Kenneth Spencer Research Library

The value of a liberal arts education is – and has long been – a topic of substantial discussion. With Valentine’s Day upon us, we wanted to highlight a perhaps little-known benefit of liberal arts courses and majors: they can help you attract or catch a love interest. Such was the “tongue-and-cheek” argument of a pictorial feature that appeared in the April 1970 edition of Kansas Alumni. Seven photographs told a story that unfolded throughout the publication, accompanied by captions extolling the benefits of a liberal arts education that were taken from “none other than” the Catalog of the College of Liberal Arts and Sciences. Prints of six of the images – the first six pictures below – are held within University Archives as part of its collection of Student Activities records and photographs (Record Group 71).

The introduction to “Pictorial: The Liberal Arts” from Kansas Alumni, April 1970.
University Archives. Call Number: RG UA Ser 64/0/2. Click any image to enlarge.

While the lower right corner was cropped out of the published picture, the
original print shows that KU Libraries can also help you catch the
object of your affection! University Archives. Call Number: RG 71/0/1969-1970
Prints: Student Activities (Photos). This citation applies to all images in this
post unless otherwise noted.

The caption for the final image in the story – as it appeared in
Kansas Alumni – doesn’t seem to bode well for the guy behind the books!
University Archives. Call Number: RG UA Ser 64/0/2.

Happy Valentine’s Day!

Caitlin Donnelly
Head of Public Services

Student Activities Photographs RG 71/0 1969/1970 Prints

It’s been an exciting week or two in Lawrence for scholars and fans of William S. Burroughs.  Wednesday, February 5 was the centenary of the writer’s birth, and around town events and exhibitions have been exploring his writing, art, and deep ties to Lawrence.  Burroughs made Lawrence his home during the last fifteen years of his life, and now, thanks to a gift from James Grauerholz, executor of the Burroughs estate and a KU alumnus, the influential author’s last journals will join the collections of KU Libraries.

Burroughs helped revolutionize the post-WWII literary landscape with novels like Naked Lunch and Nova Express, the latter a part of his cut-up trilogy.  To celebrate the gift, five of the ten journals will be on display in the Kenneth Spencer Research Library’s lobby through February.  These notebooks, which span from November 1996 to Burroughs’ death in August of 1997, were the basis for Last Words: The Final Journals of William S. Burroughs, a volume edited by Grauerholz and published in 2000.  In their pages we see literature, politics, art, and philosophy collide with everyday life.  A reference to speaking with an ailing friend, poet Allen Ginsberg  (“His voice over the phone from Beth Israel Hospital in NYC sounded very weak”), appears alongside a reminder to buy disposable razors.  The final entry (see below) offers a meditation on conflict and love.  To the left Burroughs has written:  “Love? What is it? / Most natural pain / killer what there is. / L O V E.”

William S. Burroughs’ final journal. Image courtesy of Chuck France / KU Office of Public Affairs. Click here for a larger version.

On display through February in Spencer Research Library’s lobby: five of the ten journals donated by the Burroughs estate.

In addition to the journals, the gift also includes typescripts and draft materials for the edition Grauerholz produced. Once cataloged, these “last words” of William S. Burroughs will be available for researchers and the public to consult at the Kenneth Spencer Research Library.

Elspeth Healey,
Special Collections Librarian

For my class project in GEOG 658, I attempted to find the backdrop of the 1913 photo of the Quantrill raid survivors using GIS (Geographic Information Systems). The only aspect of the photo that is known is that it was taken in Lawrence. Beyond that, the exact location of this photo is unspecified.

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Photograph of survivors of Quantrill’s Raid, Lawrence, KS, August 21, 1913.
Call number RH PH 18 L.8.2ff. Kansas Collection, Kenneth Spencer Research Library.
Click image to enlarge and view.

The photo reveals important information about its location. Judging by the position of the people relative to the central building in the backdrop, the photo was taken at an intersection of two roads. The heights of the adjacent buildings are also visible. Identifying the stories of the adjacent buildings and their sequence from the corner building provides an identifiable skyline to locate using other sources, such as the Sanborn Fire Insurance maps and Google Street View. Sanborn Fire Insurance maps show the relation of the buildings to one another and to the city streets, as well as tell the heights of the buildings. A trolley line is also visible to the left of the buildings.

Detail of Eldridge House plan from the Lawrence, KS Sanborn Fire Insurance Map, 1912.
Massachusetts Street is at the top of the image.
Call number RH Map Sanborn, Lawrence 1912, sheet 4. Kansas Collection, Kenneth Spencer Research Library. Click image to enlarge.

I used GIS software to map the 1910 trolley line onto a modern map of downtown Lawrence and to mark the heights of buildings around each intersection. With this information combined into one map, I was able to narrow down the locations for the photograph.

From this investigation, the most likely location for the 1913 photograph is the Southwest corner of Massachusetts and 7th streets, where the Eldridge stands. This location is at an intersection, was historically located along the trolley tracks, and the building heights of the adjacent buildings appear to match the sequence observed in the historic photo. The 1912 Sanborn Fire Insurance map shows several businesses located on the first floor, including an Express Office, Telegraph Office, and Barbershop. A close look at the 1913 photo shows the advertisements for these businesses.

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Details from photograph of survivors of Quantrill’s Raid, Lawrence, KS, August 21, 1913.
Wells Fargo Express Office, Telegraph Office, and Hodges Bros. Hotel Barber Shop.
Call number RH PH 18 L.8.2ff. Kansas Collection, Kenneth Spencer Research Library.

Jennie Ashton
Conservation Student Assistant
Graduate Student, Museum Studies

Like many people, I suspect, my knowledge of The Wizard of Oz has been limited to the 1939 MGM movie, which turns seventy-five years old this year. However, in recent months I’ve had the opportunity to learn a great deal more about the topic from Jane Albright, an Oz collector in Kansas City, Missouri, with an impressively comprehensive knowledge of all things related to the beloved story.

As a student at KU, Jane Albright won the Snyder Book Collecting Contest
for her Oz collection in 1977. She is shown here with some of her books,
which were then displayed as a year-long exhibit in the Kansas Collection
at Spencer Research Library. From the collection of Jane Albright.

Jane and I have been collaborating to develop Spencer’s current exhibit, “The Magic of Oz: A Collection Celebrating a Classic.” The exhibition features books and other items from Jane’s wonderfully extensive collection of Oz materials and uses them to explore some of the contexts in which The Wonderful Wizard of Oz (1900) was created and enjoyed by readers. Jane and I also hope that visitors will come away from the exhibit excited by the “fantastic host of characters, marvelous adventures, and strong sense of place” found within the Oz stories, much as Jane fell in love with them as a young girl growing up in Topeka, Kansas.

By the Candelabra’s Glare (1898) is a collection of Baum’s
own verse. He printed and bound each of the ninety-nine copies
himself. This copy is marked No. 2 and inscribed to his oldest son.
From the collection of Jane Albright.

Included in the exhibit are early editions and more-recent foreign-language translations of The Wonderful Wizard of Oz; examples other works written by L. Frank Baum or illustrated by W. W. Denslow, two men who had prolific careers beyond the Oz stories; ephemera from the 1903 stage musical based on the book, which was the greatest Broadway hit of its time; and copies of Oz books written by Baum and other authors. Noteworthy are the several exceptionally rare pieces from Jane’s collection that are included in the exhibit.

This postcard showing a scene from The Wizard of Oz stage musical has been
time-stamped and annotated. It was postmarked in Milwaukee on February 8, 1906,
and sent to a Mrs. Parish in Delavan, Wisconsin. From the collection of Jane Albright.

“The Magic of Oz: A Collection Celebrating a Classic” is free and open to the public in the Exhibit Gallery during Spencer’s regular hours: Monday through Friday, 9:00 am to 5:00 pm, and (when KU classes are in session) Saturday, 9:00 am to 1:00 pm. The exhibit will run through Saturday, April 19th. For additional information, please contact Caitlin Donnelly at (785) 864-4456 or cdonnelly@ku.edu.

KU Libraries will host a reception and lecture by Jane Albright later in the spring. The event is scheduled for Thursday, April 17th from 5:30 to 7:30 pm at Spencer Research Library. More information will soon be available at www.lib.ku.edu/events.

Caitlin Donnelly
Head of Public Services

Last week, the poet, playwright, and critic Amiri Baraka died at the age of 79. Baraka (who was born Everett Leroy Jones and published as LeRoi Jones until the late sixties) was a founder of the Black Arts Movement.  As his New York Times obituary suggests, his career took many turns and was punctuated by both accolades and controversy, but there can be little doubt that he was a significant figure for post-WWII American literary culture.  The Kenneth Spencer Research Library houses over 45 items by or containing contributions from Amiri Baraka, with more than double that amount in the KU Libraries circulating collections. Spencer’s holdings include several scarce or ephemeral items, such as an advance proof of his important study Blues People: Negro Music in White America (1963), a 1965 fundraising letter for the Black Arts Repertory Theater/school of Harlem, the illustrated broadside A Traffic of Love (1967), and the 13-page mimeograph edition of his play Slave Ship, An Historical Pageant (ca. 1967).

Yugen, edited by LeRoi Jones (Amiri Baraka) and Hettie Cohen. Nos. 1-8 (1958-1962). Call Number: Ser C170. Click image to enlarge.

 Among our earliest holdings for Baraka is a complete run of the journal Yugen (1958-1962), which he edited with his first wife, Hettie Cohen. Only eight issues of the magazine were published, and it included contributions from writers such as William Burroughs, Robert Creeley, Diane DiPrima, Allen Ginsberg, and Gary Snyder. Spencer’s holdings are strongest for the first decade and a half of Baraka’s career, from the late 1950s to the early 1970s, during which time he was associated first with the Beats and then the Black Arts Movement.

Elspeth Healey
Special Collections Librarian