on Public Information Division of Women’s War Work collection, December 1917-July 1918 (MS 371, MS Qa40)

Personal papers of Donald Stull, 1967-2015 (PP 583)

Personal papers of Charles D. Bunker, 1901-1937 (PP 634)

Marcella Huggard
Manuscripts Processing Coordinator