Kenneth Spencer Research Library

This week we present you with two labels from the Kenneth Spencer Research Library’s current exhibition: “Quantrill’s Raid on Lawrence: Stories of Loss, Destruction and Survival.”  The exhibit, curated by Sheryl Willliams, Spencer’s Curator of Collections, commemorates the 150th anniversary of the infamous attack on Lawrence and draws on materials from the Kansas Collection‘s holdings to illuminate this significant chapter in Kansas history.

Title wall for the exhibition featuring a photograph of the 50th anniversary of survivors of Quantrill’s Raid.
August 21, 1913. Courtesy of KU Libraries.  Click image to enlarge or travel to KU Libraries Flickr Stream.

Left: Visitors at the opening reception for “Quantrill’s Raid on Lawrence: Stories of Loss, Destruction and Survival”
Right: Curator of Collections Sheryl Williams speaks on Quantrill’s Raid.
Click image to enlarge or travel to KU Libraries Flickr Stream

The exhibition is open to the public in the Spencer Research Library’s gallery through the end of October and available online at http://exhibits.lib.ku.edu/exhibits/show/quantrill.  We encourage readers to explore its moving stories of loss and resilience.

Hell Let Loose

On August 21, 1863 Quantrill and some four hundred men rode into Lawrence, on a dawn raid, catching the citizens by surprise, in spite of earlier rumors of possible attack. At the end of four hours at least 143 men and teen aged boys, most unarmed and unresisting, were known dead, many killed in front of their wives and children. Most of the business district was destroyed by fire, and many homes were plundered and burned. Lawrence was in ruins and its remaining citizens in shock and despair.

According to an account of the raid written shortly afterwards by Rev. Richard Cordley:

No one expected indiscriminate slaughter. When it was known that the town was in their possession, everybody expected that they would rob and burn the town, kill all military men they could find, and a few marked characters. But few expected a wholesale murder. … A gentlemen who was concealed where he could see the whole , said the scene presented was the most perfect realization of the slang phrase, “Hell let loose,” that could ever be imagined.

Destruction of Lawrence, an artist’s sketch from Harper’s Weekly. September 5, 1863. Call Number: RH PH 18:L:8.5. Online Exhibition item link.

The Horror And Sorrow

Excerpted from “William Clarke Quantrill and the Civil War Raid on Lawrence, Kansas, August 21, 1863, an Eyewitness Account,” Rev. Richard Cordley,  edited by Richard B. Sheridan, 1999.

As the scene at their entrance was one of the wildest, the scene after their departure was one of the saddest that ever met mortal gaze.  Massachusetts Street was one bed of embers.  On this street seventy-five buildings, containing at least twice that number of places of business and offices, were destroyed.  The dead lay all along the side-walk, many of them so burned that they could not be recognized, and could scarcely be taken up.  Here and there among the embers could be seen the bones of those who had perished in the buildings and had been consumed.  On two sides of another block lay seventeen bodies.  Almost the first sight that met our gaze, was a father almost frantic, looking for the remains of his son among the embers of his office.  The work of gathering and burying the dead soon began.  From every quarter they were being brought in, until the floor of the Methodist Church, which was taken as a sort of a hospital, was covered with dead and wounded.  In almost every house could be heard the wail of the widow and orphan. The work of burying was sad and wearying.  Coffins could not be procured.  Many carpenters were killed and most of the living had lost their tools.  But they rallied nobly and worked day and night, making pine and walnut boxes, fastening them together with the burnt nails gathered from the ruins of the stores. It sounded rather harsh to the ear of the mourner, to have the lid nailed over the bodies of their loved ones; but it was the best that could be done.  Thus the work went on for three days, til one hundred and twenty-two were deposited in the Cemetery, and many others in their own yard.  Fifty-three were buried in one long grave. Early on the morning after the massacre, our attention was attracted by loud wailings.  We went in the direction of the sound, and among the ashes of a building, sat a woman, holding in her hands the blackened skull of her husband, who was shot and burned at that place.

Left: Reverend Richard Cordley, no date. Call Number: RH PH 18:K:205(f). Online exhibition item link.
Right: William Elsey Connelley’s map showing the route followed in pursuing Quantrill after the Raid, no date. Call Number: RH Map P7. Online exhibition item link.

Sheryl Williams
Curator of Collections and Kansas Collection Librarian

In this week’s post, Museum Studies graduate students Anna Paradis, Bre Wasinger, Karrah Whitlock, and Melody Yu reflect on the experience of curating and mounting the exhibition “River City Rebels: Beat Poetry in Lawrence,” which is currently on display in the Kenneth Spencer Research Library’s exhibition gallery.

On Thursday, May 9th, we celebrated the opening of our new exhibit with a reception. This event marked the completion of the semester-long project in which four museum studies graduate student collaborated with Elspeth Healey, Whitney Baker, and other KU Libraries staff to create an interactive exhibit that compellingly tells the story of Lawrence’s River City Reunion and introduces visitors to some of its more notable characters, including writers Allen Ginsberg, William Burroughs, and Diane Di Prima.

Left: Museum Studies students Anna Paradis, Karrah Whitlock, and Melody Yu install materials in an
exhibition case for the River City Rebels exhibition. Right: Museum Studies student Bre Wasinger
in front of the case she developed on Allen Ginsberg. Click images to enlarge.

Student curator Bre Wasinger remarked she is particularly proud of the “interactives” (or interactive features of the exhibition) – “the listening lounge and poetry wall bring an air of creative sharing and activity to the space that emulates the creative process so central to the Beat community. I hope that people who experience this exhibit find themselves feeling more connected to and curious about Lawrence’s past. Knowing that these rebellious writers were so drawn to Lawrence (a town historically known for its own rebellious attitude) makes me proud to be here, and I hope we can impart this feeling onto others who visit the Kenneth Spencer Research Library.” Fellow students, Anna Paradis, Karrah Whitlock and Melody Yu, learned a lot about the individual poets and the town, as well as the many processes central to planning and executing exhibits through their MUSE 703: Introduction to Exhibits course taught by Bruce Scherting, the Exhibits Director at the Biodiversity Institute.

Left: Exhibition visitor at the Beat-themed magnetic poetry wall.
Right: Visitors at the River City Rebels exhibition opening. Click images to enlarge.

River City Rebels showcases the diverse and interesting holdings at Spencer Research Library for Beat poetry. Karrah Whitlock described the challenges the group experienced when choosing objects for the exhibition, as there were so many unique and visually interesting pieces. Many non-traditional items such as t-shirts, event flyers, handwritten journals, and personal photographs are featured in the collections. It was also important to the student curators to illustrate the strong link of several of the iconic Beat figures to Lawrence. At the exhibit opening several local Lawrencians had personal stories of interactions and experiences with William Burroughs and Allen Ginsberg, as well as memories of the River City Reunion, which took place in Lawrence in 1987.

Left: Exhibition case featuring materials from the 1987 River City Reunion in Lawrence, KS.
Right: Exhibition case featuring William S. Burroughs materials. Click images to enlarge.

This was a true team effort and the student curators are indebted to librarian Elspeth Healey and KU Libraries Conservator Whitney Baker. Both of these staffers worked closely with the exhibit team and assisted in so many ways. The experience has strengthened our knowledge as well as our real-world abilities to create and share an enriching experience – none of which would have been possible without the support of each other and our collaborators.

Graduate student curators (left to right) Karrah Whitlock, Anna Paradis, Bre Wasinger, and Melody Yu
in front of the River City Rebels: Beat Poetry in Lawrence exhibition title wall

It should also be noted that there are two other student-curated exhibits currently taking place through the museum studies program: Continued Dedication, a special exhibit honoring Senator Dole’s service at the Dole Institute, and Occasional Mayhem: Exploring Crime and Punishment in Lawrence at the Watkins Museum (which coincidentally also features William Burroughs).

Anna Paradis, Bre Wasinger, Karrah Whitlock, and Melody Yu,
Museum Studies graduate students in MUSE 703: Introductions to Exhibits (Instructor: Bruce Scherting)

Do you remember these people and/or events in Wichita, Kansas? The Leon K. Hughes Photography Collection consists of more than 2,000 photographs documenting African American community life in Wichita, Kansas from the 1950s through the 1970s.

From top: Unidentified child’s birthday party, n.d. Call number: RH PH 506 Box 1, Folder 5;  [?] Johnson and unidentified bride, n.d. Call number: RH PH 506 Box 3, folder 37;  Ted Crochet and unidentified bride and their wedding party, June 14, 1969. Call number: RH PH 506  Box 2, Folder 20; Rosie Hughes and unidentified girl surrounded by a variety of camera equipment, n.d. Call number: RH PH 506 Box 18, Folder 30. Click images to enlarge.

The University of Kansas Libraries is honored to steward the Leon K. Hughes Photography Collection and make it accessible to viewers worldwide. As you can see when you browse through the amazing photographs found in this collection, many pieces of information are missing. Names, dates and/or events may not be known; some information may be incorrect or misspelled.

The collection is not static – it is intended to grow and it needs to grow!

We need your help to identify the community represented through this comprehensive and timeless collection. If you have additional information about any of the descriptions related to the collection photos, please click on the “Add Comments” link in the “Related Objects” field for any image in the collection and your knowledge about the photo will be sent to us here at KU so we can revise the information. All digitized Hughes photographs can be found at http://luna.ku.edu:8180/luna/servlet/kuluna01kui~16~16.

You may also submit your information by contacting Deborah Dandridge (ddandrid@ku.edu).

Start exploring the collection:

• Browse through a selection of images in the online exhibition, Leon K. Hughes: African American Life in Wichita.

• Explore the complete database of images for the L.K. Hughes Photography Collection.

• Read through the online finding aid for the Leon K. Hughes Photography Collection.

Deborah Dandridge
Field Archivist/Curator, African American Experience Collections

Pliny the Elder, that most famous and trustworthy of the ancient Roman naturalists, was too curious about natural phenomena for his own good; as every school-child knows, he was asphyxiated by volcanic dust and gasses when he went to investigate the same eruption of Vesuvius that destroyed Pompeii in 79 A.D.

Aristotle and Pliny are the names that come to mind when we think of naturalists of the ancient world.  Aristotle was the originator of biological classification; in contrast to the Biblical groups of animals as “clean” or “unclean,” he established categories based primarily on anatomical and other observable characteristics. His was a coherent natural system. The Spencer Library has several editions of Aristotle’s Historia Animalium, the earliest printed in 1493.

The only surviving work of Pliny is the encylopedic Naturalis Historia, the earliest extant manuscript of which dates from the 10th century.** His work was a compilation of all the animals and plants that he knew of or had heard about, and contained little that was original. He was not yet a systematist and there was little order in his arrangement, but we have him to thank for the survival of some of the writings of others, and he is regarded as THE authority on natural history from the days of Imperial Rome through the Middle Ages.

Pliny, the Elder. Caji Plinii Secundi … Bücher und Schrifften von der Natur, Art und Eigenschafft der Creaturen oder Geschöpfe Gottes … [Naturalis historia. German.] Franckfurt am Mayn : Feyrabend und Hüter, 1565. Call Number: Summerfield E1059. Click images to enlarge.

Beginning with the earliest printing of Pliny in 1469, there were at least 42 printings in numerous languages, including English, before 1536. The Kenneth Spencer Research Library houses 21 separate editions produced between 1476 and 1685. This German version contains books 7-10 and part of book 11. The translation was made by J. Heyden Eifflender von Dhaun and is illustrated with woodcuts by Jost Amman and Virgil Solis.

Sally Haines
Rare Books Cataloger
Adapted from her Spencer Research Library exhibit and catalog, Slithy Toves: Illustrated Classic Herpetological Books at the University of Kansas in Pictures and Conservations

**Author’s Note: This is the information we had at the time of publication of Slithy Toves in 2000; Mr. Roger Pearse has recently pointed out that in fact there do exist fragments of 5^th century codices of Pliny.

The only image of St. Petersburg more plentiful in western books about 19th century Russia than the bronze horseman, is the ice hill, or “flying mountain,” a peculiarly Russian entertainment that may have something to do with the fact that Petersburgers are flatlanders. Paris, Rome, Athens, and Lawrence have their high points, hogbacks, and hills, but at no point on the delta on which Peter built his city is there a spot over thirty feet above sea-level. Of all the ailments that have plagued that city – typhoid fever, typhus, cholera, giardia, influenza, malaria, diphtheria, syphilis, smallpox, and the common cold – altitude sickness has not been one of them, and actually the hill provides some relief from high barometric pressure if not from a queasy stomach.

Scenes in Russia; Describing the Manners, Customs, Diversions, Modes of traveling, &c. of the Inhabitants of that Country. London: printed for J. And E. Wallis, 1814. Call Number: Children 5310  (click image to enlarge).

This contraption seems to be a combination of ski-jump and roller coaster: each person climbs into a small 4-wheeled shallow sided box at the top of a platform and careens downhill on a track. Sometimes ridges (moguls?) are added to increase velocity coming down enough to send them up the other side. When the River Neva is frozen the flying mountains are erected on the ice.

Adapted from the Spencer Research Library exhibit, Frosted Windows: 300 Years of St. Petersburg Through Western Eyes.

Sally Haines
Rare Books Cataloger