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Inside Spencer: The KSRL Blog

Books on a shelf

Welcome to the Kenneth Spencer Research Library blog! As the special collections and archives library at the University of Kansas, Spencer is home to remarkable and diverse collections of rare and unique items. Explore the blog to learn about the work we do and the materials we collect.

All Creeping Things: A History of Herpetological Illustration

May 26th, 2015

All Creeping Things: A History of Herpetological Illustration, Spencer Library’s newest exhibit, opened on May 14, 2015. Guided by Special Collections Librarian Karen Cook, students Megan Sims, Sydney Goldstein, and Ryan Ridder created and installed the exhibit for an exhibit planning and design course (MUSE 703). Whitney Baker, Head of Conservation Services at KU Libraries, Special Collections Librarian Sally Haines, and Caitlin Donnelly, Head of Public Services at Spencer, also assisted the students with their project.

The exhibit was developed in conjunction with the Society for the Study of Amphibians and Reptiles conference being held at the University of Kansas in July and features herpetological illustrations from seventeenth-, eighteenth-, and nineteenth-century books in Spencer Library’s Special Collections. Spencer has put on a few iterations of a similar exhibit for previous conferences. Each student had a unique perspective on their experience creating the exhibit.

Ryan Ridder

“One of our goals was to be distinct from Slithy Toves [a previous exhibit, by Sally Haines] and to present images that viewers familiar with that exhibition, and associated book, might not see as often. We ended up repeating a few irresistible images – the giant salamander, Agassiz’s turtles, and the famous frontispiece to Rössel von Rosenhof’s frog volume – but everything else you see is different. We thought touching on embryological illustrations would give our exhibit another unique slant.”

Photograph of Megan and Ryan installing books

Megan Sims and Ryan Ridder installing books in the cases. Click image to enlarge.

Sydney Goldstein

“I found this class to be both an overwhelming and an incredibly eye-opening experience. Coming from a graphic design background I’ve never gone through the steps of curating an exhibition or working off the computer. It was fun to rummage through a variety of books to select illustrations, figuring out how they will fit in the cases, selecting wall graphics, and working in a group. The most rewarding part was applying our vinyl title graphic ourselves. Overall, a great experience!”

Photograph of the MUSE 703 group hanging vinyl

Megan, Sydney, and Ryan hanging the vinyl title graphic.

Megan Sims

“I have installed many exhibits according to specific designs from clients, but this was my first experience selecting objects, designing signs and labels, and fabricating book mounts and wall graphics for an exhibit. Both the physical process and communication were challenging at times, but seeing the finished product was very rewarding. I’m excited for the conference members and the Lawrence community to see this exhibit!”

Photograph of the MUSE 703 exhibit team in front of title

Ryan Ridder, Sydney Goldstein, Megan Sims, and curator Karen Cook. Click image to enlarge.

All Creeping Things is free and open to the public through August 2015.

Megan Sims
Museum Studies Graduate Student

Happy Birthday, Carl Linnaeus!

May 18th, 2015

This week we celebrate the birthday of the great 18th century taxonomist Carolus Linnaeus, who was born on May 23rd, 1707. Spencer Library holds one of approximately thirty surviving copies of the first edition of Linnaeus’ epoch-making Systema Naturae. Spencer’s remarkably fine copy is housed in an ingenious binding (only half as wide as the paper, allowing the broadsheet book to be folded vertically for easy carrying). During his lifetime, Linnaeus published twelve editions of this monumental work. By 1766, when the twelfth edition was published, the taxonomic text had grown from the seven broadsheets of the first edition to 2,300 pages.

Pryce J2

Carl von Linné, Systema naturae, 1735. Special Collections. Call number Pryce J2. Note the half binding, allowing the item to be folded for use. Click image to enlarge.

The Spencer Library Linnaeus collection includes nearly all of his major works in many editions, of which a hundred or more are first editions. Particularly notable are the various editions of the Systema Naturae; a complete set of the Linnaean dissertations in their first editions; a splendid copy of the Hortus Cliffortianus (1737); the first edition, first and second issues, of the Species plantarum (1753), the work in which Linnaeus first applied binomial nomenclature to botany; and the scarce first edition of Pehr Kalm’s En Resa till Nora America (1753-1761). The collection also includes long runs of the journals published by the principal Linnaean societies, many biographical works, and early editions of works by Linnaeus’ disciples and contemporaries.

Pryce J2_detail

Detail from Carl von Linné, Systema naturae, 1735. Special Collections. Call number Pryce J2. Click image to enlarge.

Adapted From A Silver Anniversary: The First 25 Years of the Kenneth Spencer Research Library, Jim Helyar, editor (1994).

Whitney Baker
Head, Conservation Services

Hidden Treasure Found in the Stacks

April 15th, 2015

Working at Spencer for the past two years, I’ve discovered many amazing manuscripts and old novels that I never dreamed of getting the chance to actually work with. An even more far-fetched idea, however, was finding books that I read when I was a kid and had completely forgotten about.

Yet I did.

It started off as any other day: reshelving books within the stacks. I pushed my book cart, complete with its squeaky wheels, down the rows as I returned the books back to their homes on the shelves. Walking around the perimeter of the stacks, I found a section of books that I hadn’t noticed before. They stood out amongst the old, leather bound covers of books published before the 1700s. Instead, these spines were cloth and colorful, rich in design and detail.

And they looked eerily familiar.

Image of the cover of In the Reign of Terror by G. A. Henty, 1888

The cover of In the Reign of Terror by G. A. Henty.
Illustrated by J. Schönberb. London: Blackie, 1888.
Call Number: O’Hegarty B805. Click image to enlarge.

Leaving my book cart behind me, I walked up to take a closer look, disbelief forming in the back of my mind. No, these couldn’t be the same books I read in middle school, I thought. There was no chance. Upon closer inspection, my gut was proven to be right: I had discovered a treasure trove of books by British author George Alfred (G. A.) Henty. Shelves upon shelves were lined by his masterpieces, a series of adventure books that I’d barely scratched the surface of, reading them in my youth.

Instantly, I was transported back home, as an eleven-year-old, acne-riddled, glasses wearing middle-schooler, standing in my public library. I discovered a book by accident: it had a simple red cover that was torn on the sides. The title read In the Reign of Terror: The Adventures of a Westminster Boy by G. A. Henty. I have never heard of him before, but I decided to take the book home with me and give it a try.

I finished it within the week.

Henty was a mastermind of writing stories threaded within historical events. In the Reign of Terror was about a boy named Harry Sandwith, who was sent to live with the Marquis de St. Caux during the French Revolution, in a time when political stresses tore the country apart during the reign of King Louis XVI. Even though his novels were written in the late nineteenth century and intended for a young male audience (he always started off his tales with a letter to his audience, addressed to his “Dear Lads…”), I still found them to be enlightening, enjoyable and one heck of a political and historical ride.

And I had completely forgotten about Henty and his tales.

Image of the cover of St. Bartholomew's Eve, G. A. Henty, 1894

The cover of St. Bartholomew’s Eve by G. A. Henty.
Illustrated by H. J. Draper. London: Blackie, 1894.
Call Number: O’Hegarty B818. Click image to enlarge.

Since being reunited, I have been reminded of the books that I raided when I was a kid. After reading Reign, I quickly went through our library’s collection back home, which consisted of six titles. My favorite I’ve read is St. Bartholomew’s Day Massacre, which is a tale of the Huguenot Wars.

Illustration in St. Bartholomew's Eve, G. A. Henty, 1894

An illustration in St. Bartholomew’s Eve by G. A. Henty.
Illustrated by H. J. Draper. London: Blackie, 1894.
Call Number: O’Hegarty B818. Click image to enlarge.

Image of preface in St. Bartholomew's Eve, G. A. Henty, 1894 Image of preface in St. Bartholomew's Eve, G. A. Henty, 1894

The preface of St. Bartholomew’s Eve by G. A. Henty, addressed to “my dead lads.” Illustrated by H. J. Draper.
London: Blackie, 1894. Call Number: O’Hegarty B818. Click image to enlarge.

Now that I have rediscovered Henty, I’ve been looking into him again and trying to decide which book to read next in order to get back into reading him. Yet I also realized that there are plenty of controversies surrounding the author I’d accidentally discovered. While these stories are advertised as stories of adventures for young boys, they were also criticized – both during the time of publication and especially since then – as being xenophobic towards anything that wasn’t part of British culture and nationalism. His books were also labeled as strong propaganda towards British imperialism, raising the question of if there was another purpose behind Henty’s agenda for writing these novels.

None of this political scandal was noticed by me as a young reader, but recognizing it now, I think it would be interesting to go back and reread some of his stories, or pick up a brand new one. Rediscovering one of my favorite childhood authors was something I definitely didn’t expect to happen while working within the stacks. It was an experience that made me feel like I went back in time, while at the same time, opened a door to learning more about this controversial, yet very popular, late-nineteenth-century author.

It just goes to show that no matter what you’re doing in a library – working, researching or just simply browsing – the treasures waiting to be discovered are endless.

Nicole Evans
Public Services Student Assistant

Love Apples: Guess the Fruit

March 30th, 2015

The first fruits (berries, botanically speaking) of these vines to be eaten in Europe were probably yellow varieties: “golden apples” the Italians called them. The Italians loved them, but the rest of the world needed more convincing of their merits because they were thought to be either poisonous or aphrodisiac “love apples”, not too surprising considering their resemblance to other dangerous members of the same plant family.

At any rate, as late as the nineteenth century in America Dr. George Washington Carver, interested in improving nutrition among the poor, got up on a stage and ate these in public in order to prove that they were not poisonous.

In the annals of medical mysteries there was a case involving one of these ‘berries’ that killed off some folks; mystery solved when it was discovered that its stems had been spliced to the stems of one of the poisonous members of the family, jimsonweed, not with any mal-intent (pun intended), apparently, just the desire for bigger, better, and juicier.

They should have waited; genetic engineers are now splicing away, but at the genetic level. But … caveat emptor:  in 1992, just prior to the mounting of the Haunted Forest exhibition in which this label originally appeared, the first President Bush announced that the government would allow the sale, without government testing – by 1993 – of the Flavr Savr, courtesy of Calgene, Inc. of Davis, California. Long story short, the experiment failed: rising costs prevented the company from becoming profitable, and the Flavr Savr was gone by 1997.

Have you guessed the identity of the fruit whose vine is pictured below?

The name of this common berry is… TOMATO (highlight the blank space to the left to reveal the plant’s name).

Plate for Solanum lycopersicum  (tomato) in  Kniphof's Botanica in originali seu Herbarum vivum (1757-1767).

Our mystery berry: Solanum Lycopersicum. Johann Hieronymus Kniphof (1704-1763). Botanica in originali
seu Herbarum vivum
. Hallae Magdeburgicae, 1757-1767.  Centur. 4, 1758. Linnaeana E15 Click image to enlarge.

This unusual-looking botany book is one of the earliest, if not the first work of any extent, to use the process known as nature printing, by which a plant is laid out flat, blackened with printer’s ink, and placed between two pieces of paper to which pressure is applied. The ink imparts an impression of veins and fibers which is then colored by hand. Like a number of the works shown in this exhibition, this is one of considerable bibliographical complexity and it exists in fewer than fifteen copies, not all of which are colored and no two appear to be alike. This herbarum vivum is notable for being perhaps the first botanical plate book to cite Linnaeus’s Species plantarum, 1753, in which binomials were first used consistently for naming plants.

Title page, featuring nature printing, for Centur III-IV of Kniphof's Botanica in originali seu Herbarum vivum

Title page for Centur III-IV of Kniphof’s Botanica in originali seu Herbarum vivum.
Hallae Magdeburgicae, 1757-1767.   Linnaeana E15 Click image to enlarge.

Sally Haines
Rare Books Cataloger

Adapted from her Kenneth Spencer Research Library exhibit, The Haunted Forest: New World Plants & Animals (1992).

King of the Wild Frontier

March 6th, 2015

Today marks the 179th anniversary of the Battle of the Alamo. Spencer Research Library is home to a small collection about the Alamo’s most famous defender: frontiersman and former Tennessee Congressman David Crockett (1786-1836).

Image of Fisher's Crockett Almanac, cover, 1843

The cover of Fisher’s Crockett Almanac, 1843.
Call Number: B10218. Click image to enlarge.

The items I find most interesting are the Crockett Almanacs. At least forty-five were published by various firms over a twenty-year period beginning in 1835, the year that Crockett lost his Congressional seat and famously told his constituents that “since you have chosen to elect a man with a timber toe to succeed me, you may all go to hell and I will go to Texas.” Shown here are selected pages from the 1843 edition of Fisher’s Crockett Almanac.

Image of Fisher's Crockett Almanac, March calendar, 1843

“Valuable Recipes” and the March calendar in
Fisher’s Crockett Almanac, 1843. This information might
come in handy if you have, say, mildewy linen or
tarnished gilt frames. Call Number: B10218. Click image to enlarge.

The Crockett almanacs contained some of the same information found in other early American almanacs, including calendars, sunrise and sunset times, astronomical data, and important dates, historical anniversaries, and holidays. Primarily, however, the almanacs focused on a comical, exaggerated version of Crockett, drawing and expanding upon popular books and plays that had already been written by and about him. As historian Paul Andrew Hutton explained in an article about the almanacs, they were filled with a cast of peculiar and outlandish characters; folk wisdom; tall hunting tales based on the “celebrated hunting skills of the real Crockett” (16); and stories of “daring escapes from wild beasts, descriptions of animals, and dialect humor” that the real Crockett was masterful at telling (15).

Image of Fisher's Crockett Almanac, preface, 1843

Fictional Ben Hardin was introduced to readers as an old sailor who
met Davy Crockett and “decided to devote himself to the continuation
of his friend’s almanacs” (Hutton 15). Beginning in 1841, the almanacs
were also based on the myth that Crockett had survived the
Battle of the Alamo and was a prisoner in Mexico forced to work
in the mines. Fisher’s Crockett Almanac, preface, 1843.
Call Number: B10218. Click image to enlarge.

Image of Fisher's Crockett Almanac, "Crockett Discovering the Pole," 1843 Image of Fisher's Crockett Almanac, "An Apology," 1843 Image of Fisher's Crockett Almanac, "Crockett and the Devil," 1843

Selected stories from Fisher’s Crockett Almanac, 1843.
Call Number: B10218. Click image to enlarge.

Taken together, writes Hutton, the almanacs created a fictional version of David Crockett in which he was “a tall-tale trickster with the strength of Hercules, the valor of Lancelot, the veracity of Baron Munchausen, and the wit of Brer Rabbit. This comic superman insured Crockett a rare immortality, enshrined the humor of the Old Southwest in print, provided an eventually triumphant rival to the romantic, class-conscious frontier hero of James Fenimore Cooper, and further defined the emerging American national character” (10).

In short, writes Hutton,

A celebrity in his own time, Crockett was elevated to near-mythical status by his heroic death at the Alamo in 1836. Rediscovered in the middle of the twentieth century, he again became a towering figure of American popular culture. He had courted fame while alive, and unlike Daniel Boone – whose mantle as America’s great frontier hero he inherited – he had taken an active role in the creation of his own overblown legend. His story, however, quickly became the property of others. They greatly embellished the core of truth he had projected to create the archetypical backwoodsman and Jacksonian self-made man who captured the imagination of the world. None were more important important in this heroic evolution than the imaginative creators of the wildly popular Crockett almanacs (10).

Image of Fisher's Crockett Almanac, "The Indian, Crockett and the Boa Constrictor," 1843

Fisher’s Crockett Almanac, back cover, 1843. Call Number: B10218. Click image to enlarge.

Want to know more about David/Davy Crockett? Check out these sources at Spencer and Watson libraries.

The Life and Adventures of Colonel David Crockett, of West Tennessee (1833): This anonymously-published work has been attributed to Matthew St. Clair Clarke and copyright holder James S. French. Hugely popular, it was republished under the title Sketches and Eccentricities of Col. David Crockett, of West Tennessee (1833).

An Account of Col. Crockett’s Tour to the North and Down East (1835): Increasingly displeased seeing others prosper from writing about – and in some cases caricaturing – him and seeking a way to pay off his debts, Crockett wrote his autobiography, published as A Narrative of the Life of David Crockett, of the State of Tennessee (1834). He promoted the work during the grand tour described in this book. It was written by friend and fellow Congressman William Clark based on newspaper accounts, other documents, and notes provided by Crockett.

The Life of Martin Van Buren, Heir-Apparent to the “Government,” and the Appointed Successor of General Andrew Jackson (sixteenth edition, 1837): This bitterly partisan work reflected Crockett’s virulent opposition to Jackson and Van Buren. He lent his name to the title page of this book, although it was written by Augustin Clayton. The publisher was so nervous about being sued for libel that the firm left its name off the title page of the first edition.

Col. Crockett’s Exploits and Adventures in Texas (1837): This is a work of mostly fiction by Richard Penn Smith masquerading as fact, allegedly based on Crockett’s own diary, a document that does not exist.

The Crockett Almanac (1839, 1840, 1841)

Ben Hardin’s Crockett Almanac (1842)

Three Roads to the Alamo: The Lives and Fortunes of David Crockett, James Bowie, and William Barret Travis by William C. Davis (1998)

Reference

Hutton, Paul Andrew. “‘Going to Congress and making allmynacks is my trade’: Davy Crockett, His Almanacs, and the Evolution of a Frontier Legend.” Journal of the West 37:2 (April 1998): 10-22.

Note

I previously wrote about the Crockett Almanacs for the blog of the Daughters of the Republic of Texas Library at the Alamo.

Caitlin Donnelly
Head of Public Services