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Inside Spencer: The KSRL Blog

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Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.

Manual Retouching of Glass Plate Negatives in the Hannah Scott Studio Collection: Ringle Conservation Internship

March 5th, 2025

I began working as the Ringle Conservation Intern during the fall of 2024, drawn to the position as an art history graduate student with a budding interest in art conservation and passion for collecting antique photographs. Throughout the course of the semester, and the beginning of the spring 2025 semester, I was able to rehouse 2,400 glass plate negatives and contribute to the online database that will be used towards the creation of a future finding aid. Under the guidance of the incredibly kind and knowledgeable conservation staff, such as Whitney Baker, Charissa Pincock, and Kaitlin McGrath, I was able to take my first steps into the world of conservation and archival work, and will look back at this time fondly.

Throughout my time at the Kenneth Spencer Research Library Conservation Lab, I was privileged with the ability of looking into the past through the eyes of Hannah Scott, the Independence, Kansas based photographer and studio owner who operated from the 1910’s into the 1940’s. Each glass plate negative that I carefully removed from their aged and yellowed envelopes showed me a moment frozen in time; a bride on her wedding day with her bouquet cascading to the floor, a baby with a wide, toothless, grin clutching a doll, or an elderly couple still donning the out-of-fashion garb of decades past. I became an undetected observer from a distant time, one who was able to watch children and families grow over the years as they returned time and time again to Hannah’s studio.

As I made my way through the collection I was repeatedly met with glass plates that possessed faint scratches outlining the contours of a face where wrinkles tend to form, or scribbled dots speckling the skin. I continuously wondered what these etchings might be when I came across a plate that had two negatives of the same woman, but on one she was heavily freckled, and in the other, there was not a spot on her skin to be found. On the emulsion side of the plate, her freckles had been meticulously removed one-by-one with a pointed instrument of sorts to render her skin seemingly airbrushed. I instantly recognized that these “scratches” were an example of the pre-digital age method of “photoshopping” photographs, a technique that Hannah would employ to provide her customers with the option of having a perfect portrait to display.

Glass plate negative with scratches on face of left image and no scratches on the right.
Double portrait glass plate negative. Image on the left is the untouched image of a subject with freckles. Image on the right has been manually retouched. Hannah Scott Collection, Kansas Collection.

I had read about the act of manually retouching glass plate negatives in the Victorian era, where the outer edges of a woman’s mid-section were erased to achieve the desired “wasp-waist” look. However, I thought this was an outlying and rare occurrence, but the fact that almost every plate of Hannah’s bears some evidence of retouching shows how common and pervasive this practice was. Furthermore, there was not a specific demographic of Hannah’s client that received this treatment; men and women of all ages, from infants to seniors, were able to take home a photograph of themselves looking their absolute best. Excess stray hairs, deep set wrinkles from decades of emoting, blemishes, freckles, moles, or an accidental hand or prop in the image were all able to be removed by the dedicated photographer’s technique of building up hair-thin lines to erase the undesired.

Glass plate negative with edits to remove stray hair on subject of the portrait.
Double portrait glass plate negative. Example of stray hair removal. Hannah Scott Collection, Kansas Collection.

After doing some research of my own, I discovered that the practice of manually retouching glass plate negatives had been in place since the 1840s, and involved the use of either a graphite pencil or knife to scratch out or cover up whatever it may be that was preventing the desired image. Such retouching appeared almost invisible, both in the glass plate negative and in the final positive. I was able to see evidence of the retouching only when I viewed the emulsion side of the negative from a certain angle where the light could reflect off the scratches. Such a trick-of-the trade exemplifies how not so different we are today from those who lived almost a hundred years ago, and how certain behaviors, such as the editing of photographed portraits, show a formidable continuity over time. I can almost imagine the scene appearing in front of me; Hannah in her studio hunched over a negative, surrounded by various tools and instruments, a soft, rhythmic, scratching noise permeates the air as she works on perfecting her customer’s portrait, the hours ticking by, a radio playing a vintage tune hums in the background, unknowingly creating the plate that would end up in my very hands all these years later.

Glass plate negative with scratches on surface.
Manual retouching on the emulsion side of a glass plate negative. Hannah Scott Collection, Kansas Collection.
Glass plate negative with scratches on surface.
Manual retouching on the emulsion side of a glass plate negative. Hannah Scott Collection, Kansas Collection.

For further reading on manual retouching of glass plate negatives see https://pastonglass.wordpress.com/2017/11/28/the-art-of-retouching-pre-photoshop/ and https://www.mentalfloss.com/article/83262/how-photo-retouching-worked-photoshop

Alessia Serra
2024-2025 Ringle Conservation Intern
Conservation Services

New Finding Aids: January-December 2024

January 17th, 2025

Ah, the highs and lows of 2024. It’s been a bit of a roller coaster over the past year for the manuscripts processing team here at Spencer with changes in leadership, new digital workflows, and university-wide events like the Watson Library centennial celebrations. Last year we “got out of the basement” and worked more closely with faculty members and staff across campus on larger, multi-year processing projects and adding to existing collections. One of the most fulfilling parts of archival processing work is directly working with history to shape how we see the past long into the future. Entering 2025, the manuscripts processing team has many exciting collections in the works that we cannot wait to share with you all. In the meantime, here are the new finding aids published in 2024!

Kansas Collection

Emanuel Haldeman-Julius letter, January 12, 1921 (RH MS P1006)

World War II era V-Mail form envelopes, circa 1942-1945 (RH MS P1007)

Nate Foster papers, 1977-1981 (RH MS 1601)

Black-and-white photograph of a man lifting a large barbell weight.
A photograph of Kansas-based powerlifter Nate Foster in a competition. Foster was active from the late 1970s into the mid-1980s, and he also coached the U. S. Women’s Powerlifting Team at the World Championships in Hawaii in 1981. Nate Foster Papers. Call Number: RH MS 1601. Click image to enlarge.

Barbara Burghart-Perreault collection, 1886-2020, bulk 1950-2010 (RH MS 1604 + other call numbers)

Abstract color artwork of houses on hills.
Pastel sketch of houses on the San Francisco hills by Kansas native Barbara Burghart-Perreault, 1967. Barbara Burghart-Perreault Collection. Call Number: RH MS R544. Click image to enlarge.

Quivira Lakes collection, 1981-2003 (RH MS 1605)

Vote for liquor-by-the-drink mug collection, 1986 (RH MS 1607)

Photograph of a clear glass beer mug that has text in blue.
A mug listing local Lawrence businesses supporting liquor-by-the-drink legislation, 1986. The proposed legislation removed a food purchase requirement at restaurants to buy alcohol. Vote for Liquor-By-The-Drink Mug Collection. Call Number: RH MS 1607. Click image to enlarge.

Alvamar Estates collection, June 1, 1966-December 21, 1968 (RH MS 1608)

Floyd Schultz history, 1922-2011 (RH MS 1609)

Victoria Shinn collection, 1952-2000 (RH MS 1610 + other call numbers)

O’Sullivan family history, 1955-2018 (RH MS 1611)

Lawrence Free State High School calendars, 1997-1999 (RH MS S89)

Special Collections

Central American textile maps, approximately 1745-1897 (MS S16)

Real Sociedad Económica de Amanetes de la Patria de Guatemala collection, 1830-1883 (MS 110)

Hong Kong return to China newspaper collection, July 1997 (MS Qa51)

Political ephemera from national elections in Costa Rica, Honduras, and Panama, 2001-2010 (MS 384 + other call numbers)

Photograph of a pamphlet by the Movimiento Libertario party titled "Plan de Gobierno 2010-2014." It shows a man stretching out his hand to the reader.
A political candidate’s policy plan from a national election in Costa Rica, 2010. Political Ephemera from National Elections in Costa Rica, Honduras, and Panama. Call Number: MS 384. Click image to enlarge.

Orsetti family papers, 1180-1874, bulk 1450-1820 (MS 131 + other call numbers)

River City Reunion audiovisual recordings, 1987, 1993, and February 1995 (SC AV 56 + other call numbers)

University Archives

Albert Bloch slides, 1906-1959 (PP 657)

Personal papers of Charles E. Skidmore Jr., 1949-1944 (PP 658)

Personal papers of Angela V. Woodhull, 1984 (PP 659)

Two items: Black-and-white sketch of a man sitting at his desk with the caption "Dr. Lee Bee in his office (when no one is looking)." Black-and-white program cover with performance details against the silhouette of six men in suits; five wear conical hats and one wears a graduation cap.
Character notes and a performance booklet for The Last of the True Scholars by Angela V. Woodhull. The University of the Kansas Theatre Department performed the play on October 26-31, 1984. Personal Papers of Angela V. Woodhull. Call Number: PP 659. Click image to enlarge.

Walter J. and Virginia H. Meserve family photographs, 1951-1953 (PP 660)

Personal papers of Arthur Davidson, 1927-1971 (PP 661)

Personal papers of Edward R. Canda, 1968-2023 (PP 662 + other call numbers)

Charissa Pincock
Archives and Manuscripts Coordinator

Today in the Lab: Ask a Conservator Day 2024

November 1st, 2024

Today, Friday, November 1, 2024, is the fifth annual Ask a Conservator Day, an initiative of the American Institute for Conservation (AIC), the national professional organization for conservators.

Ask a Conservator Day serves a dual purpose. First, it commemorates the flooding of Florence on November 4, 1966, which damaged cultural heritage sites throughout that city and, in the aftermath of the disaster, sparked a massive recovery effort that is seen as the origin of the modern conservation profession. Ask a Conservator Day also serves as an opportunity for conservators and other preservation professionals to educate the public about the conservation profession.

In that spirit, I will revive our occasional Today in the Lab series to share a snapshot of what I am working on right now. The materials at my workbench always represent an ever-changing mixture of long-term projects and one-off treatments with a shorter turnaround time, and at any given time I will have items from all of Spencer’s collecting areas in my queue. So come along on a tour of my workspace!

Recently cataloged children's books in custom-made boxes.
Recently cataloged 19th century children’s books in custom-made boxes, awaiting conservation treatment. Click to enlarge.
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First, on the green book truck next to my bench I have a group of recently catalogued children’s books from Special Collections, mostly from the 19th century. As my colleagues in cataloging complete their work on the records for these materials, they flag volumes that need repair or housing. Our team of Conservation Services student assistants have already made custom enclosures to protect these vulnerable books, and I have been working through the flagged items in batches to complete any needed repairs.

Watson Library building plans before treatment.
Watson Library building plans (1947 addition) before treatment. Call number: RG 0/22/99/00. Click to enlarge.

Next, I have several sets of architectural drawings for Watson Library, which is having its centennial this year. These sets are for the original 1922-1924 construction and a 1940’s addition, a total of 116 individual drawings. These drawings bear signs of being used on the construction site: edge tears and creases from frequent rolling and unrolling, builders’ markings in pencil and other media, and a significant accumulation of surface dirt. One by one I have been surface cleaning the drawings on both sides, flattening the creases, and mending the tears with a specially made repair tissue. Just 6 more drawings to go before these sets will be returned to the University Archives, where they will be available once again to researchers.

Detail of edge damage on Watson Library building plans before treatment.
Detail of edge damage on Watson Library building plans (1947 addition) before treatment. Call number: RG 0/22/99/00. Click to enlarge.
Watson Library building plans during treatment.
Watson Library building plans (1947 addition) during treatment. Call number: 0/22/99/00. Click to enlarge.
Items in special collections conservator's cabinet.
Items in special collections conservator’s cabinet, awaiting treatment or installation in an exhibit. Click to enlarge.

Moving on to my cabinet! Right now the upper section of my cabinet mostly holds materials that I have prepared for an upcoming temporary exhibit. I have made cradles or selected other supports from our supply of exhibit materials, and for now these items are simply waiting for the installation date. On the lower shelf, second from the right, is a very long-term treatment that is in progress, an early 20th century funeral ledger from the Kansas Collection. I have removed duct tape from the spine of the volume and have mended about half of the text block. When mending is completed, I will reinforce the sewing and board attachments so that this fascinating volume will be stable enough for use in the reading room.

Items awaiting boxes in special collections conservator's cabinet drawer.
Items in special collections conservator’s cabinet drawer, awaiting custom-made enclosures. Click to enlarge.
Items awaiting treatment in special collections conservator's cabinet drawer.
Items in special collections conservator’s cabinet drawer, awaiting conservation treatment. Click to enlarge.

Finally, in two of my lower cabinet drawers I have items awaiting treatment that have come to me either from cataloging and processing, or from the reading room. These are typical of the single-item treatments that make up the bulk of my daily work: items needing custom enclosures, volumes with detached spines or boards, rolled material that needs to be flattened, photographs that need to be removed from frames. This steady stream of “patients” is what keeps my day-to-day work from becoming boring or repetitive, as the depth and variety of Spencer Library’s collections means that I always have something new-to-me to work on.

Angela Andres, special collections conservator

Meet the Staff: Ruby Rhodd

September 17th, 2024

This is the latest installment in a recurring series of posts introducing readers to the staff of Kenneth Spencer Research Library. Today’s profile features Ruby Rhodd, who joined Spencer Research Library in October 2022 as a Special Collections Serials Cataloger.

Where are you from?

I’ve lived in Kansas since I was 3 years old. I was raised in White Cloud, located in northeast Kansas near my tribal reservation, the Iowa Tribe of Kansas and Nebraska. I currently reside in Leavenworth, Kansas and commute to Lawrence daily for work.

How did you come to work at Spencer Research Library?

During the covid-19 shutdown, I realized I wasn’t happy where I was at and decided to pursue jobs in the library field. During my undergrad at KU, I had a small library job at the Murphy Art & Architecture Library on the KU campus, and thoroughly enjoyed it as it was one of the main reasons why I pursued employment with KU Libraries. I was hired in October of 2022 with the choice of three different positions. I chose Spencer because I wanted to work somewhere with the most challenges, but also their “rare materials” sounded like they would be cool to work with.

Special Collections Serials Cataloger Ruby Rhodd pictured in the Kansas Collection Stacks.
Special Collections Serials Cataloger Ruby Rhodd pictured in the Kansas Collection Stacks.
What does your job at Spencer entail?

I am the Special Collections Serials Cataloger. I catalog anything that is a periodical, journal, newspaper, zine, etc., and anything that has the intention of being published forever and ever. I create new records for these materials, or I enhance and update the records we already have. These records are what our users see when searching our catalog. I also house most of the items before they are put in the stacks. As part of my duties, I supervise students and teach them to label our collections, and I create projects for them that help with collection maintenance.

What part of your job do you like best?

I love the tediousness that it entails; busy work and paying attention to tiny details is satisfying. I have also enjoyed my path to realizing that I want to expand my knowledge and background to further my career in the library world and use this experience to one day become an archivist for my tribe and enhance their efforts of preserving our tribal history. I owe credit to Spencer, as an institution, and to everyone I work with who have inspired me to pursue my master’s degree in library science. Coming to work everyday at a place that values the preservation of materials to educate future generations is rewarding.

What is one of the most interesting items you’ve come across in Spencer’s collections?

Overall, there’s a lot of interesting items. I really enjoy the format of Index (Ser C294). It’s all loose-leaf and artistically put together. The Wilcox collection has a lot of very interesting and extreme materials that make me question why humans are so odd. The Spencer Library’s fanzine collection is weird, but in a good way. Also, I have come across a local Kansas newspaper that had a member of my family on the front page. It was fun learning more about them.

What are some of your favorite pastimes outside of work?

Well, my time outside of work used to consist of creating native inspired beadwork/regalia for myself, but now it mostly consists of schoolwork. I just started my master’s degree with Emporia State University in Library and Information Management. Any time left after that, I spend with my family, friends, and my dog Bella.

Ruby Rhodd
Special Collections Serials Cataloger

Spencer Rare Materials Cataloging Unit Highlights, January–June 2024

August 21st, 2024

The Rare Materials Cataloging Unit at Spencer Research Library describes primary source material across all of the Library’s collecting areas and makes them accessible via the KU Libraries online catalog. We work on a variety of materials from incunabula (books printed in Europe before 1501) to recently produced zines, and a whole lot in between! 

The Rare Materials Cataloging Unit documents work in a variety of ways. One way is through the measurement of linear feet, which is one foot or twelve inches. This measurement is used because books – and boxes of archival material – vary in size. Calculating linear feet often means measuring the width of the materials (in inches) as they take up physical space on shelves and then dividing by twelve. We use the “Guidelines for Standardized Holdings Counts and Measures for Archival Repositories and Special Collections Libraries” (PDF) – a professional standard from the Rare Books and Manuscripts Section of the American Library Association and the Society of American Archivists – as guidance for managing these counts.

Below are the linear feet equivalents of materials we have completed working on for each Spencer Research Library collecting area from roughly January 1, 2024 through June 30, 2024.

We’ve handled 2428 items during that time, amounting to a little over 176 linear feet (2112.65/12). You can picture this as a line of books stretching almost sixty yards down a football field. See the breakdown below:

Collecting AreaNumber of ItemsSize (inches)
University Archives6298.6
Kansas Collection614446.3
Special Collections11981355.85
Wilcox Collection554211.9
TOTALS24282112.65

Of the backlogged materials (anything arriving prior to June 2022) cataloged in the first six months of 2024, the two longest-waiting items were El Hallazgo, purchased from Otero Muñoz in 1972 (Call Number: Griffith Q116), and Blätter der Rilke-Gesellschaft, no.1, 1972, purchased from the Schweizerisches Rilke-Archiv in 1973 (Call Number: Rilke Y1113).

The heaviest item we’ve cataloged since June 2022 is the fine press photo book Antarctica, which was created by Pat and Rosemarie Keough to save the albatross (Call Number: H480).

This image has text.
The title page of Antarctica by Pat and Rosemarie Keough, 2002. Call Number: H480. Click image to enlarge.

Highlights for each collecting area include the following:

  • For Special Collections: Carta executoria de hidalguía de Lazaro de Adarve, 1570 (Call Number: MS E289), an early modern manuscript that arrived with a detached lead seal.
  • For University Archives: The Jayhawk: The Story of the University of Kansas’s Beloved Mascot, the 2023 book publication by our much-loved prior University Archivist, Becky Schulte (Call Number: GV691.U542 S35 2023).
  • For the Kansas Collection: American Winds: Chicago’s Pioneering Black Aviators and the Race for Equality in the Sky (2024) by Sherri L. Smith, Spencer Research Library’s 2020 Alyce Hunley Wayne travel awardee (Call Number: RH C12791), and Head Jobs, Vol 1-5 (2022-2024), a serial zine publication by a local Lawrence, Kansas, zine-maker (Call Number: RH Ser C1591).
  • For the Wilcox collection: Wonders of Nature (2023), an experimental sound recording (Call Number: WL AV10).
Photograph of a yellow cassette tape. The adjacent case has a yellow insert with a sketch, in black, of a person standing in front of a tree as concentric lines go around them.
Wonders of Nature, 2023. Call Number: WL AV10. Click image to enlarge.

Jaime Groetsema Saifi
Special Collections Cataloging Coordinator