Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
This week on That’s Distinctive! I am sharing a book from Special Collections. The book, titled Flowers in Concrete, was written by Mary Ellen Solt and published in 1966. According to the Poetry Foundation, “Solt began writing concrete poetry in the 1960s and became a leader of the concrete poetry movement.” A post on the Getty’s Iris blog describes concrete poetry as a form of poetry where the poems are “composed of words, letters, colors, and typefaces, in which graphic space plays a central role in both design and meaning.” The Poets.org website describes concrete poetry as more than just poems; they are pieces of visual art. Concrete poems are meant to be viewed rather than read aloud.
While there is more to be seen than said when it comes to concrete poetry, I chose to highlight this item because I had never heard of a concrete poem before. Often, then one thinks of a poem, they think of the typical lines that tend to rhyme and tell a story. Concrete poems still tell a story but in a different way. I came across this book when Special Collections Curator Elspeth Healey was using it for a class. She took a moment to show the book to me and some students since we were intrigued. The book the library houses is copy 60 out of 100 printed. Solt signed and dated the title page of Spencer’s copy in February 1970. The library also holds a later limited-edition poster-sized portfolio version of Flowers in Concrete printed by lithography in 1969 (Call Number: R72). Below I am sharing just three examples of concrete poems from the book (zinnia, forsythia, and dogwood). The Poetry4Kids website has a great lesson on how to write a concrete poem.
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Selected pages from Flowers in Concrete by Mary Ellen Solt, 1966. Call Number: B12714. Click images to enlarge.
April is National Poetry Month, and in honor of this KU Libraries will host an event celebrating Ronald Johnson and poetry in Kansas at the Kenneth Spencer Research Library on Tuesday, April 16.
Revered as a poet’s poet, Ronald Johnson (1935-1998) was born and raised in Ashland, Kansas. Though he spent much of his literary career away from Kansas, first on the East Coast and then in San Francisco (where he lived for over two decades), his literary papers have long acted as a physical tie to his birth state.
The Kenneth Spencer Research Library acquired its first cache of the poet’s papers in April of 1969. By this time, Johnson had already published his early collections A Line of Poetry, A Row of Trees (1964) and The Book of the Green Man (1967), but was still building his reputation as a poet. Subsequent major installments followed in 1971 and 1987, culminating with a final acquisition of papers from Johnson’s literary estate in March of this year (2013).
The papers are a magnificent record of Johnson’s life and literary endeavors. They include,
multiple drafts of his poetic works, such as his erasure poem Radi os (a re-writing of sections of Milton’s Paradise Lost by excision), and ARK, a long poem composed over twenty years (which will be republished by Flood Editions later this year)
drafts and prototypes for his concrete poetry (poetry which emphasizes and plays upon the visual element)
correspondence with friends, loved ones, and literary peers, such as writer Guy Davenport, a great champion and admirer of Johnson’s writing; Jonathan Williams, Jargon Society publisher, poet, and former love; and fellow poets such as Ian Hamilton Finlay, Louis Zukofsky, Mary Ellen Solt, and Robert Creeley.
materials documenting Johnson’s “other” career as a chef, caterer, and cookbook writer, including drafts of his popular cookbooks, such as The American Table and The Aficionado’s Southwestern Cooking, and (in the most recent accession) correspondence with food writer M. F. K. Fisher
research notes and writing journals
photographs and audio recordings of Johnson
One of the highlights of the new acquisition are drafts of Johnson’s The Shrubberies, poems which he composed upon returning to Kansas from San Francisco. These were collected, edited, and posthumously published by his friend and literary executor, poet Peter O’Leary. The poems were inspired in part by Ward-Meade Park in Topeka, where Johnson had worked before succumbing to brain cancer and where a plaque now stands in his honor.
Though the materials that arrived in March are not yet cataloged, an online guide exists for the twenty-nine boxes of Johnson’s earlier papers. The library also houses a large number of Johnson’s published works, many of which exist in scarce and limited editions. These materials complement Spencer’s New American Poetry holdings and its wealth of materials for Kansas writers.
The celebration on April 16 will feature three Kansas poets renowned in their own right: Joseph Harrington and Kenneth Irby, Professors in KU’s Department of English, and Denise Low, Kansas Poet Laureate, 2007-2009. These speakers will fête Johnson by reading favorite passages from his works alongside poems of their own. A selection of materials from the library’s Ronald Johnson holdings will be on display during the event.
