Kenneth Spencer Research Library

As I work to develop the Spencer’s new Latina/o Collections*, I wanted to take a moment and look back at the interesting materials that are already sitting within our library stacks and viewable in our Reading Room today! All the materials presented allow us to briefly see how Latina/os have gathered and built community within different places across Kansas.

Take a look at some of those materials below.

Aztlán de Leavenworth, volume 1

First published May 5, 1970, Aztlán de Leavenworth was a bilingual Chicano prisoner newspaper edited and published at Leavenworth Federal Penitentiary in Kansas. It features poet and activist raúlrsalinas’ famous poem “A Trip Through the Mind Jail.” Other members of the publication team included Albert Mares, Ruben Estrella, Alfredo Arellanes, Ricardo Mena, and Beto Palomino. Inspired by Aztec history and iconography, the newspaper is named after Aztlán, the ancestral home of the Aztecs, and features images of Tizoc and designs inspired by Aztec art.

Left: The front cover of Aztlán de Leavenworth, 1970. Right: The page of Aztlán de Leavenworth featuring “A Trip Through the Mind Jail,” 1970. Call Number: RH H79, volume 1. Click images to enlarge.

KACMAA Special Report, 1981

This 1981 special report was created by Kansas’ Advisory Committee in Mexican American Affairs (KACMAA). As explained in the report’s introduction, it “optimistically highlights important accomplishments and measurable in Hispanic’s social, economic, and political life” but also “clarifies the work that remains to be done.” While the KACMAA originally concentrated on projects to promote people of Mexican heritage, the organization evolved to include all Hispanics and Latinos across the state and is now known as the Kansas Hispanic and Latino American Affairs Commission.

Music groups in Emporia

Taken some time in 1932, these photographic prints from the Oral History Project Regarding the Hispanic Community of Emporia, Kansas (Call Number: RH PH 182) allow us to see some of Emporia’s early musical groups. The first photo shows members of the Mexican band Orquesta de Leora posing with their instruments, while the second features the women who made up the Coro de Santa Catalina, or St. Catherine’s Choir. St. Catherine’s Catholic Church still exists to this day and continues to offer Catholic services to Spanish speakers in Emporia.

Left: Photograph of Orquesta de Leora, 1932. Right: Photograph of St. Catherine’s Choir, 1932. Oral History Project Regarding the Hispanic Community of Emporia, Kansas. Call Number: RH PH 182, Box 1, Folders 11 and 19. Click images to enlarge.

MEChA & HALO Pamphlets

Records of a Latina/o focused group at the University of Kansas have existed since the 1970s. However, before it was LASU (Latin American Student Union), KU’s Latino student group went by many names. It first went by the name AMAS (Association of Mexican American Students), and then it was MEChA (Movimiento Estudiantil Chicano de Aztlán). The group took the name HALO (Hispanic American Leadership Organization) when it was re-established in the 1980s, and it finally became LASU to further expand its inclusion of all students of Latin American heritage or background.  

Rebekah Ramos
Curator of Latina/o Collections

Sources

“A Trip Through the Mind Jail: A Textual History of raúlrsalinas’ Magnum Opus” by Santiago Vidales Martínez in Textual Cultures 14.1 (2021): 208–229. DOI: https://doi.org/10.14434/tc.v14i1.32858

Kansas Hispanic & Latino American Affairs Commission website, “Our Mission and Our Origins from KACMAA to KHLAAC.”

KU Latin American Student Union website, “LASU History.”

*While many terms exist to identify people in the United States of Latin American origin and/or ancestry (i.e. Hispanic, Chicano, Latino, Latina/o, Latinx, Latine) at Spencer Research Library we chose to use “Latina/o” for the collection’s title. As the collection grows and evolves, the term used might change.

George Allen with his collection, December 1989.
Lawrence Journal-World Photo. George Allen Photograph Collection
accession file. Click image to enlarge.

George Allen (1913-2007) was born in Wichita, Kansas. His family moved to Lawrence in 1927. He graduated from Liberty Memorial High School, and then earned a law degree from Kansas University. He practiced law in Lawrence for forty years. Mr. Allen also collected stereoviews, a hobby fueled by his love of history and an interest in photography. He bought his first stereoview in the 1950s from a woman who operated an antique shop behind her house. He would go on to spend thirty-five years collecting thousands more, with his collection peaking somewhere between 20,000 and 25,000. In 1990 he sold 722 stereoviews to the University of Kansas Libraries. Among the collection are views of Kansas, Arizona, Illinois, Nebraska, New Mexico, North Dakota, Ohio, Pennsylvania, Texas, Missouri, Dakota Territory, as well as images of cowboys, sod homes, coal mining, floods, cattle raising, the Chicago Exposition of 1874, and railroads.

Emporia News building on Commercial Street, Emporia, Kansas, undated.
George Allen Photograph Collection. Call Number: RH PH 137.
Click image to enlarge.

Flood in Abilene, Kansas, 1903. George Allen Photograph Collection.
Call Number: RH PH 137. Click image to enlarge.

Boys bathing in Mud Creek, Dickinson County, Kansas, undated.
George Allen Photograph Collection. Call Number: RH PH 137.
Click image to enlarge.

The most popular stereoviews from Mr. Allen’s collection are fifty-five from Alexander Gardner’s “Across the Continent on the Union Pacific Railway, Eastern Division” series, which include several images of post-Civil War Lawrence, Kansas. Gardner, working for the Union Pacific Railway, took his photography wagon, loaded with chemicals and glass plates, across the west in 1867. He first followed the existing railroad line, which passed through Kansas, and then he continued along the proposed railroad route to the Pacific Ocean. He documented the towns, landscapes, and people he encountered on the way, using stereoviews to do so.

Massachusetts Street, Lawrence, Kansas, 1867 (front and back of card).
The image shows the rebirth of the town within five years of Quantrill’s Raid.
Alexander Gardner, Across the Continent on the Union Pacific Railway, Eastern Division.
George Allen Photograph Collection. Call Number: RH PH 137.
Click images to enlarge.

Stereoscopic photography consists of two nearly identical images pasted on a board, side by side. To get the two images, the photographer would make an exposure, then move the camera 2 1/2 inches, the average distance between human eyes, and make a second exposure. The photographer would then develop each of the images and paste the prints onto the board. When the two images are viewed through an apparatus called a stereoscope, or stereoviewer, the eyes force the two images into one image, creating the appearance of depth perception, or 3D. Another method was to use a twin-lens camera, which allowed the photographer to make the two exposures simultaneously, saving time and eliminating the need to reload the camera.

An example of a stereoviewer, also known as a stereoscope.
Image courtesy of Gilai Collectibles. Click image to enlarge.

Collecting and trading stereoviews of plays, famous sites, people, or events was quite popular in the mid nineteenth and early twentieth centuries. Most homes had a stereoviewer in the parlor, which allowed viewers to see, for example, views of Paris without actually traveling. Mr. Allen enjoyed stereoviews for the way they portrayed history and told the story of our shared past.

Round-up on the Sherman Ranch, Genesee, Kansas, undated (front and back of card).
George Allen Photograph Collection. Call Number: RH PH 137. Click images to enlarge.

Dugout sod home, Kansas, undated. George Allen Photograph Collection.
Call Number: RH PH 137. Click image to enlarge.

Kathy Lafferty
Public Services