Kenneth Spencer Research Library

Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.

To continue our spooky journey through Spencer’s collections, this week I share Samhain or “All Hallowe’en.”: A Romantic Irish Cantata. As noted in the Concise Oxford Companion to Irish Literature, “Samhain had an important place in Celtic mythology as a time when the normal order is suspended to allow free passage between the natural and supernatural worlds.” As defined by Merriam-Webster, a cantata is “a composition for one or more voices usually comprising solos, duets, recitatives, and choruses and sung to an instrumental accompaniment.” This particular cantata was written and composed in 1902 expressly for the Dublin Musical Festival, or Feis Ceoil. Established in 1897, “Feis Ceoil Association promotes excellence in the learning and performance of music across all ages, levels and disciplines…Today, Feis Ceoil is an event of major significance in the development of musical talent in Ireland.” The festival now comprises 180 competitions with a diverse range of ages from seven years old and up.

Dr. Annie Patterson (1868-1934), who wrote the cantata, “composed sacred and secular cantatas, orchestral works and songs based on Irish themes. She also wrote poetry, essays, short stories as well as professional articles and books on music.” Working with Rev. Houston Collisson – the cantata’s composer – and others, Patterson co-founded the Feis Ceoil in 1897 as part of the broader Gaelic revival in Ireland.

No matter what you believe or how you celebrate, I wish everyone a safe and very happy Halloween! Next week we will share one last item in the spirit of October before returning to regular postings.

Tiffany McIntosh
Public Services

Check the blog each Friday for a new “That’s Distinctive!” post. I created the series because I genuinely believe there is something in our collections for everyone, whether you’re writing a paper or just want to have a look. “That’s Distinctive!” will provide a more lighthearted glimpse into the diverse and unique materials at Spencer – including items that many people may not realize the library holds. If you have suggested topics for a future item feature or questions about the collections, feel free to leave a comment at the bottom of this page.

This week on That’s Distinctive! we are sharing some items from our Kansas Sheet Music Collection. The collection houses a “wide variety of sheet music relating to Kansas, written by Kansans, or otherwise of significance to the state of Kansas and themes of possible interest to Kansans.” The collection consists of eight boxes with the contents organized in alphabetical order.

The pieces shown today are “The Jayhawk Song” by Arch P. Naramore (1947); “KU Forever, ‘Varsity Song” published by Frank W. Ryan (1912); and “I am Going Back to Kansas: ‘Mid the Green Fields of Alfalfa Far Away” by Jesse J. Hamilton (1908).

Tiffany McIntosh
Public Services

Among the vast holdings of Kenneth Spencer Research Library’s Kansas Collection is an assortment of printed music, all produced by publishers based in the Sunflower State (RH E165). Song topics include patriotism, candidate promotion, parental affection, Kansas themes, waltzes, and love songs.

The publication of sheet music in the United States and Europe hit its stride during the Victorian era. An increase in the disposable income and leisure time of middle-class households meant that they could purchase pianos and other musical instruments, along with music lessons. The songs came to be known as “parlor music,” and many were composed especially for this type of use. Music in the home became a popular means of entertainment. Open the lid of the piano bench in any home that owned a piano and you would find a collection of sheet music. Phonograph records and radio would eventually replace parlor music as both a means of distributing music and home entertainment.

Since Valentine’s Day is here, this blog entry will focus on some of the love songs in the collection. Enjoy!

Sheet music cover, “I Never Knew.” Words and music by Marcus J. Lehman.
Wichita, Kansas: Mid-Continent Co. Publishers, 1920.
Kansas Sheet Music Collection. Call Number: RH E165. Click image to enlarge.

“I Never Knew”

A youthful suitor loved a maid,
How much he never knew.
He with her heart at baseball played,
Until she weary grew.
The more he teased this maiden fair
The more she did despair,
Until one day she went away,
And then I heard him say:

Chorus:
I never knew how much I’d miss you
Till you went away.
But now I want so much to kiss you,
Since you’ve gone to stay.
Your smile,
Your lips,
Your eyes so blue,
Your curls, I miss them, too.
The wealth of love you gave so true,
But most I just miss you.

Sheet music cover, “A Lover’s Quarrel.” Words and music by Rene F. Hartley.
Topeka, Kansas: Rene F. Hartley Music Publishing Co., 1922.
Kansas Sheet Music Collection. Call Number: RH E165. Click image to enlarge.

“A Lover’s Quarrel”

Often you’ll find, Sweethearts so fine,
True to each other but quarreling
When some things gone wrong.
Yes in their love play,
and just then you’ll hear one of them saying…..

Chorus:
It’s just a lover’s quarrel, yes just a lover’s quarrel,
Like all lovers have, but some so many more.
Hush now don’t you cry,
Dear now don’t you sigh,
‘Cause you know for you I’d die.
Long live the day, yes while at work and play,
For you and your winning way,
Right from the start you won my heart,
Now we must never part
Just over a lover’s quarrel.

Don’t say you’re through, that makes me blue,
When I love you and you only.
Still I know you’re mad,
And I’m feeling sad,
Now please gladden my heart dear by saying…..

Sheet music cover, “You Have Always Been the Same to Me.”
Words and music by Louis Weber, for his parents on their 64th wedding anniversary.
Kansas City, Kansas: Weber Brothers, 1912. Kansas Sheet Music Collection.
Call Number: RH E165. Click image to enlarge.

“You Have Always Been the Same to Me”

Many years ago my darling,
I remember well the day,
When I first began to love you,
Sixty years have passed away.
We have been so happy darling,
Now our locks are white, you see,
But our loves been growing stronger.
You have always been the same to me

Chorus:
You have always been the same to me.
You have always been the same to me.
When we reach the golden city
You will always be the same to me.

Many sorrows crossed our pathway,
But our lives were one sweet strain.
We have borne our lot together,
Sharing one another’s pain.
Soon we’ll close life’s pleasant journey,
Soon that city we shall see.
In that home of endless pleasure
You will always be the same to me.

Where the mocking birds are singing,
And the stars their vigils keep,
There beneath the sod my darling,
We shall sweetly sleep.
In the dawning of the morning
We shall ever happy be,
And through all the endless ages
You will always be the same to me.

Kathy Lafferty
Public Services