Kenneth Spencer Research Library

Entrance gate at the Israelite House of David headquarters, undated.
T. Y. Baird Papers. Call Number: RH MS-P 414. Click image to enlarge.

The Israelite House of David is a religious society with headquarters in Benton Harbor, Michigan. Founded by Benjamin and Mary Purnell in 1903, the society is still in operation today. Throughout its existence it has not only been a religious order, but has also undertaken numerous business ventures, such as an amusement park, dairy, amphitheater, zoo and aviary, bowling alley, restaurant, hotel, logging operation, and bottled water plant.

Perhaps the society’s most successful business enterprise was owning and managing its own baseball teams, known simply as the “House of David.” The teams existed in varying forms from 1913 through the 1940s. As with all of their businesses, the teams were a way to both provide income for the society and to evangelize.

Israelite House of David ballpark, undated. T. Y. Baird Papers.
Call Number: RH MS-P 414. Click image to enlarge.

A House of David baseball team, undated. Call Number: RH PH P1637.
Click image to enlarge.

The teams were originally comprised entirely of House of David members, but by the 1920s they began to hire professional athletes in order to remain competitive and provide better entertainment. Two of the most famous professional athletes to play for House of David teams were future Hall of Famers Grover Cleveland Alexander and Satchel Paige. The society hired women players, too. For example, Babe Didrikson Zaharias – a successful female athlete in golf, basketball, and track and field – and Jackie Mitchell, a professional female baseball pitcher in the minor leagues, were signed to play. Growing long hair and beards were part of the society’s religious beliefs, and, although it was not required, some of the hired players grew out their hair and beards as a way of showing respect for the society.

Grover Cleveland Alexander, undated. T. Y. Baird Papers.
Call Number: RH MS-P 414. Click image to enlarge.

Babe Didrickson, undated. T. Y. Baird Papers.
Call Number: RH MS-P 414. Click image to enlarge.

House of David baseball player George Anderson, undated.
T. Y. Baird Papers. Call Number: RH MS-P 414. Click image to enlarge.

Because the House of David operated outside of the framework of major league baseball, the teams barnstormed to find other teams to play. Barnstorming involved independent teams traveling to various towns around the country to play in exhibition games against hometown teams. The House of David also played teams from the Negro Leagues, which also barnstormed during and after their regular season.

Thomas Younger (T. Y.) Baird owned the Kansas City Monarchs, a Negro League baseball team, from 1947 to 1956. For a brief period during that time he was also the booking agent for the House of David teams. The photographs in this post are from the papers and photographs of T. Y. Baird held in the Kansas Collection at Kenneth Spencer Research Library.

T. Y. Baird, in the back row wearing a suit and tie, with a House of David team, undated.
Also shown are the the Kansas City Monarchs light boys, who set up stadium lights for night games.
T. Y. Baird Papers. Call Number: RH MS-P 414. Click image to enlarge.

Advertisement, House of David vs. Kansas City Monarchs Travelers,
May 28, 1950. T. Y. Baird Papers. Call Number: RH MS Q209.
Click image to enlarge.

Kathy Lafferty
Public Services

To celebrate the Fourth of July, here are a selection of festive photographs from the Kansas Collection at Kenneth Spencer Research Library.

John S. Salmon (1867-1927), owner of Salmon Brothers Photography Studio, took these photographs of the 1898 Fourth of July Parade in Mount Hope, Kansas, located in the south-central part of the state between Wichita and Hutchinson. Operating his studio at the turn of the century, Salmon captured the town just as it was making the shift from horse transportation to the automobile.

Buggies decorated for the Fourth of July, Mount Hope, Kansas, 1898.
Salmon Brothers, Mt. Hope Photograph Collection. Call Number: RH PH 131.
Click images to enlarge.

Georgetown Band playing on the Fourth of July, Mount Hope, Kansas, 1898.
Salmon Brothers, Mt. Hope Photograph Collection. Call Number: RH PH 131.
Click image to enlarge.

Fourth of July parade, Mount Hope, Kansas, 1898.
Salmon Brothers, Mt. Hope Photograph Collection. Call Number: RH PH 131.
Click images to enlarge.

Additional records documenting the activities of the Salmon Brothers Photography Studio can be found at Wichita State University’s Special Collections and University Archives, which has made an inventory of the collection available online.

Kathy Lafferty
Public Services

George Allen with his collection, December 1989.
Lawrence Journal-World Photo. George Allen Photograph Collection
accession file. Click image to enlarge.

George Allen (1913-2007) was born in Wichita, Kansas. His family moved to Lawrence in 1927. He graduated from Liberty Memorial High School, and then earned a law degree from Kansas University. He practiced law in Lawrence for forty years. Mr. Allen also collected stereoviews, a hobby fueled by his love of history and an interest in photography. He bought his first stereoview in the 1950s from a woman who operated an antique shop behind her house. He would go on to spend thirty-five years collecting thousands more, with his collection peaking somewhere between 20,000 and 25,000. In 1990 he sold 722 stereoviews to the University of Kansas Libraries. Among the collection are views of Kansas, Arizona, Illinois, Nebraska, New Mexico, North Dakota, Ohio, Pennsylvania, Texas, Missouri, Dakota Territory, as well as images of cowboys, sod homes, coal mining, floods, cattle raising, the Chicago Exposition of 1874, and railroads.

Emporia News building on Commercial Street, Emporia, Kansas, undated.
George Allen Photograph Collection. Call Number: RH PH 137.
Click image to enlarge.

Flood in Abilene, Kansas, 1903. George Allen Photograph Collection.
Call Number: RH PH 137. Click image to enlarge.

Boys bathing in Mud Creek, Dickinson County, Kansas, undated.
George Allen Photograph Collection. Call Number: RH PH 137.
Click image to enlarge.

The most popular stereoviews from Mr. Allen’s collection are fifty-five from Alexander Gardner’s “Across the Continent on the Union Pacific Railway, Eastern Division” series, which include several images of post-Civil War Lawrence, Kansas. Gardner, working for the Union Pacific Railway, took his photography wagon, loaded with chemicals and glass plates, across the west in 1867. He first followed the existing railroad line, which passed through Kansas, and then he continued along the proposed railroad route to the Pacific Ocean. He documented the towns, landscapes, and people he encountered on the way, using stereoviews to do so.

Massachusetts Street, Lawrence, Kansas, 1867 (front and back of card).
The image shows the rebirth of the town within five years of Quantrill’s Raid.
Alexander Gardner, Across the Continent on the Union Pacific Railway, Eastern Division.
George Allen Photograph Collection. Call Number: RH PH 137.
Click images to enlarge.

Stereoscopic photography consists of two nearly identical images pasted on a board, side by side. To get the two images, the photographer would make an exposure, then move the camera 2 1/2 inches, the average distance between human eyes, and make a second exposure. The photographer would then develop each of the images and paste the prints onto the board. When the two images are viewed through an apparatus called a stereoscope, or stereoviewer, the eyes force the two images into one image, creating the appearance of depth perception, or 3D. Another method was to use a twin-lens camera, which allowed the photographer to make the two exposures simultaneously, saving time and eliminating the need to reload the camera.

An example of a stereoviewer, also known as a stereoscope.
Image courtesy of Gilai Collectibles. Click image to enlarge.

Collecting and trading stereoviews of plays, famous sites, people, or events was quite popular in the mid nineteenth and early twentieth centuries. Most homes had a stereoviewer in the parlor, which allowed viewers to see, for example, views of Paris without actually traveling. Mr. Allen enjoyed stereoviews for the way they portrayed history and told the story of our shared past.

Round-up on the Sherman Ranch, Genesee, Kansas, undated (front and back of card).
George Allen Photograph Collection. Call Number: RH PH 137. Click images to enlarge.

Dugout sod home, Kansas, undated. George Allen Photograph Collection.
Call Number: RH PH 137. Click image to enlarge.

Kathy Lafferty
Public Services

Spencer Research Library’s Kansas Collection is home to the Shane-Thompson Photograph Collection, which documents a fascinating family of photographers and the images they took of the town and its residents. The studio was successful for seventy-five years, despite a tragic event that should have ended it.

James Boucher Shane. Shane-Thompson Photograph Collection.
Call Number: RH PH 500. Click image to enlarge.

James B. Shane was born in Kentucky in 1840. In the early months of the Civil War he enlisted as a sergeant in the Union 16th Regiment, Kentucky Infantry. Shane served until July 1865 despite suffering serious injuries during the Atlanta Campaign of 1864: his hearing was significantly damaged by his close proximity to cannonade and he lost a leg after a rifle ball shattered his left knee.

After the war, Shane returned to Kentucky, intending to resume his legal studies. Quickly discovering that his severe hearing loss would put him at a serious disadvantage in the courtroom, he had to abandon law as a career. Having read many accounts of westward expansion, Shane left Kentucky and headed to Kansas in 1866. He eventually settled in and around what later became Dickinson County, living there for twelve years and at various times farming, teaching school, working for the railroad as a land agent, and holding various elected positions in local government.

James Shane’s railroad photography car. Shane-Thompson
Photograph Collection. Call Number: RH PH 500.
Click image to enlarge.

In 1878 Shane moved his family to Lawrence, Kansas, to provide his ten children with access to better schools. The following year, Shane spent three weeks with a specialist in Chicago, receiving treatments for his worsening hearing loss. The doctor had several framed photographs of famous men displayed on his office walls, and this gave Shane the idea to have his picture taken. While visiting with the photographer, Shane took an interest in the work of photography and paid the photographer $50.00 for two weeks of lessons. By the end of this time, Shane was hooked. He gave the photographer $200.00 to purchase a photography “outfit” for him and then bought a railroad car for $100.00 to use as his gallery. He returned to Lawrence with a new profession, although unfortunately his hearing was no better.

Train depot in Lawrence, Kansas. Shane-Thompson Photograph Collection.
Call Number: RH PH 500. Click image to enlarge.

Salvation Army group. Shane-Thompson Photograph Collection.
Call Number: RH PH 500. Click image to enlarge.

Shane took his railroad car photo gallery around northeast Kansas and into Iowa. Eventually his wife wanted him stay closer to home, so he parked the car on Massachusetts Street in north Lawrence and bought a house on Louisiana Street. When his business outgrew the railroad car, Shane traded it for a gallery at 829 Massachusetts Street, where Brown’s Shoe Fit is today. It appears that business was quite good because within a few years Shane opened two other galleries in Lawrence, including one at 615 Massachusetts, which currently houses Quinton’s Bar and Deli. Shane also built a little processing shed made of corrugated iron next to the building at 1009 Massachusetts (now Louise’s Bar). He used this shop to re-touch and develop negatives.

 

Train wreck. Shane-Thompson Photograph Collection.
Call Number: RH PH 500. Click image to enlarge.

Lawrence, Kansas, police officer Sam Jeans.
Shane-Thompson Photograph Collection.
Call Number: RH PH 500. Click image to enlarge.

Shane was working in his processing shed on the morning of February 25, 1902. He was taking a break and standing in the entrance of the shed when two local young men out on their lunch break walked by. They said something to Shane and he believed it to be taunting. He had lately been having quite a bit of trouble with local boys taunting and bullying him. In an attempt that Shane said was meant to scare these two, he raised the revolver he kept in his pants pocket and fired, believing he would shoot over their heads. His arm caught on the bar of the awning that covered the doorway, and the bullet hit Edgar Katherman in the back. The young man fell face forward onto the sidewalk, killed instantly, his hands still in his pockets. It is unknown if Katherman had been one of the boys picking on Shane.

Juno Belle Shane Thompson. Shane-Thompson
Photograph Collection. Call Number: RH PH 500.
Click image to enlarge.

Two weeks after Shane’s arrest, his daughter Juno Belle returned to Lawrence from Virginia to operate the gallery. She was a photographer, too, and a graduate of the Illinois College of Photography. She had been employed in a studio in Virginia that, according to a write-up in the March 8, 1902, Daily World announcing her arrival back in Lawrence, was one of the leading studios in that state.

Herbert Thompson’s senior picture in the
KU Jayhawker yearbook, 1910. University Archives.
Call Number: LD 2697 .J3 1910. Click image to enlarge.

While her father was being held without bail, Juno Belle ran the studio alone. She continued to do so after he was convicted and sent to the Kansas State Penitentiary in Lansing. Herbert Thompson became her business partner after their marriage sometime around 1907, and she taught him all she knew about photography. Together they ran the studio until Herbert’s death in 1929, after which Juno Belle again ran the studio alone until her death in 1953.

In prison, Shane was a model prisoner and put in charge of the photography studio. He was sentenced to hang, but the punishment was never carried out. In late 1912, at the age of nearly 72, his health began to decline. His daughters Myrtle, Vara, Neva, and Ella successfully petitioned the governor for their father’s parole. Shane was eventually pardoned in August 1913. He lived in Abilene with his brother for several months before returning to Lawrence, where he lived in the Savoy Hotel. He died there on December 28, 1913.

Eldridge Hotel, Lawrence, Kansas. Shane-Thompson Photograph Collection.
Call Number: RH PH 500. Click image to enlarge.

Native American family. Shane-Thompson Photograph Collection.
Call Number: RH PH 500. Click image to enlarge.

Considering that Shane, Juno Belle, and Herbert Thompson operated a photography business in Lawrence for seventy-five years, and given the number of photographs and negatives in the current collection, it is believed that the Library does not have all of the photos ever taken by the studio. The collection contains photographs of Lawrence businesses, schools, events, activities, portraits and groups made by Capt. Shane, but the bulk of the collection consists of portrait photography by Juno Belle and Herbert between 1903 and 1923.

Kathy Lafferty
Public Services