2018 was an eventful year at Kenneth Spencer Research Library. In addition to the celebration of the building’s 50th anniversary, the Conservation Services department relocated from Watson Library into a newly constructed lab space on the second floor of Spencer. The dedicated space built for Conservation Services allowed the Audiovisual (AV) branch of the team to expand its operations within Spencer by moving into spaces formerly used by Conservation. By expanding the AV footprint within the building, we would be able to add equipment to create a film inspection/video digitization lab separate from the current audio digitization lab (which previously doubled as the film and video lab). Over the course of approximately three months, beginning in September 2018, several meetings took place between Conservation Services staff, the KU architect and KU Facilities to determine how the rooms needed to be adapted for their new uses, as well as what equipment belonged where.
In the audio digitization lab in particular, several changes occurred that completely changed the look of the work space. The room was painted in the building’s original “Spencer Green” hue, and carpeted with its original 1970’s carpet. Ultimately, we all decided that the carpet and paint job had to go, and that new lighting was necessary. Furthermore, we had to decide where the best locations for power outlets would be, and the land-line telephone connections had to be de-commissioned.
In order to replace the carpet and re-paint the room, every single shelf, table and piece of electronic equipment in the room had to be temporarily disassembled and moved to a storage location. My team of student workers and I devised a strategy of labeling all of the cords and ports on our pieces of equipment so that disassembly and re-assembly would go quickly. Once everything was removed from the Audio Lab, Facilities came in and ripped out the carpet. At this time, the electricians started replacing all of the lighting fixtures in both the Audio and Video Labs. They also installed dimmer switches, allowing us to control the levels of light we need depending on the day’s workflow.
In the Video Lab, the renovations to the light fixtures included breaking out the light switches to allow for independent control of lights in the front of the room as well as the back. Additionally, several new electrical outlets were installed in the ceiling and along the north wall of the room. Shelving was removed to allow us to bring in a Steenbeck flatbed motion picture film editing machine. My team and I then set up two film inspection stations and have begun to acquire video digitization and playback equipment.
For the Audio Lab, we chose new paint colors, including for an accent wall, which I think is a really nice bit of the renovation. We also installed new tile flooring, which is ideal for an audiovisual lab such as ours. The tile can be kept much cleaner than carpet, reducing the amount of particulate matter in the lab environment which could be harmful to sensitive media collections. Finally, once the shelving was re-attached to the walls, we were able to quickly re-populate the lab thanks to our labeling strategy.
At this time, the Audio Lab is completely set up and our digitization efforts have re-commenced, and our film inspection stations, including the Steenbeck, are fully operational. The video component of the Film/Video Lab is still under construction; most of the necessary video elements have been purchased and are being built out. I am grateful for the support from KU and the Libraries for this project, which has allowed us to create updated lab spaces to the specifications I requested, and to purchase the equipment my team needs to perform archival quality work on Spencer Library’s audiovisual collections. The enthusiasm of my student workers should also be noted as I truly would not have been able to envision the working conditions within the new work spaces without them. The renovated lab spaces heavily influence and are heavily influenced by the work that the students do on a day-to-day basis and I cannot stress enough how important they are to the digitization and organization efforts we undertake in the department.
Audiovisual Preservation Specialist