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Inside Spencer: The KSRL Blog

Books on a shelf

Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.

First Impressions

November 9th, 2013

Setting type may not be as easy as it looks, but it is good fun! Throughout October intrepid students in the History of the Book (English 520 / History 500) made several trips to the press room in Spencer’s basement to execute a printing project using the library’s historic presses. Reading about printing during the hand press era offers some insight, but it is easy for the process to remain shrouded in mystery until you try it out yourself. As you stand in front of a case of type, the logistical considerations involved in producing a book–such as format, imposition, line length, and style and size of type–quickly take on a new reality.

Students hand-inking the type using a brayer. Photograph of student lowering the frisket, October 2013

Photograph of printing on a hand press, Kenneth Spencer Research Library

Image of the History of the Book class printing in the Spencer Research Library's basement, October 2013.

Students from The History of the Book  (ENGL 520 / HIST 500) operate the press with
the assistance of printer Tim O’Brien (in the blue apron and striped shirt).

Since Spencer houses wonderful Irish Collections, we elected to print W. B. Yeats’s poem “The Wild Swans at Coole,” which has an appropriately autumnal theme. Each student set two lines of the poem, picking type, letter by letter, from the case and depositing it in a composing stick held in the opposite hand. (If you are right-handed, you would hold the composing stick in your left hand and pick with the right.) The set lines were then transferred to a tray called a “galley” for assembly as a page.  Wooden furniture and metal quoins were used to lock the composed pages into a metal chase, which was then positioned in the press.

As an early proof of the poem quickly revealed, setting type is a skill that requires practice and concentration.  Some speculate that the caution to “mind one’s p’s and q’s” originates in printing, since these two pieces of type are easily confused.  In examining our proof, it seems it was our b’s and d’s that needed minding.  Though excessive errors could lead to docked wages in an eighteenth-century print shop, for us, making (and correcting) mistakes was an instructive part of the process.

Image of an initial proof of the poem lying on a case of type.

“If at first you don’t succeed…”:  proofing and correcting our mistakes.

The project was printed in “folio” format, each printed sheet folded once to create two leaves (or four pages). First, the class printed the “outer forme” (containing the title page and the colophon). Then, after some drying time, we “perfected” the sheets by printing the “inner forme” (containing the poem’s text) on the verso.

Title page and colophon locked in the chase

Outer Forme: the title page and colophon locked in the chase.  Wooden “furniture” and
metal “quoins” provide the pressure needed to keep everything wedged tightly in place.

In the early days, printing usually involved two pressman–one to insert the paper and work the press, and the second to ink the type. Under the guidance of printer Tim O’Brien, the students each took a turn at both roles.  As the class discovered, there is definitely a genuine satisfaction that comes from operating a hand press.  Of course, the best part is that it produces such wonderfully tangible mementos!

Image of the completed leaflet (copies folded and unfolded): The Wild Swans at Coole Image of the printed text of the poem "The Image of the printed text of Yeats's poem, "The Wild Swans at Coole."

Ta-dah! The finished product. To read the full text of “The Wild Swans at Coole” click the image on the right to enlarge.

Elspeth Healey
Special Collections Librarian

The Young Poisoner’s Handbook

October 18th, 2013

Sir Joseph Fayrer’s account of the Thanatophidia is important as a classic, systematic account of the venomous snakes of India. This second edition (the first was in 1872) was improved with the addition of text, even though the 31 lithographs (including 28 chromolithos) are identical in both editions.

Fayrer conducted extensive studies of the poison apparatus in Indian snakes and was responsible for many advances in the treatment of snakebite, including the use of potassium permanganate, of which he was the originator.

Image of a cobra, Ophiophagus Elaps (plate 8) from Fayrer's the Thanatophidia of India

Above:  Plate 8 (Ophiophagus Elaps) from Joseph Fayrer’s The Thanatophidia of India,  second edition. London: J. and A. Churchill, 1874. Call Number: H199. Click image to enlarge.

The venomous snakes, and by extension all snakes, get a bad rap for what is primarily an extremely efficient food-getting mechanism, only secondarily defensive.  Unless they are themselves attached, they kill other animals only for food.  How else to get supper without either arms or legs?  For a snake, there’s constriction or there’s fangs, although the spitting cobras of Africa send their poison by air-mail, blinding their victim.  There is some question among herpetologists about whether the black mamba (the largest venomous snake in Africa) or the cobra, shown here in a very striking pose, will actually attack a human.  Most snakes will try to escape a predator. In the United States, some species, such as the cottonmouth, will stand their ground and strike if the unwary come to close.

Sally Haines
Rare Books Cataloger
Adapted from her Spencer Research Library exhibit and catalog, Slithy Toves: Illustrated Classic Herpetological Books at the University of Kansas in Pictures and Conservations

Counterparts and Crossed-out Prohibitions against Fornication; Or, Adventures in Indentures

September 26th, 2013

Anyone who has ever tried to read the fine print on a lease or an online click-through user agreement knows that contracts can at times be rather stultifying documents. Even in the early modern period, contracts used formulaic language that could be dry and impenetrable enough to put off all but the most dedicated reader. However the physical formats of these documents can be quite fascinating, especially to modern eyes.

An indenture is a legal contract between two or more parties which reflects an obligation or covenant between those parties. Common types of indentures include leases, bonds, apprenticeship agreements, and marriage agreements, to name a few.

Image of a lease indenture from the Kaye Family Estate Papers, 1639

Lease indenture between John Kaye of Denby Grange and lessee John North of Bankend for land in Almondbury in Yorkshire, 1639.  Kaye Family Estate Papers. Call Number: MS 240B: 111. Click image to enlarge.

The term “indenture” originally referred to the physical form of this contract. As a security and authentication measure, two or more copies of the deed would be written on the same piece of parchment (animal skin), usually head to head (i.e. with top of one copy facing the top of the other) and then the parchment would be cut in two in a wavy or zigzag pattern to produce the two copies of the contract. The authenticity of the indenture could then be validated by reuniting and matching its edges to those of its “counterpart.”

Image of an indenture and its counterpart matched along their serrated edges.

Indenture and counterpart matched along their scalloped edges. Lease between John Kaye, of Denby Grange and lessee John North of Bankend for land in Almondbury in Yorkshire, 1639. Kaye Family Estate Papers. Call Number: MS 240B: 110-111. Click image to enlarge.

In later years, it was not uncommon to see printed indentures–essentially “forms” in which the formulaic parts are printed and the particulars were added in manuscript.  Spencer’s English Historical Documents collection includes many printed apprenticeship indentures from the 19th century.  It is fascinating to see how the printed forms (still on parchment, mind you!) can be tailored to cover the specific details of a given agreement.  A common stipulation of such agreements was that the apprentice agree not to partake in a variety of activities that might negatively impact his Master or divert the apprentice’s attentions (“he shall not play at Cards, Dice, Tables, or any other unlawful Games…” nor “haunt Taverns or Playhouses, nor absent himself from his said Master’s Service Day or Night”).  In the case of the apprenticeship indenture of young Thomas Inkpen (who, based on his name, clearly missed his calling as a scrivener) to the tailor Dennis O’Leary (below), we can see that the prohibition against fornication or marriage has been struck out, leaving him free to marry during his seven-year term of apprenticeship. Indeed, this stipulation may have been omitted because Inkpen was already married or engaged. (It’s also interesting to note that Inkpen signs his own name, but O’Leary, the tailor to whom he will be apprenticed, signs only with his “mark.”)

Image of an apprenticeship indenture with fornication/marriage clause struck out, 1821.

Photograph of a detail from an apprenticeship indenture with clause prohibiting fornication/marriage struck out, 1821

Apprenticeship indenture of Thomas Inkpen to tailor Dennis O’Leary. February 28, 1821. English Historical Documents Collection. Call Number: MS 239:3818.  Click images to enlarge.

Female apprentices might also occasion the alteration of the printed part of the indenture, which most often assumed a male apprentice.  In the 1834 indenture of eleven year-old Rebecca Dale to  Richard Gray, a Tambour worker and Dressmaker, male pronouns on the printed part of the form have been crossed-out and replaced with female ones.

Image of an apprenticeship indenture form modified by hand for a female apprentice, 1834.

Detail from an apprenticeship indenture form with manuscript modifications for a female apprentice, 1834.

He to She and His to Her: Apprenticeship indenture for Rebecca Dale to Richard Gray, Tambour worker and Dress maker . December 13, 1834. English Historical Documents. Call Number: MS 239:3823. Click images to enlarge.

 Female apprentices soon became common enough that some printers left blanks on their forms to allow for the possibility.  Though the following 1842 indenture is for a boy, William Hicks, to be apprenticed to John Weekes, a Tinman, Coppersmith, and Brazier, the blanks permit it to accommodate a female apprentice with equal ease and even allow for a “Mistress” rather than a “Master.”

Image of apprenticeship indenture with blanks to accommodate both sexes, 1842

Image of a detail from a printed apprenticeship indenture with blanks to allow for either a master or mistress or a male or female apprentice

Fill in the blank: M(aster) or M(istress)? Indenture for William Hicks, Jr. to be apprenticed to John Weekes, Tinman, Coppersmith, and Brazier. November 28, 1842. English Historical Documents Collection. Call Number: MS 239: 3787.

Spencer’s English Historical Documents collection, comprising over 7000 English deeds and manorial, estate, probate and family documents dating roughly from 1200 to 1900, offers a rich resource for investigating the changing face of the indenture.  It also offers insight into two prominent English families, the Kayes of Yorkshire, and the North Family, whose illustrious members include Frederick North, Prime Minister of Great Britain during the American War of Independence.   An online finding aid is currently in progress, but in the interim we encourage interested researchers to contact us with their queries.

Elspeth Healey
Special Collections Librarian
[With special thanks to Mary Ann Baker, processing archivist for the English Historical Documents collection, for locating and identifying the counterparts referred to in this post.]

Cherry Ames (Now) at Spencer

August 22nd, 2013

People of a certain age may recall reading tales of intrepid nurse Cherry Ames, a young woman from Illinois who travels the world in wartime as a nurse, then transitions into peace-time service. In her career, Cherry works in many situations, from nursing and veterans’ homes to department stores, jungles, cruise chips and dude ranches. Always plucky and resourceful, Cherry meets each challenge with humor, grace, and smarts.

Cover of Cherry Ames at Spencer, by Julie Tatham, 1949.

Cherry Ames at Spencer, 1949. Call number Children B2641. Click image to enlarge.

The Cherry Ames series (written mainly for an audience of young girls) was penned by two authors: first Helen Wells, then Julie Tatham, and finally Helen Wells again. The twenty-seven books (as well as annuals and many other spin-off products) were written between 1943 and 1968. At a time when there were not many viable career options for girls, Cherry provided a window into the exciting life of a working woman. Cherry traveled to exciting locales and met handsome doctors, yet her dedication to her patients always came first.

Cover of Cherry Ames: Flight Nurse, by Helen Wells, 1945.  Cover of Cherry Ames: Veterans' Nurse, by Helen Wells, 1946.

Left: Cherry Ames, Flight Nurse, 1945. Call number: Children B2643.
Right: Cherry Ames, Veterans’ Nurse, 1946. Call number: Children B2647. Click images to enlarge.

Cover of Cherry Ames: Chief Nurse, by Helen Wells, 1944.  Cover of Cherry Ames: Rest Home Nurse, by Julie Tatham.

Left: Cherry Ames, Chief Nurse, 1944. Call number: Children B2644.
Right: Cherry Ames, Rest Home Nurse, 1954. Call number: Children B2638. Click images to enlarge.

Spencer Library recently acquired a group of twelve Cherry Ames books. Given that Cherry Ames once worked at a place called Spencer (although in her case it was a hospital), we are sure she will feel right at home in ours. For more information on all things Cherry, see the Cherry Ames Page.

Whitney Baker
Head, Conservation Services

16th-Century Medicine for the Fascination of 21st-Century Audiences

July 19th, 2013

Yesterday, KU announced a magnificent gift to the libraries and the KU Medical Campus from the estate of the late KUMC Dean Stata Norton Ringle and her husband David Ringle. One of the projects that tied Stata Norton Ringle to the Kenneth Spencer Research Library was her translation of a manuscript from our collections.  Produced circa 1562, Libro de i secretti & ricette, also known as the Jesuatti Book of Remedies (MS Pryce E1), is a collection of remedies used by the friars of the Order of Saint Jerome in Lucca, Italy to treat an array of ailments. These range from the common (digestive problems, colds, wounds and sores) to the cosmetic (baldness) to the strange (“For the crust that comes on the head of little children“) to the most dire (the plague, malaria). The remedies recorded in the manuscript are a variety of galenical mixtures of herbs, alchemical distillates, prayers, and incantations.

Page spread from the Jesuatti Book of Remedies featuring distillation diagrams
Jesuatti Book of Remedies. Lucca, Italy, circa 1562. Call number: MS Pryce E1. Click image to enlarge.
Image courtesy of KU Libraries Flickr Photostream.

This volume so captivated Professor Ringle that she taught herself Renaissance-era Italian to undertake its translation. The result was a digital edition, published in collaboration with KU Libraries’ Center for Digital Scholarship, that combines her annotated English translation with manuscript page images.

Browsing the digital edition, it’s easy to see why a professor of pharmacology, toxicology and therapeutics, like Dr. Ringle, would want to share this fascinating manuscript with scholars and the public at large. We have it on good authority from our web gurus that the most scatological, blush-inducing, and comically bizarre search terms driving internet traffic to the KU Libraries website tend to be page hits for the Jesuatti Book of Remedies. (I won’t list those search terms here, but this passage should give you a sense of some of the more sensitive topics the remedies address).

To celebrate the late Professor Ringle and her work, we reproduce three remedies from her translation and encourage you to continue on and peruse the entire volume online.  In her  preface, she wisely cautions that the translation is for “historical information only.”  We hope you enjoy reading these remedies, but please don’t try them at home!

Best remedy for headache. [From folio 13 verso]

Take 1 handful each of good marjoram and rosemary and make fine powder of them. In the morning take half a glass of good white wine and put therein a tablespoon of this powder, heat it and drink this early in the morning and soon you will be cured. This is also powerful to save the teeth so they will not decay and it will give you a good breath. It is the thing used by gentlemen. […]

To make gray hair dark. [From folio 19 recto]

Take equal amounts of soft dark soap and quicklime and yellow litharge and incorporate them in the form of an unguent and with this rub the gray hair several times and it will become dark. Continue this rubbing according to how you see the need as it turns from being white to dark.

Another for the aforesaid and also good. Take the juice of beets mixed with ashes made of chicken feathers and boil them together a while. Rub yourself with this in the evening when you go to sleep. […]

To remove redness from the face and make it the way one wants. [From folio 162 verso].

Take 1 ounce of native sulfur, 1 dram each of white incense and myrrh and ½ ounce of camphor. Powder everything very finely and mix it with ½ lb. of rose water and distill it in a little glass still. Preserve this water well-closed and bathe the face in the evening and morning with a sponge, rubbing well. Soon the redness of the face will disappear. This has been tested by many persons. [...]

Image of the Jesuatti Book of Remedies, folio 13v: Best remedy for headache Image of page of Jesuatti Book of Remedies giving remedy for making gray hair dar. A page from the Jesuatti Book of Remedies:

From the Jesuatti Book of Remedies digital edition: (left) “Best remedy for headache” folio 13v; (center) “To make gray hair dark” folio 19r; and (right) “To remove redness from the face and make it the way one wants,” folio 162v. Translated with notes by Stata Norton. Electronic edition published by the Center for Digital Scholarship, University of Kansas Libraries, 2010. http://etext.ku.edu/view?docId=jesuatti/jesuatti.xml. Click images to enlarge.