Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.
Stoker-ed about Halloween? Count get enough spooky stories? Excited to sink your teeth into this year’s Booktoberfest Community Read at Lawrence Public Library?
But of corpse!
Stop by and check out Spencer’s current short-term exhibit (ahem, exhi-bite) featuring a selection of materials by Bram Stoker, special editions of his novel Dracula, and copies of other early vampire stories. Highlights include:
the first installment of The Primrose Path, Stoker’s first novel that was initially published as a serial in 1875;
a handwritten draft of an unpublished article written and signed by Bram Stoker in 1887;
Spencer’s current exhibit is free and open to the public in the Exhibit Space through December 22nd. An online version of the exhibit is also available.
I’ve had the joy of working very closely with David Bergeron, Emeritus Professor of English, for several months as we prepare To the Great Variety of Readers: Celebrating the 400th Anniversary of Shakespeare’s First Folio, the first exhibit piloting the David M. Bergeron and Geraldo Sousa Exhibit initiative.
Beth M. Whittaker and David M. Bergeron. Click image to enlarge.
David and I had already been in conversation about exhibits as he and Geraldo developed their generous gift to support faculty research grounded in our collections. This project is very exciting to me, because I believe that exhibits are one of the best ways we can tell the stories of why libraries like this are important for a research university. We had bold ambitions to launch a call for proposals and a timeline, and then, as things happen, we encountered staff departures and a dean departure and all manner of other “reasons” progress was not made.
Luckily for all of us, David is a patient man. He approached me one morning and asked if the library had considered that this fall marked the 400th anniversary of the Shakespeare first folio. To be honest, I was unaware. We were still figuring out when we would have large scale exhibits, coming back from lockdown. The only fixed point on our exhibit schedule at that point was Fall of 2024, when we planned around the exciting centennial of the OTHER gorgeous library on campus, Watson. With David’s inspiration, we had the opportunity not only to work on an exhibit about this important milestone anniversary, but to test-drive collaborative exhibit processes prior to our launch of this program.
One of the items in the exhibit: Fifty Comedies and Tragedies by Francis Beaumont and John Fletcher, 1679. Click image to enlarge.
It has been a long time since I worked on a large-scale exhibit in Spencer’s exhibit space: 2018 to be exact, the magnificently fun 50 for 50. In the meantime, my colleagues have done a tremendous job of improving our exhibit processes. For those who don’t know, exhibit design is not as easy as picking which of our marvelous collections to put in a case. That’s the fun part. But it’s not all glamour, and I’d be happy to talk with anyone who wants to nerd out about digital file naming conventions and permissions to use images from other libraries and the perfect balance between font size for readability and size in the cases.
David and Geraldo’s gift is designed to encourage KU faculty to research in, and create exhibits from, the collections at Spencer Library. David isn’t the typical KU faculty member. For one thing, he’s a prolific author who uses our collections, and those of similar libraries, intensively in his research. For another, he’s continued this level of scholarly productivity into his retirement. So he has a lot of great ideas, and a lot of time on his hands, which is an exciting and terrifying combination. As I laid out the basic timeline of exhibit preparation from our end, he did not bat an eye.
A view of the exhibit To the Great Variety of Readers, with tables set up for the opening reception. Click image to enlarge.
We met roughly every other week to talk about the exhibit. He came up with a list of items very quickly, and not surprisingly, we couldn’t include it all. Spencer holds copies of thousands of significant literary works, but despite what you may hear from student guides on campus, KU Libraries does NOT hold a complete copy of the First Folio. While our friends at the Folger Shakespeare Library were open to lending us one of their many copies, they are closed for renovation.
But David has been gracious about our limitations, and very patient with me as I encouraged him to keep a lay reader in mind. We believe Shakespeare should be accessible to everyone, and so should Spencer Library’s exhibits.
Visitors exploring the exhibit during the opening reception. Click image to enlarge.
David M. Bergeron providing remarks at the exhibit opening reception in Spencer’s North Gallery. Click image to enlarge.
We also had fun planning an event, complete with the excuse I never knew I wanted to order cardboard Shakespeare standees. And finally, stay tuned as we develop more collaborative exhibits with KU faculty. The lessons we learned working with David on this project will make future exhibits easier for the recipients of David and Geraldo’s generosity.
David M. Bergeron (center) and Geraldo Sousa (right) with William Shakespeare (left). Click image to enlarge.
Dean of KU Libraries Carol Smith with Shakespeare. Click image to enlarge.
Beth M. Whittaker Associate Dean for Distinctive Collections Director of Spencer Research Library
A séance with L.E. James (Jim) Helyar, our late fellow librarian, and bibliographer of KU’s foundational Ralph N. Ellis collection of ornithology, is in order.
In our recent attempts to catalog mysterious heretofore unidentified bibliographical puzzlements in our Ellis collection backlog, we nailed the identity of a royal folio without a title page that had stymied Jim: he knew it was related to Alexander Wilson’s American Ornithology, but not how. Even though Jim was closer to solving this who-done-it than he knew, he wrote in notes left behind that “I don’t immediately see anything under Wilson or Bonaparte which corresponds.” “I suspect it’s something that ‘every [ornithological bibliographical] schoolboy knows’, but not me.”
Apparently, Jim was thrown off by the “Wilson/Bonaparte, American Ornithology” notes written at the bottom of the vulture plate shown below, so in fact who-done-it was not exactly who Jim thunk done-it. This messy (both physically and bibliographically) volume turned out to be an imperfect variant of one of our exceedingly rare ornithological tomes: the royal folio edition of Scottish naturalist Captain Thomas Brown’s Illustrations of the American Ornithology of Alexander Wilson and Charles Lucien Bonaparte, published in Edinburgh in 1835 (Call Number: Ellis Aves H76). This volume was created as an atlas to accompany a much earlier text, Alexander Wilson’s AmericanOrnithology, first issued in Philadelphia between 1808 and 1814. In his notes Jim mentions Thomas Brown only as one of the artists credited for the “Wilson derived illustrations.”
A plate in Thomas Brown’s Illustrations of the American Ornithology of Alexander Wilson and Charles Lucien Bonaparte, Prince of Musignano. With the addition of numerous recently discovered species, and representations of the whole sylva of North America superbly illustrated with 124 large copper plates engraved by Lizars, Scott, Mitchell and others all beautifully colored by hand. Edinburgh: Frazer & Co., 1835. Call Number: Ellis Aves H161. Click image to enlarge.
Close-up view of the handwritten note at the bottom of the vulture plate in Thomas Brown’s Illustrations. It reads “Wilson, A, & C. L. Bonaparte. American Ornithology. 4 vols. See VIII 90.” Call Number: Ellis Aves H161. Click image to enlarge.
I have created a small exhibition of the two copies, plus my start on what could be an arduous time-taking continent- and/or world-crossing project, to complete a census, not altogether do-able, ideally, entirely on-line or by phone. I was tempted at first to try the on-line and phone route, but same as with Jim perhaps … oh, the press of time …
The exhibit is free and open to the public in the North Gallery through September 16.
Inspired by the American Library Association’s “Libraries and Sustainability Virtual Book Club,” hosted during the Fall of 2022, the idea for an exhibit focused on environmental activism was born. We wanted to investigate which local conservation organizations’ materials are held at Spencer Research Library. We combed through boxes of materials from national conservation groups, Kansas chapters, and KU student chapters. Documents from organizations including the Jayhawk and Burroughs Audubon Societies, the Sierra Club of Kansas, and the Kansas Wildlife Federation showcase long-standing conservation efforts in the Lawrence, Kansas, area through task forces related to riparian conservation, water reclamation, the Clean Air Act, bird and buttery fly counts, and more. We also discovered that, within the central theme of local activism, calling community members to action on behalf of local and regional environmental concerns is woven throughout every aspect of the work that these organizations do. From bumper stickers to congressional papers, newsletters to posted fliers, the urgency of action is evident through the various channels of communication these organizations utilize. Not only do these materials document a network of local community efforts, but they also make for a visually appealing display of these important efforts.
Consulting and organizing collection materials for the exhibit. Click image to enlarge.
Exhibit curator Gwen Geiger Wolfe taking notes about materials. Click image to enlarge.
Challenges faced during the development of the exhibit were numerous and varied. For example, KU collections reflect that conservation engagement was heightened during the 1970s to the 1990s. This might be an accurate depiction of the context of the environmental movement, or it might reflect the need for further collection development in this area. Other examples were more logistic in nature and required flexibility to pivot around timelines, research processes, and themes of inquiry. The original theme focused specifically on Kansas Audubon Societies, of which there are several, but concerns regarding Audubon himself encouraged us to shift to the broader context of conservation, with the desire to highlight the important work accomplished through environmentally focused organizations and their members. Taken together, the resulting outcomes of facing these challenges have extended the timeline of the exhibition and motivated our desire to showcase the vital work of local environmentalists in Kansas.
Selecting specific materials for inclusion in the exhibition. Click image to enlarge.
The exhibition opened in June and will be on display in Spencer’s North Gallery through July 2023. The selected materials are meant to inspire action and visitors can leave with a postcard they can send to friends and family to urge their participation in local environmental activism by joining a conservation group. Kansas-based organizations featured in the exhibit are invited to attend and share this experience with their members.
Installing the exhibit. Click image to enlarge.
We would like to especially thank Pam Chaffee for allowing us to reproduce her photograph “Monarch Tagging with the Jayhawk Audubon Society” (Call Number: RH MS 691, Box 2, Folder 28), which adorns the postcard take-away for the exhibit. We also extend our thanks to Spencer and KU Libraries colleagues who were instrumental in supporting this exhibition: Angela Andres, Phil Cunningham, Molly Herring, Caitlin Klepper, Melissa Mayhew, Meredith Phares, and Nikki Pirch.
Jaime Groetsema Saifi Special Collections Cataloging Coordinator, Spencer Research Library
Gwen Geiger Wolfe Science and Engineering Librarian, KU Libraries
The temporary exhibit described in this post will be on display in Spencer’s North Gallery through the end of January.
One of the title labels in the Ho Chi Minh temporary exhibit. Click image to enlarge.
As a student assistant for the African American
Experience Collections, I recently had an opportunity to produce a temporary
exhibit in Kenneth Spencer Research Library.
After reviewing the 1968-1970 issues of The Black Panther, which was published by the Black Panther Party in Oakland, California, I uncovered an astonishing connection linking African Americans and Asians: In 1969 and 1970, the Minister of Information of the Black Panther Party, Eldridge Cleaver, led delegations of African Americans to visit North Vietnam, North Korea, and China.
Although I would have loved exploring the connections between the Black Panther Party, North Korea, and China, as a Vietnamese-American, I found myself inextricably drawn to the history of Ho Chi Minh and the Democratic Republic of Vietnam. With the topic of my temporary exhibit decided, I scoured Kenneth Spencer’s collections in search of material relating to Ho Chi Minh and the Black Panther Party.
Developing my temporary exhibit. Shown here is the second exhibit case focusing on African American anti-war sentiment. Click image to enlarge.
For my first exhibit case, I decided to focus solely upon Ho Chi Minh. (Notably, Ho Chi Minh is one of many pseudonyms he adopted.) I found two Black Panther Party newspapers in the African American Experience Collections but for the rest of my materials, I went digging around in the Wilcox Collection. I was fortunate enough to find a wonderful poster of Ho Chi Minh in the Counter Culture Posters Collection, along with two primary sources written by Ho, including Ho Chi Minh Answers President L.B. Johnson (Call Number: RH WL B3690) and Against U.S. Aggression for National Salvation (Call Number: RH WL B3593).
A poster of Ho Chi Minh, circa 1960s-1970s. Counter Culture Posters Collection. Call Number: RH MS R23, Folder 3. Click image to enlarge.
Around the same time I was creating my temporary exhibit, I was also participating in an independent study relating to eighteenth-, nineteenth-, and twentieth-century Vietnamese history. There I learned that in 1924 Ho Chi Minh had penned two essays titled “Lynching” and “the Ku Klux Klan.” In these essays, Ho Chi Minh wrote about the violence and racism African Americans faced in the United States, demonstrating his awareness of the oppressions endured by peoples outside Vietnam. It is highly probable that Ho read documents published from the NAACP’s anti-lynching campaign, which included information and statistics about African Americans lynched in the United States each year beginning in 1909. However, it is also worth noting that Ho worked aboard a steamship and traveled internationally to the United States, France, England, and other European countries.
Some of the most memorable quotes from his essay on
“Lynching” include:
“After sixty-five years of so-called emancipation, American Negroes still endure atrocious moral and material sufferings, of which the most cruel and horrible is the custom of lynching.”
“From 1899 to 1919, 2,600 Blacks were lynched, including 51 women and girls and ten former Great War soldiers.”
“Among 78 Blacks lynched in 1919, 11 were burned alive, three burned after having been killed, 31 shot, three tortured to death, one cut into pieces, one drowned and 11 put to death by various means.”
“Georgia heads the list with 22 victims. Mississippi follows with 12. Both have also three lynched soldiers to their credit.”
Upon Ho Chi Minh’s death, The Black Panther’s newspaper issue printed on September 13, 1969, included these two essays, along with an essay commemorating Ho’s death. However, Ho wrote these essays almost four decades before the Black Panther Party newspaper issues were printed in 1968-1970, during the height of the Vietnam War (1955-1975).
In addition, I also wanted to showcase the Black Panther Party’s anti-Vietnam propaganda and demonstrations. Once again, I found myself digging around in the Wilcox Collection. Among the items I chose for the second exhibit case include A Taste of Power: A Black Woman’s Story by Elaine Brown (Call Number: RH WL C2210). Brown acted as the Black Panther’s Southern California Chapter’s Deputy Minister of Information. Brown also accompanied Eldridge Cleaver on his visits to North Vietnam, North Korea, and China.
One of my favorite items in the exhibit is Vietnam: An Anti-War Comic Book by Julian Bond, a founder of the Atlanta sit-in movement and of the Student Nonviolent Coordinating Committee (SNCC). The comic book is a piece of anti-war propaganda that highlights the connections between the struggles of African Americans and the Vietnamese people during the 1970s.
Vietnam: An Anti-War Comic Book by Julian Bond. Frederick Allan Whitehead Papers. Call Number: RH MS 162, Box 8, Folder 8. Click image to enlarge.
The finished exhibit. Click images to enlarge.
A huge thank you to Caitlin Donnelly Klepper, Angela Andres, and Letha Johnson for helping me at various stages of my exhibit, as well as to my supervisor, Deborah Dandridge, for supporting my interest in exploring a fascinating side of history that was unknown to me at the time that Kenneth Spencer Research Library provides in its variety of collections of resources. Another thank you to the staff and students at the Reading Room reference desk, who helped me with my requests.
Sophia Southard African American Experience Collections Student Assistant
