Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.
Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.
This week on That’s Distinctive! we are sharing some items from our Kansas Sheet Music Collection. The collection houses a “wide variety of sheet music relating to Kansas, written by Kansans, or otherwise of significance to the state of Kansas and themes of possible interest to Kansans.” The collection consists of eight boxes with the contents organized in alphabetical order.
The pieces shown today are “The Jayhawk Song”by Arch P. Naramore (1947); “KU Forever, ‘Varsity Song” published by Frank W. Ryan (1912); and “I am Going Back to Kansas: ‘Mid the Green Fields of Alfalfa Far Away” by Jesse J. Hamilton (1908).
Each week we’ll be posting a photograph from University Archives that shows a scene from KU’s past. We’ve also scanned more than 34,800 images from KU’s University Archives and made them available online; be sure to check them out!
When we talk about the history of the women’s suffrage movement, the narrative is often quite serious in terms of focus and tone. We read the rhetoric and arguments for and against suffrage; we learn about the struggles faced – mockery, ostracism, even imprisonment. But in the midst of all this seriousness existed publications and ephemera full of sass, humor, and wit!
Featured in our new online exhibit, Women’s Suffrage: The Lighter Side, is a selection of items from our collections that show the lighter side of the women’s suffrage movement. Published several years before the passage of the Nineteenth Amendment, these items include satirical essays and poems, popular song parodies, and nursery rhyme re-imaginings.
Published in 1915, Are Women People? A Book of Rhymes for Suffrage Times features satirical poems and other humorous writings by Alice Duer Miller to promote the women’s suffrage movement. Many of the poems were originally published individually in The New York Tribune before their publication together in this book. The material in the book is divided into five categories: Treacherous Texts, Campaign Material (For Both Sides), Women’s Sphere, A Masque of Teachers: The Ideal Candidates, and The Unconscious Suffragists.
A publication from Topeka, Kansas, The Suffrage Song Book: Original Songs, Parodies and Paraphrases, Adapted to Popular Melodies was created by Henry W. Roby and published in 1909. By taking the ideals of the women’s suffrage movement and setting them to the music of a variety of popular songs, Roby’s parodies are not only informative but catchy examples of some of the messaging used in the fight for women’s rights.
Another Kansas publication, The Gee-Gee’s Mother Goose by Lilla Day Monroe, is a collection of common nursery rhymes but re-written to incorporate pro-suffrage messages and ideas. For added interest in this 1912 publication, the rhymes are accompanied by related illustrations including scenes from “Three Blind Mice” and “Peter, Peter, Pumpkin Eater.”